Jeremih and YG are two popular rappers in the industry today, so clearly that should tell us that they’re involved with the darker side of the industry as well. I mean, come on. Lesbereal, if you wanna make it to the “top”, you’ve gotta agree to subject yourself and others to things you wouldn’t normally- all in the name of fame in the game.
The cover art for their single “Don’t Tell ‘Em” shows a blonde woman with fringe to her cheeks, covering her eyes like a veil. She’s also doing the universal “shhh” handsign. The hair is (I’m hoping, at least) a wig as well.
Wigs are commonly used in monarch programmed individuals to signify different alters. The fringe over her eyes symbolises blindness to, well, everything. The true nature of both the industry and themselves. Blind to who and what they really are, blind to the amount of control they’re under. This is tied in well with the handsign, which represents silence and secrecy- something understandingly important to the occult elite of the world, and therefore everyone under their control. The title is clever, not only because it’s plastered right on her face which she can’t see, but also because it aptly applies to this concept of secrecy and being shrouded from reality.
Cover art these days is littered with symbolism, and is usually a surefire way to tell who’s really who, and if you dig a bit further, you can easily find out who is handled by who and through what means.
Please, for the love of God, do some research if you don’t know anything about this atrocity of a system.
The Vector Gallery located on 124 Clinton St, New York is the first Satanic art gallery in the Lower East Side- and the first I’ve ever seen that’s permanent.
That link is to their official tumblr, and you can find most of this information there, but only at the cost of feeling like part of your soul has died.
In fact, in order to be able to enter the back room of the gallery, you literally have to formally sell your soul to Satan. I shit you not.
The artist himself, JJ Brine, has declared it “The Official Art Gallery of Satan” and has stated in interviews that the place is, in and of itself, a living entity. He has claimed that certain things have fallen off walls and rearranged themselves, and that the gallery sends messages to him. The gallery is said to have a very strong, unique energy of its own- an energy I feel simply from even looking at the images of it.
JJ has also founded and lead a new religion he calls “Vectorism”.
The difference between Vectorism and Satanism are that Vectorism actually recognises Satan as lord and saviour. This is not the ideology that Satanism is founded upon, which is that you’re free to believe and do whatever you want without consequence. You’re your own god. But not with Vectorism, no. With Vectorism, Satan is GOD and is to be respected, feared, and worshipped. They hold religious ceremonies as well.
The walls are littered with “post-human art”, a term he claims Satan chose. The entire gallery is littered with art dedicated to Satan, Charles Manson (whom has been named their church’s official religious leader), desecration of classical art, hooved and horned creatures with outreached hands and warm smiles, Baphomet-like figures, and yes- heaps upon heaps of Illuminati-related symbolism. It’s also full to the brim with all sorts of reflective materials, mirrors, silver spray paint, glitter, bright neon lights, etc.
This man is leading a movement all of its own, and it’s rapidly gaining in popularity.
This man is sick, and he is dangerous.
I wish all of this was one great big joke- but unfortunately, it most certainly doesn’t seem to be whatsoever.
I mean really, I genuinely lost count of how many times this woman covers one of her eyes in this music video. I truly did. I guess we’ll know by the end of me writing this- but for now just kick back, relax, and have a read. This one is dark. Darker than dark-dark. Like 3dark5me.
I realise that this music video came out in 2013, but I’d forgotten all about it. Recent or not, it’s highly relevant to the information on this blog, so I’m doing a breakdown of it. Deal with it. (;
The colour scheme of this video is completely black. I mean, black everything. When I said “dark”, I meant that in more than one way. Literally, figuratively, whatever you want to call it. It is how it is.
She’s wearing a nude leotard with black detailing and a black full-neck collar (probably alluding to Beta slave status), and she also has black chiffon fabric on both sides taking on the appearance of some kind of cloak or wings at times.
The video is also set in the middle of a desert in the middle of the night with lots of- you guessed it- storms going on in the distance. Lightning flashing all about throughout the duration of it. Lightning represents two things in the context of the occult elite and monarch programming. In reference to the occult, lightning symbolises Lucifer, the “morning star”, who was struck down to earth by lightning in lore. As far as MK Ultra, lightning represents electricity (obviously)- which is important because almost all programming involves some kind of brutal, unthinkable torture. Electroshock is used very frequently because it traumatises the body and mind to the point of complete and total detachment- which is the goal. When one dissociates fully, programming can be executed properly because the consciousness and perception of the person is no longer interfering with the host-victim’s body. Super.
