Kiesza’s album artwork for “Hideaway” and “Giant in my Heart” feature monarch symbolism.

Kiesza is a well-known singer-songwriter and dancer who came onto the scene around 2010-ish. She’s mostly known for her single “Hideaway”, whose title suggests a sort of mental escape. And whaddaya know, the lyrics follow exactly that theme. One part goes,

“You send me the shiver up my spine, might overflow
You’re bringing me closer to the edge of letting go
You’re just a hideaway, you’re just a feeling

You let my heart escape beyond the meaning
Putting my head into the clouds I’m floating home
When you get me going I can’t find a way to stop
You’re just a chance I take to keep on dreaming
You’re just another day that keeps me breathing”

She’s talking about becoming numb to emotions, and having her head in the clouds- which she goes as far as to call “home”. And the first line where she talks about how her spine might “overflow” is related to the point in monarch programming where they overload the Central Nervous System via loud music, electroshock, torture, screaming, etc. When that happens, they dissociate completely, leaving the host body open for programming.  She also talks about the subject being “just another day that keeps me breathing”, suggesting that her life depends on this programming.

Opening of the head suggests mind control, especially when the inside is hollow or filled with something different. The zipper on her arm suggests that she’s a product, rearrangeable and carefully constructed.

Stacking of the heads inside one another suggests multiple personalities, or “alters”. The surrealism of the setting and the sky backdrop suggest being in a dreamland dissociative state.

Once again, the slicing apart of parts of the body suggest a fragmented mind and therefore multiple alters. The giant hole in her chest suggests the removal of emotion, which is a big part programming. Emotion isn’t practical to them. Instead, they’ve placed a manufactured version of “love” inside the hole. It’s funny how they chose an iconic art piece to fill her in with. As though she’s a work of art, meant to be an icon.

Also, the lightning bolt in her name is suggestive of electroshock torture, one of the most commonly used traumatising techniques used by monarch handlers. I figured I should add that in there.
As well, Luke 10:18 states that he saw Satan struck down from the heavens “like lightning”. Therefore, it can also apply in a Luciferian context.
So there you go, more monarch programming symbolism and MK Ultra bullshit. I can’t look anywhere anymore without seeing monarch programming triggers on and around these slaves. It truly is a shame.

Jeremih and YG’s cover art for “Don’t Tell ‘Em” is also questionable.

 

Jeremih and YG are two popular rappers in the industry today, so clearly that should tell us that they’re involved with the darker side of the industry as well. I mean, come on. Lesbereal, if you wanna make it to the “top”, you’ve gotta agree to subject yourself and others to things you wouldn’t normally- all in the name of fame in the game.

The cover art for their single “Don’t Tell ‘Em” shows a blonde woman with fringe to her cheeks, covering her eyes like a veil. She’s also doing the universal “shhh” handsign. The hair is (I’m hoping, at least) a wig as well.

Wigs are commonly used in monarch programmed individuals to signify different alters. The fringe over her eyes symbolises blindness to, well, everything. The true nature of both the industry and themselves. Blind to who and what they really are, blind to the amount of control they’re under. This is tied in well with the handsign, which represents silence and secrecy- something understandingly important to the occult elite of the world, and therefore everyone under their control. The title is clever, not only because it’s plastered right on her face which she can’t see, but also because it aptly applies to this concept of secrecy and being shrouded from reality. 

Cover art these days is littered with symbolism, and is usually a surefire way to tell who’s really who, and if you dig a bit further, you can easily find out who is handled by who and through what means. 
Please, for the love of God, do some research if you don’t know anything about this atrocity of a system.

Every single thing about this place makes me feel like being sick to my fucking stomach.

The Vector Gallery located on 124 Clinton St, New York is the first Satanic art gallery in the Lower East Side- and the first I’ve ever seen that’s permanent.
That link is to their official tumblr, and you can find most of this information there, but only at the cost of feeling like part of your soul has died.
In fact, in order to be able to enter the back room of the gallery, you literally have to formally sell your soul to Satan. I shit you not.


The artist himself, JJ Brine, has declared it “The Official Art Gallery of Satan” and has stated in interviews that the place is, in and of itself, a living entity. He has claimed that certain things have fallen off walls and rearranged themselves, and that the gallery sends messages to him. The gallery is said to have a very strong, unique energy of its own- an energy I feel simply from even looking at the images of it.
JJ has also founded and lead a new religion he calls “Vectorism”.

