Alexa Goddard’s “Marilyn”: I can’t even anymore.

Do you know who Alexa Goddard is? Because I didn’t, until I saw her name and face plastered all over Vevo’s homepage. She’s signed to Roc-A-Fella Records, and we all know what that means. But hey, I guess the industry could always use another sexed-up sleazebag to do their bidding. She does a super duper job of it in the video for her latest single. Called “Marilyn”. And it’s about wanting to be like “Marilyn, Marilyn!” Because she lived such a fabulous life apparently, and everything people know about her is so accurate. Except it’s not. She was put through atrocity after atrocity, until she was all used up. Then she was disposed of, in the characteristic “mysterious celebrity death” they’re given. Cheap cover stories and disinformation.

Regardless, here we are with yet another Marilyn Monroe idolisation song. I swear to god if I see one more shirt, belt, wallet, backpack, poster, keychain, or fucking tampon with her face on it? So help me. That’s all I can say, because I don’t need the NSA at my front doorstep.

OH-kay, moving on. The lyrics for the first verse of the song go:
“Let’s go down to Carnaby
Get fucked up like we’re royalty
Let’s go try something that we shouldn’t
Cause that’s what legends do
Take me down the rabbit hole
Let’s go places no one knows
It’s my twisted fantasy
This is who I wanna be”

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Shot reflecting only her head.

If you know anything at all about MK Ultra/ monarch programming references, this song should ring a bell. Loud. I mean, really. These are the kinds of girls children look up to and idolise. They see them on TV or on the internet, half-naked and dancing around like they’re up for bid. That’s a thing. And I presume it’s only going to get worse. These lyrics suggest careless, self-destructive behaviour while also suggesting dissociation (through an Alice in Wonderland programming reference) into a world that she calls her “twisted fantasy”. Sounds fun. The first few seconds of the video show a reflection of her in a rearview mirror, but not a shot of her driving- a reflection of just her head. This is the first clue to her fragmented state.
Warning: There’s also a lot of flashing and flickering in this video too, some of which was too fast for me to even slow down to analyse, so just be careful what you watch. I’m glad I’m not epileptic.

We see Alexa walking along with a suitcase in a white top and long white skirt that look eerily similar to a wedding dress. They use the white gown to symbolise a sacrificing of purity, exactly like Taylor Swift when she performed her song “I Knew You Were Trouble”. The next thing I took note of was the fact that she was shown walking past a wax museum. A museum full of figures that look like exactly like people, but aren’t alive or mentally aware? Hmmm. It’s fitting.

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Taylor in a virginal “wedding” gown for ritualistic “sacrifice” at the 2012 Brit Awards. Hellfire and all. The women dancers in this bit were wearing cages (at the AMAs) and large masks (in this performance) around their faces.

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White, virginal stylised top and skirt. Notice the wax museum to her right (left of screen).

One other thing that caught my eye was the drawing of attention to a map in her hand titled “EZ Map”. Why would they show the map up close, in-focus like that unless there was something significant about it? Nothing is accidental in complete fabrications, especially when it’s a split second long. The letters E and Z are important because E is the 5th letter of the alphabet, and Z is the 26th. 5 + (2+6) = 13. Whaddaya know, it does have significance. The number 13 is incredibly important to the occult elite, because there are 13 satanic bloodlines that make up the hierarchy of global power. You might say numerology is stupid- and you’re right. But to these men, certain numbers have dire powers and meanings, so much so that they plan certain events on certain days with numerological significance to them. Therefore, even if it is dumb, I can’t overlook it as it can be a valid pointer.

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“EZ” map.