Anyway, the most obvious of all symbolism in this video is the one-eyed sign, commonly known as the “all-seeing eye”, or the “Eye of Horus”. This represents the global elite and their prideful, seemingly omniscient presence and awareness due to their power and the all-seeing, all-knowing power of Lucifer that they evidently hold so near and dear. The one-eyed symbol is the most commonly used symbol in reference to the elite, as the butterfly is to monarch programming. If you see a well-known politician or celebrity doing the one-eyed “salute”, be keen about what they say and do. It’s always important to be vigilant about the world around you and all of what your mind is taking in. Your mind is your most important asset, so it’s important to protect that.
The first thing we see in this video is Jessie leaning up against a black car in said desert, covering herself up with the sheer black fabric, appearing like a cloak. She looks detached and distant, and the way she’s covering herself signals vulnerability.
Next to the car, we can see a small dead tree or plant of some sort that appears as though it was planted relatively recently. This is significant because it shows a lot about monarch programming- the small plant is young but already lifeless, and was intentionally planted that way by hand- into dry, dead soil. Child victims of MK are broken and their spirits killed before they even get a chance. This is done deliberately and calculatedly, into conditions where they’ll never get the chance to sprout or grow. This is just my interpretation, however.
Next is where she begins to come alive, so to speak. Let the Illuminati batshit begin.She covers one of her eyes not even a tenth of the way into the video. No need to explain, we allllllll know what that means.
After she begins to come alive, she opens up the cloak- rendering herself completely open and susceptible. This is important because that’s the state a victim has to be in in order to program or attach darker things to them.
Ohhh dear, here she goes covering one eye again. In all fairness, she’s better at doing it slyly in videos than some other people. *COUGH*PARISHILTON*COUGH*
Damn, I’m sorry. This cold is really getting to me.
Ahem, so yeah. Anyway.
She then reaches full-vulnerability mode when she quickly bends over backwards, revealing and opening herself up entirely to… well, whatever darkness is consuming her.
She then covers her eye again, but I’m already getting tired of saying it so I’m just going to include a nice little collection of her many one-eyed shots at the end of this article. We can count and see how many Satan points she gets. Yay!
When lightning strikes in the distance, she whips open the black fabric and thrusts her arms into the air, fabric being blown about by the tumultuous winds surrounding her.
Soon after, we see her on the ground, bent over forward, shrouded by the black fabric, and contorting and twisting in an eerily inhuman fashion. This type of movement is reminiscent of what you commonly see in exorcisms and possession- and it reminds me of what we saw happen to Elisa Lam, or the way Rihanna moved in her video for “What Now”.
Oh yeah, and then she awkwardly forms a triangle with her arm. Could be coincidence, but I personally don’t believe in that. This is very iffy, I’m only including it to cover the full scope of possibility. After all, that’s what having lots of speculation and theories is all about, yeah?
THERE. Now, this is where shit gets real. She begins to take on a dark, demented personality and you can tell it purely by the look in her eyes. Some of them are very quick flashes, and some are more extended, but they definitely give me the creeps.
After that, we see Jessie chaotically moving and twisting about, while also being surrounded by multiples of her doing the exact same. This screams monarch victim because they literally represent the multiple alters within a subject. It’s disturbing knowing what some of these elite and those in their hierarchy of their monarch system are capable of.
Once again, lightning strikes. At that exact moment, she’s posed in a way that represents full openness and acceptance. She’s opened up, and the electricity can do its job (symbolically, in a theoretical monarch setting).
We then see the darkness quickly consuming her, and these pictures can say more than I ever could. There’s nothing more to it than complete and utter destruction of happiness and joy. You can tell by the looks on her faces.
Cue possession traits, these next photos are pretty unsettling. She is shown levitating, hovering over the ground, completely open and exposed. There’s no way around that. In this first of the levitation flashes, the shadow on the ground does not appear to have a head. It could be the angle of the lighting, but I’m not sure. Regardless, it’s strange. And if the shadow is meant to not have a head, then that’s symbolic of dehumanisation and not having any remaining essence, or “core”- meaning the original self. Just a body to be inhabited and used for other means.
After the darkness has fully consumed her, and she’s now what I’m going to refer to as “possessed” (call it what you want, it’s all the same), she’s shown standing up tall and seductively, reaching out a hand to the viewer.. beckoning for them to join her..