The artist and who I presume is his girlfriend.

The difference between Vectorism and Satanism are that Vectorism actually recognises Satan as lord and saviour. This is not the ideology that Satanism is founded upon, which is that you’re free to believe and do whatever you want without consequence. You’re your own god. But not with Vectorism, no. With Vectorism, Satan is GOD and is to be respected, feared, and worshipped. They hold religious ceremonies as well.

The walls are littered with “post-human art”, a term he claims Satan chose. The entire gallery is littered with art dedicated to Satan, Charles Manson (whom has been named their church’s official religious leader), desecration of classical art, hooved and horned creatures with outreached hands and warm smiles, Baphomet-like figures, and yes- heaps upon heaps of Illuminati-related symbolism. It’s also full to the brim with all sorts of reflective materials, mirrors, silver spray paint, glitter, bright neon lights, etc.


This man is leading a movement all of its own, and it’s rapidly gaining in popularity.
This man is sick, and he is dangerous.
I wish all of this was one great big joke- but unfortunately, it most certainly doesn’t seem to be whatsoever.

Jessie J’s “Thunder”: Isn’t once or twice enough?

Jessie-J3

Mickey Mouse ears AND bows = mind control triggers.

I mean really, I genuinely lost count of how many times this woman covers one of her eyes in this music video. I truly did. I guess we’ll know by the end of me writing this- but for now just kick back, relax, and have a read. This one is dark. Darker than dark-dark. Like 3dark5me.

I realise that this music video came out in 2013, but I’d forgotten all about it. Recent or not, it’s highly relevant to the information on this blog, so I’m doing a breakdown of it. Deal with it. (;

The colour scheme of this video is completely black. I mean, black everything. When I said “dark”, I meant that in more than one way. Literally, figuratively, whatever you want to call it. It is how it is.
She’s wearing a nude leotard with black detailing and a black full-neck collar (probably alluding to Beta slave status), and she also has black chiffon fabric on both sides taking on the appearance of some kind of cloak or wings at times.

The video is also set in the middle of a desert in the middle of the night with lots of- you guessed it- storms going on in the distance. Lightning flashing all about throughout the duration of it. Lightning represents two things in the context of the occult elite and monarch programming. In reference to the occult, lightning symbolises Lucifer, the “morning star”, who was struck down to earth by lightning in lore. As far as MK Ultra, lightning represents electricity (obviously)- which is important because almost all programming involves some kind of brutal, unthinkable torture. Electroshock is used very frequently because it traumatises the body and mind to the point of complete and total detachment- which is the goal. When one dissociates fully, programming can be executed properly because the consciousness and perception of the person is no longer interfering with the host-victim’s body. Super.

Anyway, the most obvious of all symbolism in this video is the one-eyed sign, commonly known as the “all-seeing eye”, or the “Eye of Horus”. This represents the global elite and their prideful, seemingly omniscient presence and awareness due to their power and the all-seeing, all-knowing power of Lucifer that they evidently hold so near and dear. The one-eyed symbol is the most commonly used symbol in reference to the elite, as the butterfly is to monarch programming. If you see a well-known politician or celebrity doing the one-eyed “salute”, be keen about what they say and do. It’s always important to be vigilant about the world around you and all of what your mind is taking in. Your mind is your most important asset, so it’s important to protect that.

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Leaning up against a car, suggesting she drove to this metaphorical place or was brought here intentionally.

The first thing we see in this video is Jessie leaning up against a black car in said desert, covering herself up with the sheer black fabric, appearing like a cloak. She looks detached and distant, and the way she’s covering herself signals vulnerability.
Next to the car, we can see a small dead tree or plant of some sort that appears as though it was planted relatively recently. This is significant because it shows a lot about monarch programming- the small plant is young but already lifeless, and was intentionally planted that way by hand- into dry, dead soil. Child victims of MK are broken and their spirits killed before they even get a chance. This is done deliberately and calculatedly, into conditions where they’ll never get the chance to sprout or grow. This is just my interpretation, however.