Next, we see the beginnings of her complete and utter insanity. She’s shown stood in front of a checkered wall (duality), spinning (dissociation) around with a GIANT crystal chain collar around her neck (beta programming/ slave status), spinning around in a checkered hallway (duality), and spinning around in a pink and blue (beta-bisexual programming) crop top that has “HELL” written in glitter. Fancy as fuck. Keep in mind that this all happens within a very short time frame. As well, I couldn’t even count the number of times this chick was spinning her brains out like a 5-year-old in this video. Literally could not keep up. I think she spends more time spinning in circles than actually singing. Regardless, it’s crucial because it’s deeply related to the process of getting one to properly dissociate during the programming process. It’s frequently symbolised by spinning tops, pinwheels, carousels, spinning in circles, and ferris wheels.

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Slave-status chained collar.

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Look how cute, and she’s original too!

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Checkered walls. She must REALLY like them.

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Remember when I said carousels and ferris wheels can represent dissociation triggers?

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Checkered walls, blue and pink checked “HELL” top, and OH LOOK. SHE’S SPINNING AGAIN.

Then we’re off to the chorus. It goes “I don’t wanna be dull, I don’t wanna be normal like Marilyn Marilyn Monroe, Marilyn Monroe, Marilyn Marilyn! I don’t wanna be alone, I wanna be someone like Marilyn Marilyn Monroe, Marilyn Monroe! (x9).
Can we talk about how grammatically irritating this is? I know what she means, but I don’t know if she does. She could have just as easily said “I wanna be different like Marilyn”.
Not only is it grammatically annoying, but it also insinuates a lot of things, like the fact that you’ll be alone if you’re not someone like Marilyn. Not only that, but it pushes idolatry and unoriginality. Why would you want to be someone like anyone else but yourself? Nobody gets to be you but you. A million girls try to be just like Marilyn, and that’s different. Okay then, buddy.
Before I go on to the latter part of this video, I’m just going to put this screen shot in as well. I was debating whether or not to, but I just had to because of how unsettling it was. This frame went by super quick (I didn’t notice it the first few times), and you never see anything like it again for the rest of the video. It’s just.. lifeless, robotic, and eerie.Screenshot (436)

By the way, the things I’m pointing out act as triggers to a monarch slave, in order to keep them in the mental mode their handlers desire. I’m not just doing this to call out “Illuminati bullshit”, I’m doing this to spread as accurate information about modern MK Ultra culture so we’re not all oblivious to it. So that we better-understand the things we see in the world shaped around us. It’s a big deal in relation to the global elite because they, themselves have used and/or been through MP, and most (if not all) have alters of their own for specific purposes, like occult rituals.
ANYWAY. Then we get to the second half of the video, and she’s in a giant, cage-like fake crown while holding an ice cream cone. Both of these are significant, as the crown here symbolises control over the mind, and ice cream is code for metaphorically freezing the brain in monarch programming. Y’know? Brain freeze. Mariah Carey brought an ice cream trolley to the set of a show she wasn’t invited to be on when she had her programming meltdown.
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Very shortly after, we see the next scene take place- in which she’s wearing a jeweled crop top. This signifies jewel programming- which has a lot in common with colour programming. Different colours/jewels are programmed to be associated with certain alters, and are used as triggers to re-inforce the dissociation once that alter’s taken the body. For example, she’s wearing giant dangling ruby earrings. Rubies are triggers/code for sexual alters. Nobody but a specific slave’s handler is able to bring up an alter, as they can only be accessed with virtually crack-proof codes. So please, nobody go running up to celebrities shouting colours in their faces.
She’s not only wearing that, but she’s also sunglasses with a veil over them. Do not try to tell me this is practical at all, because it’s just ludicrous. But it is extremely symbolic- veils and blindfolds represent the slave being “blind” to their internal programming, as well as the daily manipulation and abuse they endure just for the fame and money- which is more than enough for them (as in their front alters) to take orders 99% of the time.

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Veil over the eyes and jeweled top. But hey, she looks happy to me.