Then, we’re shown her levitating once more, but this time it’s proof- proof that the levitation represents her soul leaving the body open to any and all outside influence, due to the fact that her spirit is actually shown leaving the body. At first, the body is surrounded by light, shadow on the ground. But then, the light is gone, so is her shadow.. and so is she.
We also see her kneeling on the ground, head bowed down, wrapped in the darkness, and hands behind her back like she’s completely surrendered. Like a slave about to be killed.
Like a slave who’s accepted that they’re nothing.
Aaand then we see the most disturbing face in the entire video. It weirds me out just looking at it, this bitch be 666% evil.
We also have the wondrous privilege of seeing her lookin’ like a completely power-hungry, psychotic demon woman. Pics because it happened.
At the end of the video, we see Jessie clutching her neck- a very common form of symbolism related to self-injury and masochism. After, at the very end, she collapses. This is very, very similar to Eminem at the end of his video for “Rap God”.
So there we have it, mates. Jessie J is just as much of a crazy bitch as Nicki Minaj or Katy Perry or Miley Cyrus or any other MK Ultra-diseased “human” being. These people are no joke. They’re truly slaves. They’re truly not who they once were, when they were young and gullible enough to get involved with the entertainment industry.
For the love of god, if you like to write music, do it for you. Don’t do it for the fame, you’ll never be the same.
9 SATAN POINTS TO JESSIE J, SHE DESERVES A FUCKING MEDAL.
I wonder who she’s working for. :l
OPEN Q&A SESSION
So it’s time for a certified question-and-answer session. I enjoy hearing your input and thoughts/ideas even more than I enjoy trying to explain what I believe.
From now on, comment on any post in this category with questions YOU have too. If it’s genuine and insightful, I’ll break it down and answer it in this category like the following:
A couple days ago, a commenter with the username “Precious” asked:
Q: “Do you think the celebrities in the video know what the directors and editors of the video are trying to hide in the meaning. Or do you think that the celebrities are just as blind as many who listen in to the music. And why are the directors/editors using symbolism as such and supposed mind control ???”
A: I personally believe that most mind-controlled celebrities (more specifically, their main alter) are aware that they’re probably being taken advantage of to some degree, but I don’t believe that most know they’re being manipulated to anywhere near the degree that they truly are. As far as them understanding the meaning of the symbolism in the various videos/songs/shows/etc that they put out varies.
Seeing as some of these types of media are layered with symbolism- frequently, multiple types- they could very well be aware of or even support SOME of the meanings and ideologies within them. However, I do not believe that monarch celebrities have any external awareness of the MK Ultra-related symbolism and triggers. This is namely because of the fact that if they understood what it meant, it wouldn’t be a trigger, and that knowledge could trigger a collapse of the system’s programming (think Britney Spears, Amanda Bynes, Mariah Carey, etc.)
When their mind has a hunch about what they are (and it always does to some extent, because the spirit sees and knows all), and how they became that way, the mind sometimes attempts to wreak havoc on the internal system in an attempt to bring the fragmented pieces of their ego back together. This also tends to happen quite frequently the older the subject gets because cerebral atrophy begins to set in. This is exactly why we see so many mysterious “celebrity deaths” when monarch slaves reach early-middle age- they’re being disposed of. Programming doesn’t tend to stay stable once they reach a certain age, so once they’re no longer useful or bringing in revenue, they’re no longer needed. There’s even something dubbed the “27 Club”, due to the strange number of celebrity deaths at that specific age.
As far as pushing the occult symbolism, a lot of it has to do with how cooperative their front alter(s) is. If they, themselves are programmed to be into into occult/esoteric symbolism or mystic-type religions like Luciferianism, Kabbalah, Scientology, etc, then there’s no reason to try and obscure the meaning of the symbolism or agenda they’re being used to push. In fact, many are more than happy to oblige. Remember, their front alters usually don’t tend to have many questions or desires beyond their bubble they happily live in. Taking orders and making the money they do makes for an easy, comfortable life. That, in turn, makes it easy to just cooperate- regardless of whether or not they agree with or even understand what they’re being used to push.