Next is where she begins to come alive, so to speak. Let the Illuminati batshit begin.Screenshot (511)She covers one of her eyes not even a tenth of the way into the video. No need to explain, we allllllll know what that means.Screenshot (512)Screenshot (514)
After she begins to come alive, she opens up the cloak- rendering herself completely open and susceptible. This is important because that’s the state a victim has to be in in order to program or attach darker things to them.
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Ohhh dear, here she goes covering one eye again. In all fairness, she’s better at doing it slyly in videos than some other people. *COUGH*PARISHILTON*COUGH*
Damn, I’m sorry. This cold is really getting to me.
Ahem, so yeah. Anyway.

She then reaches full-vulnerability mode when she quickly bends over backwards, revealing and opening herself up entirely to… well, whatever darkness is consuming her.

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She then covers her eye again, but I’m already getting tired of saying it so I’m just going to include a nice little collection of her many one-eyed shots at the end of this article. We can count and see how many Satan points she gets. Yay!
When lightning strikes in the distance, she whips open the black fabric and thrusts her arms into the air, fabric being blown about by the tumultuous winds surrounding her.
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Soon after, we see her on the ground, bent over forward, shrouded by the black fabric, and contorting and twisting in an eerily inhuman fashion. This type of movement is reminiscent of what you commonly see in exorcisms and possession- and it reminds me of what we saw happen to Elisa Lam, or the way Rihanna moved in her video for “What Now”.

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Weak, and surrounded by darkness.

Oh yeah, and then she awkwardly forms a triangle with her arm. Could be coincidence, but I personally don’t believe in that. This is very iffy, I’m only including it to cover the full scope of possibility. After all, that’s what having lots of speculation and theories is all about, yeah?

Maybe, maybe not.

Maybe, maybe not- but it’s there.

THERE. Now, this is where shit gets real. She begins to take on a dark, demented personality and you can tell it purely by the look in her eyes. Some of them are very quick flashes, and some are more extended, but they definitely give me the creeps.

Evil glare #1.

Evil glare #1.

After that, we see Jessie chaotically moving and twisting about, while also being surrounded by multiples of her doing the exact same. This screams monarch victim because they literally represent the multiple alters within a subject. It’s disturbing knowing what some of these elite and those in their hierarchy of their monarch system are capable of.

Multiple multiples.

Multiple multiples.

They all just look so lost and distressed.

They all just look so lost and distressed.

Once again, lightning strikes. At that exact moment, she’s posed in a way that represents full openness and acceptance. She’s opened up, and the electricity can do its job (symbolically, in a theoretical monarch setting).
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We then see the darkness quickly consuming her, and these pictures can say more than I ever could. There’s nothing more to it than complete and utter destruction of happiness and joy. You can tell by the looks on her faces.

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Collar around the neck, symbolising control and her status as a slave to the industry and its inner workings.

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Turmoil and hatred simmering inside.

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Cue possession traits, these next photos are pretty unsettling. She is shown levitating, hovering over the ground, completely open and exposed. There’s no way around that. In this first of the levitation flashes, the shadow on the ground does not appear to have a head. It could be the angle of the lighting, but I’m not sure. Regardless, it’s strange. And if the shadow is meant to not have a head, then that’s symbolic of dehumanisation and not having any remaining essence, or “core”- meaning the original self. Just a body to be inhabited and used for other means.
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After the darkness has fully consumed her, and she’s now what I’m going to refer to as “possessed” (call it what you want, it’s all the same), she’s shown standing up tall and seductively, reaching out a hand to the viewer.. beckoning for them to join her..

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Once again, shown surrounded by multiples.

We then quickly see her gazing at us through the dark shroud, symbolising her oblivious and distorted mindstate. This happens very quickly, so if you go to watch the video, watch carefully.
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Then, we’re shown her levitating once more, but this time it’s proof- proof that the levitation represents her soul leaving the body open to any and all outside influence, due to the fact that her spirit is actually shown leaving the body. At first, the body is surrounded by light, shadow on the ground. But then, the light is gone, so is her shadow.. and so is she.
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Literally out of her mind.

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Yeah, sand makes me really angry too.