 

 She’s walking down a boardwalk when she encounters a man playing the piano, with a piano belt on. Pianos are black and white, which could represent duality but I’m not gonna make that call 100% because it’s merely a possibility. Also somewhat relevant is the following quote from the fourth chapter of Fritz Springmeier’s book The Illuminati Formula to Create an Undetectable Total Mind Control Slave: “The conscious mind and the subconscious mind need to grapple. For creativity to be productive it must occur within limits. For instance, the concerto is created within the limits of a piano keyboard.” Also, she’s shown tipping the guy- and on her arm you can clearly see a feather tattoo. Real or not (it’s more than likely not), it’s a trigger that represents the lightheaded feeling one gets after being electroshocked to the point of complete and total dissociation. This is also frequently symbolised by balloons or butterflies.

Feather tattoo.

Feather tattoo.

For a couple seconds after, we see a clear shot of a man drinking a frosty, ice-cold beverage. Which is cool and all, except it’s centered in such a way that draws our eye to his tattoo and not him. I have not tried to decipher his tat, so if any of you have a clue, comment below and I’ll edit.
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Thereafter, we see Alexa encounter a few small dogs. This part lasts a bit longer than it really should, which was an instant clue to me that it had to mean something. I immediately remembered that slaves with Wizard of Oz programming are given dogs (like Toto) that they get deeply attached to, only to have them “run away” or “get sick and instantly die out of nowhere for no reason because they killed it”. This is to further fracture a slave’s ego for programming, and can be done at any age. For example, Miley Cyrus was recently reprogrammed when she fell “ill” during her current tour. Right around the same time, one of her dogs whom she was evidently very close with died suddenly. Perfect grounds for stable programming. Also not pictured here, she’s wearing a bow (symbol for mind control) ring during a good portion of the video.

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Alexa with the little dogs. More black, white, and stripes too.

After a bit more spinning around and chanting “Marilyn, Marilyn”, she’s shown walking across a street in a black & white-striped maxi dress and carrying a red umbrella. Obvious symbolism going on here, as well as red being a sacrificial colour. When it comes to “sacrifice”, the sequence of colours a theoretical woman wears go from white for purity, to red for sacrifice, and then black for rebirth.
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The last scene in this video takes place on the beach itself. She’s blowing on a pinwheel, looking all daydreamy, and then running around with balloons. Pinwheel spinning around because she’s taking a break (but no seriously, it’s for dissociation), and the balloons represent the lightheadedness experienced by electroshocked/tortured- similar to the symbol of the feather on her arm from earlier.

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Screenshot (459) This is strongly suggestive that she really is off “in a world of her own”.

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So that concludes my interpretation of this otherwise dull and obnoxiously cliche video. Okay I’m kidding, it’s totally still obnoxious. But I couldn’t resist analysing it because there was just too much going on here for me to pass it up.
Even though you may or may not have learned anything from this article, I still strongly recommend that each and every one of you go out there into the world, mind open, and learn as much as you can for yourself. Other people can mislead you, and some do intentionally. Just be on the watch. Sort truth from fiction, and guard yourself from the malicious elite and their entire pyramid of people feeding off one another’s power for their own gain.
I think “be cautious” are the words I was looking for.

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“Love You like A Love Song”: A Selena Gomez Delusion

“Love You like A Love Song”: A Selena Gomez Delusion

 

I’m well aware that this video is pretty old, but I’m re-posting this article for you guys to see- because for some reason, it was taken down. I’ve revised it and republished it now, so I invite you all to have a read. It’s a bit lengthy, but the video is alarmingly intricate when knowledge of monarch and occult symbolism are applied. A lot of what I’ve deciphered is somewhat easy to understand, but I’m still currently doing further research into what exactly certain portions are referencing. If you have any additional knowledge or further insights, please feel free to comment in the comments section below.

 

The video for this song starts out in an oriental karaoke lounge (Edit:  Karaoke bars are commonly used as a place to secretly bring Monarch slaves in for accessing). It’s dark, uncomfortable, and everyone is in black. Displayed on the stage is an inverted pentagram in the form of a shooting star. This is a reference to Satan/Lucifer, as he was cast down to Earth in the form of a star, and is referred to as ‘the morning star’ and ‘son of the dawn’. There is also a rainbow on the screen, a common MK trigger.