Also, as far as why they push all these symbols and subliminal meanings in our faces is because it makes for easy mass programming. When everyone is slowly exposed to this repetitive bullshit over generations, they care less and less about important matters and more and more about hashtags and twerking. That makes for an easily controllable and influenceable public, making major political moves possible with little interference or outrage. But keep in mind, the entertainment industry is only one of the tools the dark government utilises to distort our viewpoints. They also use things like false flag terror to get us to give up our privacy and weapons in exchange for what we’re lead to believe is “security and safety”. In order to usher in the police state and fulfill Agenda 21, all of the tools they use are necessary.
Does that help answer your question?
Do you know who Alexa Goddard is? Because I didn’t, until I saw her name and face plastered all over Vevo’s homepage. She’s signed to Roc-A-Fella Records, and we all know what that means. But hey, I guess the industry could always use another sexed-up sleazebag to do their bidding. She does a super duper job of it in the video for her latest single. Called “Marilyn”. And it’s about wanting to be like “Marilyn, Marilyn!” Because she lived such a fabulous life apparently, and everything people know about her is so accurate. Except it’s not. She was put through atrocity after atrocity, until she was all used up. Then she was disposed of, in the characteristic “mysterious celebrity death” they’re given. Cheap cover stories and disinformation.
Regardless, here we are with yet another Marilyn Monroe idolisation song. I swear to god if I see one more shirt, belt, wallet, backpack, poster, keychain, or fucking tampon with her face on it? So help me. That’s all I can say, because I don’t need the NSA at my front doorstep.
OH-kay, moving on. The lyrics for the first verse of the song go:
“Let’s go down to Carnaby
Get fucked up like we’re royalty
Let’s go try something that we shouldn’t
Cause that’s what legends do
Take me down the rabbit hole
Let’s go places no one knows
It’s my twisted fantasy
This is who I wanna be”
If you know anything at all about MK Ultra/ monarch programming references, this song should ring a bell. Loud. I mean, really. These are the kinds of girls children look up to and idolise. They see them on TV or on the internet, half-naked and dancing around like they’re up for bid. That’s a thing. And I presume it’s only going to get worse. These lyrics suggest careless, self-destructive behaviour while also suggesting dissociation (through an Alice in Wonderland programming reference) into a world that she calls her “twisted fantasy”. Sounds fun. The first few seconds of the video show a reflection of her in a rearview mirror, but not a shot of her driving- a reflection of just her head. This is the first clue to her fragmented state.
Warning: There’s also a lot of flashing and flickering in this video too, some of which was too fast for me to even slow down to analyse, so just be careful what you watch. I’m glad I’m not epileptic.
We see Alexa walking along with a suitcase in a white top and long white skirt that look eerily similar to a wedding dress. They use the white gown to symbolise a sacrificing of purity, exactly like Taylor Swift when she performed her song “I Knew You Were Trouble”. The next thing I took note of was the fact that she was shown walking past a wax museum. A museum full of figures that look like exactly like people, but aren’t alive or mentally aware? Hmmm. It’s fitting.
One other thing that caught my eye was the drawing of attention to a map in her hand titled “EZ Map”. Why would they show the map up close, in-focus like that unless there was something significant about it? Nothing is accidental in complete fabrications, especially when it’s a split second long. The letters E and Z are important because E is the 5th letter of the alphabet, and Z is the 26th. 5 + (2+6) = 13. Whaddaya know, it does have significance. The number 13 is incredibly important to the occult elite, because there are 13 satanic bloodlines that make up the hierarchy of global power. You might say numerology is stupid- and you’re right. But to these men, certain numbers have dire powers and meanings, so much so that they plan certain events on certain days with numerological significance to them. Therefore, even if it is dumb, I can’t overlook it as it can be a valid pointer.
Next, we see the beginnings of her complete and utter insanity. She’s shown stood in front of a checkered wall (duality), spinning (dissociation) around with a GIANT crystal chain collar around her neck (beta programming/ slave status), spinning around in a checkered hallway (duality), and spinning around in a pink and blue (beta-bisexual programming) crop top that has “HELL” written in glitter. Fancy as fuck. Keep in mind that this all happens within a very short time frame. As well, I couldn’t even count the number of times this chick was spinning her brains out like a 5-year-old in this video. Literally could not keep up. I think she spends more time spinning in circles than actually singing. Regardless, it’s crucial because it’s deeply related to the process of getting one to properly dissociate during the programming process. It’s frequently symbolised by spinning tops, pinwheels, carousels, spinning in circles, and ferris wheels.