We then see some evil, dark expressions on her face, and her levitating body is now curled up, an empty hollow shell, in a position similar to a fetus in the womb.
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We also see her kneeling on the ground, head bowed down, wrapped in the darkness, and hands behind her back like she’s completely surrendered. Like a slave about to be killed.
Like a slave who’s accepted that they’re nothing.
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Aaand then we see the most disturbing face in the entire video. It weirds me out just looking at it, this bitch be 666% evil.
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We also have the wondrous privilege of seeing her lookin’ like a completely power-hungry, psychotic demon woman. Pics because it happened.

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Appearing all-powerful and demonic.

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Angel of the light, symbolising satanic deception.

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Self-inflicted injury, commonly programmed into victims in case programming starts to break down or go wrong.

At the end of the video, we see Jessie clutching her neck- a very common form of symbolism related to self-injury and masochism. After, at the very end, she collapses. This is very, very similar to Eminem at the end of his video for “Rap God”.

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Collapsed on the ground, nothing left to give.

So there we have it, mates. Jessie J is just as much of a crazy bitch as Nicki Minaj or Katy Perry or Miley Cyrus or any other MK Ultra-diseased “human” being. These people are no joke. They’re truly slaves. They’re truly not who they once were, when they were young and gullible enough to get involved with the entertainment industry.
For the love of god, if you like to write music, do it for you. Don’t do it for the fame, you’ll never be the same.
End of.

Oh yeah. And here are all the numerous one-eyed shots she provided.
Screenshot (544) Screenshot (542) Screenshot (541) Screenshot (527) Screenshot (524) Screenshot (516)

9 SATAN POINTS TO JESSIE J, SHE DESERVES A FUCKING MEDAL.

Hmmmmmmmmmmmmmmmmmmmmmmmmmm…
I wonder who she’s working for. :l

MK Celebrities and Self-Awareness

OPEN Q&A SESSION

 

So it’s time for a certified question-and-answer session. I enjoy hearing your input and thoughts/ideas even more than I enjoy trying to explain what I believe.
From now on, comment on any post in this category with questions YOU have too. If it’s genuine and insightful, I’ll break it down and answer it in this category like the following:

A couple days ago, a commenter with the username “Precious” asked:

Q: “Do you think the celebrities in the video know what the directors and editors of the video are trying to hide in the meaning. Or do you think that the celebrities are just as blind as many who listen in to the music. And why are the directors/editors using symbolism as such and supposed mind control ???”

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A: I personally believe that most mind-controlled celebrities (more specifically, their main alter) are aware that they’re probably being taken advantage of to some degree, but I don’t believe that most know they’re being manipulated to anywhere near the degree that they truly are. As far as them understanding the meaning of the symbolism in the various videos/songs/shows/etc that they put out varies.

Seeing as some of these types of media are layered with symbolism- frequently, multiple types- they could very well be aware of or even support SOME of the meanings and ideologies within them. However, I do not believe that monarch celebrities have any external awareness of the MK Ultra-related symbolism and triggers. This is namely because of the fact that if they understood what it meant, it wouldn’t be a trigger, and that knowledge could trigger a collapse of the system’s programming (think Britney Spears, Amanda Bynes, Mariah Carey, etc.)

When their mind has a hunch about what they are (and it always does to some extent, because the spirit sees and knows all), and how they became that way, the mind sometimes attempts to wreak havoc on the internal system in an attempt to bring the fragmented pieces of their ego back together. This also tends to happen quite frequently the older the subject gets because cerebral atrophy begins to set in. This is exactly why we see so many mysterious “celebrity deaths” when monarch slaves reach early-middle age- they’re being disposed of. Programming doesn’t tend to stay stable once they reach a certain age, so once they’re no longer useful or bringing in revenue, they’re no longer needed. There’s even something dubbed the “27 Club”, due to the strange number of celebrity deaths at that specific age.

As far as pushing the occult symbolism, a lot of it has to do with how cooperative their front alter(s) is. If they, themselves are programmed to be into into occult/esoteric symbolism or mystic-type religions like Luciferianism, Kabbalah, Scientology, etc, then there’s no reason to try and obscure the meaning of the symbolism or agenda they’re being used to push. In fact, many are more than happy to oblige. Remember, their front alters usually don’t tend to have many questions or desires beyond their bubble they happily live in. Taking orders and making the money they do makes for an easy, comfortable life. That, in turn, makes it easy to just cooperate- regardless of whether or not they agree with or even understand what they’re being used to push.