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Selena is beckoned up onto the stage, and eagerly begins to sing. “Love You Like a Love Song” is about Lucifer, and Selena’s connection to the darker occult. She sings,
“You are beautiful, like a dream come alive, incredible. A sinful, miracle, lyrical. You’ve saved my life again”. Later on, she goes to sing, “It feels like I’ve been rescued. I’ve been set free. I am hypnotized by your destiny.”
None of what she is saying implies rational, conscious choice. She uses the words ‘dream’, ‘hypnotised’, ‘sinful’, and yet also says ‘saved’. In some monarch programming, a victim can be traumatised literally to the point of death via electroshock, drugs, and/or abuse. The victim is then resuscitated, and told by their handlers that they were rescued by the deity or entity they’re intended to  worship. They are told that they owe their lives to this entity, because this entity ‘saved’ them. This is called resuscitation programming

Selena is shown in a land of various shades of purple, a color coded trigger to dissociate. She is laid out and/or walking hand-in-hand with a generic male figure. This male figure is supposed to represent Lucifer, the ‘son of morning’. They suggest this in multiple hints, like the fact that he’s playing an instrument (Satan oversaw all music in heaven before he fell), and the fact that they repeatedly display the sun between Selena and this male figure, as seen in the photos below, literally representing their connection via the ‘enlightenment’ and ‘illumination’ she sees through him.

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In this purple wonderland, Selena is shown doing the hermetic ‘as above, so below’ sign. Not only that, but she is coincidentally shown as having six birds flying out of her head, along with her spinning a hoop around her hips. Spinning is yet another MK trigger, used to further dissociate victims. It is often displayed in the form of a carousel, or twirling. Another point I could mention is that she’s got metal bracers/cuffs around her arms and wrist, signifying her status as a slave to the industry. This is a common giveaway.

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The next scene is one of the most symbolic and significant of the video. At a certain point, Selena achieves full dissociation. This is actually important for their Systems when related to performing, as dissociation takes the pressure off their fronts- who weren’t designed for performing- while their alters built for performing can do so successfully.  This dissociation is shown symbolically by displaying her as enlightened, up in the clouds, still singing karaoke (as shown by the presence of the shooting star-which, as you can see is now right-side up- the microphone, and the TV she’s watching). She’s laid out on a big, purple triangle piano (concrete triggers), and is surrounded by busts (of mythological figures), symbolising her multiple alters. She is still with a man, he is just a different man. He also happens to be playing the piano she’s laying on. This could very well be another representative of Satan, due to the fact that he is with her, he is in control, and he is playing the music while she sings along. At one point, he even makes a conductor-like gesture, regardless of the lack of a physical orchestra. This is a mockery of the fact that he gives the orders, and she just follows along. She is the instrument, and he is conducting her. Regardless of who the man truly represents, this bit is strongly suggestive of Selena’s dissociated and helpless state as an MK victim.

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In the next scene, Selena is entranced by the images shown to her on the screen. She is viewing herself, and she just so happens to be decked-out in triggers, such as leopard print glasses (alluding to her Beta state), her black and white checkered collar (duality), and false beauty mark that ties back in with Marilyn Monroe and the role her image plays in beta programming. She is still in yet another purple-shaded world, riding in a car being driven by yet another random male figure. And he just so happens to be wearing a snakeskin jacket. This video is quite true to the fact that Satan has many, many forms- and takes what form is needed when it’s needed.

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As you can see, she’s wearing bracers around her wrists in this scene as well.

At one point, Selena’s eyes are shown as his- suggesting that she has successfully bonded with him on a metaphysical level (eyes being the “window to the soul”). It also shows her lips as his eyes at one point, purely to forcibly draw attention to her mouth in order to sexualise her. This type of behaviour is a common theme throughout most Disney stars’ productions.