Then we’re off to the chorus. It goes “I don’t wanna be dull, I don’t wanna be normal like Marilyn Marilyn Monroe, Marilyn Monroe, Marilyn Marilyn! I don’t wanna be alone, I wanna be someone like Marilyn Marilyn Monroe, Marilyn Monroe! (x9).
Can we talk about how grammatically irritating this is? I know what she means, but I don’t know if she does. She could have just as easily said “I wanna be different like Marilyn”.
Not only is it grammatically annoying, but it also insinuates a lot of things, like the fact that you’ll be alone if you’re not someone like Marilyn. Not only that, but it pushes idolatry and unoriginality. Why would you want to be someone like anyone else but yourself? Nobody gets to be you but you. A million girls try to be just like Marilyn, and that’s different. Okay then, buddy.
Before I go on to the latter part of this video, I’m just going to put this screen shot in as well. I was debating whether or not to, but I just had to because of how unsettling it was. This frame went by super quick (I didn’t notice it the first few times), and you never see anything like it again for the rest of the video. It’s just.. lifeless, robotic, and eerie.
By the way, the things I’m pointing out act as triggers to a monarch slave, in order to keep them in the mental mode their handlers desire. I’m not just doing this to call out “Illuminati bullshit”, I’m doing this to spread as accurate information about modern MK Ultra culture so we’re not all oblivious to it. So that we better-understand the things we see in the world shaped around us. It’s a big deal in relation to the global elite because they, themselves have used and/or been through MP, and most (if not all) have alters of their own for specific purposes, like occult rituals.
ANYWAY. Then we get to the second half of the video, and she’s in a giant, cage-like fake crown while holding an ice cream cone. Both of these are significant, as the crown here symbolises control over the mind, and ice cream is code for metaphorically freezing the brain in monarch programming. Y’know? Brain freeze. Mariah Carey brought an ice cream trolley to the set of a show she wasn’t invited to be on when she had her programming meltdown.
Very shortly after, we see the next scene take place- in which she’s wearing a jeweled crop top. This signifies jewel programming- which has a lot in common with colour programming. Different colours/jewels are programmed to be associated with certain alters, and are used as triggers to re-inforce the dissociation once that alter’s taken the body. For example, she’s wearing giant dangling ruby earrings. Rubies are triggers/code for sexual alters. Nobody but a specific slave’s handler is able to bring up an alter, as they can only be accessed with virtually crack-proof codes. So please, nobody go running up to celebrities shouting colours in their faces.
She’s not only wearing that, but she’s also sunglasses with a veil over them. Do not try to tell me this is practical at all, because it’s just ludicrous. But it is extremely symbolic- veils and blindfolds represent the slave being “blind” to their internal programming, as well as the daily manipulation and abuse they endure just for the fame and money- which is more than enough for them (as in their front alters) to take orders 99% of the time.
She’s walking down a boardwalk when she encounters a man playing the piano, with a piano belt on. Pianos are black and white, which could represent duality but I’m not gonna make that call 100% because it’s merely a possibility. Also somewhat relevant is the following quote from the fourth chapter of Fritz Springmeier’s book The Illuminati Formula to Create an Undetectable Total Mind Control Slave: “The conscious mind and the subconscious mind need to grapple. For creativity to be productive it must occur within limits. For instance, the concerto is created within the limits of a piano keyboard.” Also, she’s shown tipping the guy- and on her arm you can clearly see a feather tattoo. Real or not (it’s more than likely not), it’s a trigger that represents the lightheaded feeling one gets after being electroshocked to the point of complete and total dissociation. This is also frequently symbolised by balloons or butterflies.
For a couple seconds after, we see a clear shot of a man drinking a frosty, ice-cold beverage. Which is cool and all, except it’s centered in such a way that draws our eye to his tattoo and not him. I have not tried to decipher his tat, so if any of you have a clue, comment below and I’ll edit.
Thereafter, we see Alexa encounter a few small dogs. This part lasts a bit longer than it really should, which was an instant clue to me that it had to mean something. I immediately remembered that slaves with Wizard of Oz programming are given dogs (like Toto) that they get deeply attached to, only to have them “run away” or “get sick and instantly die out of nowhere for no reason because they killed it”. This is to further fracture a slave’s ego for programming, and can be done at any age. For example, Miley Cyrus was recently reprogrammed when she fell “ill” during her current tour. Right around the same time, one of her dogs whom she was evidently very close with died suddenly. Perfect grounds for stable programming. Also not pictured here, she’s wearing a bow (symbol for mind control) ring during a good portion of the video.