Also, as far as why they push all these symbols and subliminal meanings in our faces is because it makes for easy mass programming. When everyone is slowly exposed to this repetitive bullshit over generations, they care less and less about important matters and more and more about hashtags and twerking. That makes for an easily controllable and influenceable public, making major political moves possible with little interference or outrage. But keep in mind, the entertainment industry is only one of the tools the dark government utilises to distort our viewpoints. They also use things like false flag terror to get us to give up our privacy and weapons in exchange for what we’re lead to believe is “security and safety”. In order to usher in the police state and fulfill Agenda 21, all of the tools they use are necessary.

Does that help answer your question?

Pills ‘N Potions: A Deadly Concoction.

 

But I’m not talking about medication and alcohol- no. I’m talking about the latest single by Nicki Minaj released under YMCMB. It’s a rather odd (for her), but not too terrible-sounding song from the rapper-gone-pop-gone-whatever-she-is-now vocalist.
The “simple” meaning of the song is about a toxic relationship that she repeatedly chooses to stay in because she “still loves” him. But beneath the shaky facades of most mainstream pop songs today lie undeniably dark messages. In this, it’s about a slave in the world of monarch programming, and the male in the song and video represents an alter.

The lyrics, on the surface, are easy to grasp. They go over relationships, people who love you, people who don’t really love you, people who hate you, and being better than those people because you sold out to afford your drugs and cars.
Now that we spent all that exhaustive time covering the originality of these lyrics, let’s look a bit deeper and get a grasp on what this song is really all about.

I’m going to assume that most of you who landed on this article have already seen the video and want answers. Welp. I’ll tell you right now that I know for sure this video is not about Easter. Luckily for you, there aren’t any subliminal messages in it, but it is laden with symbolism so let’s walk through this one step by step, yeah?

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It all starts out with Nicki. She’s in cat-eye eyeliner (wink wink) and smoking a cig in a sheer, white robe. But it gets deep fast. The next setting we see her in is one of vulnerability. She’s looking up as though being looked down upon, half-naked and covering up what she can. This Nicki is in black.

She’s singing the lines “Pills ‘n potions, we’re overdosing, I’m angry but I still love you” while the video rapidly switches between her in black and white outfits. These lyrics are the key to understanding all of this. Pills and potions refers to the drugs they use to manipulate a monarch slave into thinking a certain way and becoming easily suggestable. The word “potion” obviously has a magical connotation, signifying the fact that it’s not all just technical medical and psychological torment. It’s much deeper and darker than that. The other keyword is “we’re”. She’s not saying “I’M overdosing”. She says “we’re”. That hints at the whole alter-alter thing.
A few times in this video, she makes hand gestures as though she’s choking herself, symbolising how these slaves are taught to believe that pain is love and love is pain. This is in both black and white, to show that the good parts and bad parts of her are all hurting- and have been taught to want to hurt. That that’s love.

Image

Image

Cue weird rabbit theme coming into play. This is probably the reason most of you came looking for answers, and I’m proud of you. Yeah, that’s right. You.
This starts with a simple Pez dispenser with a white rabbit head. The symbol of a white rabbit is related to Alice in Wonderland programming, and rabbits are related to beta programming (sexual alters, you can probably tell why). In Alice in Wonderland programming, the slave is taught to go “through the looking glass” to dissociate or access certain parts of their mind otherwise secured. The fact that this white rabbit is dispensing pills (not Pez) is accurately representative of how slaves are forcibly hooked on all kinds of hardcore drugs in order to have something to held over them and used to manipulate them (far too easily). Think about it. What wouldn’t a drug addict do at rock bottom, just for their next score? Even then, those are still people with some shred of free will left.
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The next rabbit we see is a black and white picture of a rabbit (in what appears to originally have been in a laying down position), animated standing up and moving his paws to the beat of the music. This one is weird, just in a disturbing way. The fact that they animated what was probably a dead rabbit to look like some kind of Frankenstein robot freak is just odd in and of itself, but it’s scarily applicable to the state of a monarch slave.
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Next thing we see is the the rapper “The Game” (portraying the other alter) looking up at the screen with purple smoky, cloudy, liquidy material coming up from behind his head. Now, as we know, the colour purple is both associated with higher consciousness (“illumination”, per se) and it can also represent an abuser or handler figure in a System- because remember, nearly all handlers are programmed themselves, and many slaves have alters within their System that are handler figures to keep them in line. It’s a hierarchy of power. A pyramid. I think both meanings could be accurate in this circumstance. Since the material is coming from his head, I’m going to say I believe it to represent higher consciousness and his thought. Which can’t be good, because he looks demented when he makes eye contact in the video.