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After the scene with the snakeskin dude, she’s shown dancing around in front of dozens of screens again- all of which repeatedly show multiples of her. In this quick cutscene, the major multiple shown is male, with black and white glasses and a black and white outfit.

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During the next scene in the video, Selena is shown in a field by a tree, surrounded by a mariachi-type band. Each member in the band is wearing a red (sacrifice/sexual colour) sort of film over their eyes, bar one with purple (high level of consciousness/ awareness and power). This scene is pretty important seeing as it’s not only another example of dissociation, but this time it’s dissociation during ritualistic abuse. Her outfit is almost entirely jewels, hinting at the fact that she’s more than likely been through jewel programming as well. She’s adorned with rubies (equivalent to red in colour programming) suggesting even further the symbolic sexual energy of the scene. The man in purple hands her a purple lightsaber-looking object with which she swings around at a pinata. She’s blindfolded during this point, symbolising the fact that her front alter(s) is/are “in the dark” or unknowing about the circumstance, or even her position altogether. When she successfully hits the pinata it bursts open, showering her with confetti which she blindly dances around in.

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Trees also play a significant part in monarch programming because they lie at the center of a sort of “internal Garden of Eden”.

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Ruby earrings and a massive ruby ring, covered in jewels.

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Red is sacrificial here, and even though she’s swimming in red confetti, she’s blinded from it by a red blindfold.

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At one point, a shaft of light quickly shoots straight through her body. This could either symbolise enlightenment, or electroshock (which would make sense in the context of ritual abuse).

 

The final scene in this video is perhaps the most important. The characters we’ve seen all throughout the video are actually in the real audience she’s singing to! So what we were lead to believe were make-believe figures, are actually real and present in her life- even if she is unaware of them.

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Y’know, for a Selena Gomez song this video was overwhelmingly intricate. One of the most under-recognised ones in entertainment in the context of monarch programming, in my opinion. But hey, if the occult elite are going to spend their money anywhere, why not on the generations to come’s mass programming? Thrifty.

Oh, yeah. And they also throw this in for us at the end super quick so we get the hint that these people are all symbols related and significant to her success in this video. Can’t deny that. Well, you can. But you’d be wrong.

Family photo!

Family photo!

 

Beta Sex Kittens: Marilyn Monroe Overload

So you may or may not have noticed… Marilyn Monroe is kind of a big deal. And she’s gained in popularity significantly over time. The reason she’s so significant to Monarch programming- and its victims- is because she was the very first programmed Beta Sex Kitten- a successful prototype. She reached diamond presidential status, and was the first major celebrity embodiment of sex appeal. 

Due to her success as a sex kitten and Hollywood icon, most modern-day Betas are programmed to both follow her ways and idolise her. At some point or another, many if not most of them are lead to portray her image and pay a sort of homage to her. So I’ve collected a small sample of female “sex symbol” celebrities who have embodied her spirit and image in photos and videos.

Up first, we have Miley Cyrus. Huge pop culture icon and influence in today’s world. Annoying or not, she’s here to stay. Here is her posing as Marilyn for a recent photoshoot.

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Another well-known celeb and sex symbol would be Beyonce. Women of all colours and bloodlines portray her, including black women. Beyonce, or probably her alter Sasha Fierce rather, seems to be in a permanent “sex kitten” mode recently. Almost every song on her self-titled album is graphic and sexual in nature. Here’s her taking on the Marilyn look. Notice the one-eyed symbol and black & white contrast (duality).

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Another celebrity woman of colour is Nicki Minaj, who is also a sex kitten icon. She’s known for her love of animal prints and explicit lyrics, even calling herself “Nicki Lewinsky” at times. She also seems to frequently be in a beta state a good portion of the time. Here’s her as Marilyn as well. Notice the diamond “collar” in the second photo.

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Even women like Penelope Cruz and Rihanna have posed as her. Notice again, the one-eye and black/white contrast.

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Here’s another handful of Beta sex kitten celebs who’ve been in Marilyn moods:

 

  • Scarlet Johansson- notice the cat print

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  • Angelina Jolie

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  • Katy Perry- notice the dualistic checkerboard pattern

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  • Lady Gaga

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  • The late Anna Nicole Smith, Taylor Swift, Paris Hilton, the list goes on. And on…

 

 

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There are dozens, probably hundreds of major sex kitten celebs who have portrayed her, and I’m not going to find every one of them. I’ve made the point I was striving to make, and that is to draw a parallel distinction between monarch programming and the likeness of Marilyn Monroe.

God rest her soul. I’m tired of seeing people idolise her. She lived in fear, control, and abuse her whole life, and was murdered shamelessly and disposed of like the trash her handlers treated her as. 

She was the beginning- the beginning of a monarch empire built solely for selling sex and its image. An empire that is meeting its peak.

Katy Perry’s “Dark Horse”: So in-your-face, it’s offensive.

So I watched the video for Katy Perry’s single “Dark Horse”, which I eagerly anticipated because I knew before they made it that it was going to be good. Not “good” in a sense of “wow, this song is cool, I totally respect her”, but good in a sense of “I know this is going to be too easy”. When I saw it, I was astounded by the pure blatancy of it. The elite are so in-our-face with it because they know they can be. They’ve got the masses so zombified that they perpetually don’t know, don’t care, and continue to eat up all the bullshit they produce.

Well, I for one don’t like being mindfucked by anybody- especially by the people who govern our nations and repeatedly attempt to seduce us to sleep while they take over everything. So in honour of my stance of trying to shake people like a newborn until they wake up and open their eyes to the monstrosity our planet has become, here is my analytical breakdown for the symbolism and meaning behind the video and lyrics for pop-superstar Katy Perry’s “Dark Horse”.

The video basically is a combination of Egyptian mythology and MK Ultra overload.
It begins by setting the time and place, although vaguely, by showing the words “Memphis, Egypt a crazy long time ago”.
Please, be more ambiguous.

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The first thing we see is Katy dressed like an Egyptian goddess, being rowed down what I assume is a river in a boat (which is
significant in the story of Horus and Set in Egyptian mythology) with immediate monarch programming triggers. We see a blue man
with a cage around his head symbolising control of the mind, and a de-humanised beta slave with the head of a cat attached by chains.

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In the middle is Katy, which we immediately see has the Eye of Horus (which bears the same meaning as the “All-Seeing Eye”, or the
eye of “God”) beneath a triangle literally printed onto her hair.
One of her eyes is also lined exactly like the Eye of Horus, probably coincidentally.
Just kidding, coincidence doesn’t exist in complete fabrications.

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Moving on, we see a man approach Katy with a one-eyed patch (again, probably coincidence). He offers her the gift of a stupid-big
diamond, which she eagerly snatches up and examines with a cheesy Eye of Horus prop. Did I mention she also has a snake headdress on that looks oddly like Mickey Mouse ears. Oh yeah, that. And as we should know by now, Mickey Mouse ears are a sign of monarch programming and mind-control. Regardless of its form, this headdress is a snake (evil and temptation), a symbol that shows up a lot in this video- too damn much.

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   Oh, and of course she does the whole required “Marilyn Monroe” impersonation. I mean, Marilyn was the first ever diamond-status
presidential-model Beta sex slave, brutally manipulated and later murdered by her handlers. Yes, let’s degrade and disrespect both her image and Katy’s as much as possible. Such a twisted joke.

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   Soon after the diamond (God, this video this screams programming) is offered to her, she uses her power of lust and seduction to get her way, and then quickly destroys and consumes her victim’s power once she has what she wants. EXACTLY like Isis, Horus’ mother- the viscious Egyptian goddess of power, magic, and immortality. And in the process of eating the jewels, she makes an insane face usually only found on the mug of Nicki Minaj.