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We then see Nicki continuing to sing, while what I’m going to call “liquid chrome” tears are flowing down her face. This liquid chrome material is pervasive throughout the entire video, and it seems to me to metaphorically represent the manifestation of this toxicity of being a slave and the conflict within a System.

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This next frame is one of the reasons I say this man and Nicki represent alters for one other. They have their backs/attention turned away from one another and seem to be oblivious of the other’s existence at first. They later turn to face one another. This is all mixed around between scenes of Nicki and him individually with the cloudy purple or pink liquid stuff.

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I mean, Nicki has her eyes shut for about 60% of this video, allowing us to better grasp the fact that sometimes, she’s off in a dissociative dreamland created within her mind via monarch programming. That dissociation is represented in this picture.

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These next two pictures are probably the most important ones in the whole video. In one, Nicki is holding the man’s detached head, symbolising an alternate personality. This is also symbolised by masks, dolls, mannequins, pretty much anything that seems human, but isn’t. In the frame where Nicki is being held by him, he has complete control while Nicki seems to be practically asleep. Which is the point in this context. Good on you, creative directors.

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This photo below is representative of domination over a slave and its alters. Any time Nicki is used to portray a handler, she’s wearing tall boots, and I’m assuming it’s because it has ties with BDSM, “D” standing for dominance/domination.Screenshot (387)

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Nicki as a handler figure in “Monster”

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Nicki as a handler figure in “Out of My Mind”.

 

The following are all representations of the distortion and pure imagination involved in programming. These all go to show that Nicki is in some kind of dream world- when which another alter has taken the host body over.

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Once again, this proves that the liquid chrome really does signify toxicity, as it replaces the smoke later on in the video. But that’s not the only thing that gets replaced. Nicki is actually replaced with the rabbit, who is also smoking a cigarette- hinting at the fact that the bunny “is” her, or symbolises her. It symbolises her having that sexual alter we see throughout the whole video (pictures of which I’ll include in a group at the end, because there are too many to individually account for).

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Taxidermy rabbit made to look alive. Talk about dehumanisation.

 

This next part in the video is where Nicki places her hand on the black man’s head (mind), and the toxic chrome flows down his face to cover him. He remains statuesque throughout the entire duration, not even noticing. This shit’s important, guys. This is a violent exchange of toxicity between two people. Some of this could also be applied to the context of a slave-handler relationship, but because of the seemingly equalised distribution of power between the two, I’m calling it how I see it. You can determine what you believe on your own.

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Now we see two pills as eyes, with what looks damn well like black tar heroin tears. I wish I had black tar heroin tears…
At this point, complete dehumanisation and infiltration via drugs has come into full play.

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At the end, good Nicki is seen walking amidst a big black sea of cloudy liquid that’s energetically and violently moving about. The black stuff means the good her has been taken over by the darkness (more than likely for good), while her stone cold stare means she doesn’t care anymore. Pretty simple. If the white her in this last few moments of the video were to represent her “core” (Onika Tanya Maraj), then that would mean her core is suspended and surrounded by chaos and darkness, which is also true in monarch slaves.

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In the end, this video was one of the harder ones for me to decipher because it is so vague in parts, but I did my best to interpret what I see with what I know, and if any of you disagree with any of my interpretations please feel free to comment. Oh yeah, I almost forgot. The beta state pictures.

 

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Screenshot (381) What even is that coat? Some kind of abstract animal print? Whatever it is, it’s weird and I don’t like it.

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That’s all, folks. I did my best, and I know this video was in high demand for people looking for all this Illuminati horse shit everywhere. So I hope my interpretation helps solve any questions you may have had. If not, comment and ask and I guarantee I’ll respond AQAP.