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   We see a quick shot of Katy being portrayed as a statue in a modern interpretation of Egyptian carvings. She is surrounded by
golden snakes, wrapping around her hair and her body- reminiscent of the mythological Medusa, which has ties to Isis and Lucifer,
among other Pagan gods. You don’t have to look any further than what’s underground, beneath the Vatican. There are entire rooms built to worship these deities. The chief exorcist of the Vatican has made claims of the devil being present in the Catholic church, and even having to perform an exorcism on another exorcist.

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   Anyway, back to the video. Again, somebody brings Katy a gift again- this time, it’s a fat dude with an Eye of Horus stamped on his
belly. He bears all the finest and delicious foods you can imagine- including a pyramid made out of Twinkies, and a giant bowl of
flaming Cheetos. She eats a Cheeto, and it’s too hot, so she gets mad and vaporises the dude. Anger issues? I dunno, I’ll leave that one up to you.

He turns into a goblet of water, which she quickly drinks.

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And in between them bringing the treats and her murdering the man, she’s shown yet again hiding one of her eyes, and being
surrounded by programming triggers/symbols like the rabbit- an allusion to Alice in Wonderland programming where the person is
taught to dissociate and “go through the looking glass”. Some of you might say “Hey! The rabbit had a totally different meaning in ancient Egypt! ur so syko lololol” Which is true, but we have to use our brains, and look at these symbols in the context they’re in to analyse them properly. Katy Perry is a monarch slave, and these symbols have a specific meaning to her and her mindstate.

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   This theme of seducing men into giving her things with her sex appeal/ power, and her destroying/ altering the bearers occurs THREE more times. Once, a man brings her a pimped-out golden ride with spinners, hydraulics, and a horned animal on it. She turns him into sand like the others, leaving him as a pair of dice for her new ride.

In between this man showing her his ride and her murdering HIM, Juicy J comes out of an Anubis sarcophagus that’s being felt up by the dehumanised cat-slaves. Anubis is highly associated with both Isis and Horus, as Anubis was adopted as Isis’ child, making him a sort of brother figure to Horus. Anubis was the Egyptian god of the Dead, the one who called the shots on who got into the afterlife and who was destroyed. The inside of the sarcophagus is covered with snakes as well.

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   J has glasses on with heiroglyphs, but I can’t read them so I’m not going to try. If any of you have a clue, you can feel free to comment and I’ll edit with your translation.

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   The other man comes as himself with a chained veil over his face (bringing himself, as in a sex slave possibly?), but once he reveals his face, she sees that he is not a man- but a crocodile. So she destroys him and he turns into a golden croc-skin clutch with, yet again, an Eye of Horus on it (and the crocman’s silver tooth on a chain).
Oh yeah, and she dances on a stripper pole as well. Beta much? Plus there’s another Eye of Horus on the floor. I’m getting tired of
typing those words, that’s how much this symbol shows up in this video. It’s also on the boat she’s on in the beginning. I probably should have said that… but like I said, if I stated every time it showed up, it would take up half the internet.

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   So in the end, there’s a final man (wearing a pendant with the Eye of Horus inside a triangle, accentuating the link between the
sybmbolism of the Eye of Horus and the “All-Seeing Eye”) who shows her a giant golden pyramid with an illuminated top. It doesn’t get
more blatant than this, guys.

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   She takes her place at the top of the pyramid, showing her limitless power. She spreads her wings and manipulates the skies, looking like a total psycho in the process. This is surefire proof she’s representing the goddess Isis. The powers, not the psycho bit. I dunno, I never met Isis. She could have been a total psycho.

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   Aaand, that’s the end of that. Katy is truly fucked-up and there’s no help in the world that could save her at this point because she’s so far gone. This video is the complete opposite of her portrayal in the song “Unconditionally”, marking a distinction between separate personalities. If you think she’s acting, I’d have to disagree. She doesn’t have that much talent. If she did, she’d be on Broadway, not taking orders from record company execs like the puppet she is.

   Even those of you who don’t believe in any of this can plainly see the meaning behind this video.
Bitch be evil.