After a bit more spinning around and chanting “Marilyn, Marilyn”, she’s shown walking across a street in a black & white-striped maxi dress and carrying a red umbrella. Obvious symbolism going on here, as well as red being a sacrificial colour. When it comes to “sacrifice”, the sequence of colours a theoretical woman wears go from white for purity, to red for sacrifice, and then black for rebirth.
The last scene in this video takes place on the beach itself. She’s blowing on a pinwheel, looking all daydreamy, and then running around with balloons. Pinwheel spinning around because she’s taking a break (but no seriously, it’s for dissociation), and the balloons represent the lightheadedness experienced by electroshocked/tortured- similar to the symbol of the feather on her arm from earlier.
So that concludes my interpretation of this otherwise dull and obnoxiously cliche video. Okay I’m kidding, it’s totally still obnoxious. But I couldn’t resist analysing it because there was just too much going on here for me to pass it up.
Even though you may or may not have learned anything from this article, I still strongly recommend that each and every one of you go out there into the world, mind open, and learn as much as you can for yourself. Other people can mislead you, and some do intentionally. Just be on the watch. Sort truth from fiction, and guard yourself from the malicious elite and their entire pyramid of people feeding off one another’s power for their own gain.
I think “be cautious” are the words I was looking for.
I’m well aware that this video is pretty old, but I’m re-posting this article for you guys to see- because for some reason, it was taken down. I’ve revised it and republished it now, so I invite you all to have a read. It’s a bit lengthy, but the video is alarmingly intricate when knowledge of monarch and occult symbolism are applied. A lot of what I’ve deciphered is somewhat easy to understand, but I’m still currently doing further research into what exactly certain portions are referencing. If you have any additional knowledge or further insights, please feel free to comment in the comments section below.
The video for this song starts out in an oriental karaoke lounge (Edit: Karaoke bars are commonly used as a place to secretly bring Monarch slaves in for accessing). It’s dark, uncomfortable, and everyone is in black. Displayed on the stage is an inverted pentagram in the form of a shooting star. This is a reference to Satan/Lucifer, as he was cast down to Earth in the form of a star, and is referred to as ‘the morning star’ and ‘son of the dawn’. There is also a rainbow on the screen, a common MK trigger.
Selena is beckoned up onto the stage, and eagerly begins to sing. “Love You Like a Love Song” is about Lucifer, and Selena’s connection to the darker occult. She sings,
“You are beautiful, like a dream come alive, incredible. A sinful, miracle, lyrical. You’ve saved my life again”. Later on, she goes to sing, “It feels like I’ve been rescued. I’ve been set free. I am hypnotized by your destiny.”
None of what she is saying implies rational, conscious choice. She uses the words ‘dream’, ‘hypnotised’, ‘sinful’, and yet also says ‘saved’. In some monarch programming, a victim can be traumatised literally to the point of death via electroshock, drugs, and/or abuse. The victim is then resuscitated, and told by their handlers that they were rescued by the deity or entity they’re intended to worship. They are told that they owe their lives to this entity, because this entity ‘saved’ them. This is called resuscitation programming
Selena is shown in a land of various shades of purple, a color coded trigger to dissociate. She is laid out and/or walking hand-in-hand with a generic male figure. This male figure is supposed to represent Lucifer, the ‘son of morning’. They suggest this in multiple hints, like the fact that he’s playing an instrument (Satan oversaw all music in heaven before he fell), and the fact that they repeatedly display the sun between Selena and this male figure, as seen in the photos below, literally representing their connection via the ‘enlightenment’ and ‘illumination’ she sees through him.
In this purple wonderland, Selena is shown doing the hermetic ‘as above, so below’ sign. Not only that, but she is coincidentally shown as having six birds flying out of her head, along with her spinning a hoop around her hips. Spinning is yet another MK trigger, used to further dissociate victims. It is often displayed in the form of a carousel, or twirling. Another point I could mention is that she’s got metal bracers/cuffs around her arms and wrist, signifying her status as a slave to the industry. This is a common giveaway.
The next scene is one of the most symbolic and significant of the video. At a certain point, Selena achieves full dissociation. This is actually important for their Systems when related to performing, as dissociation takes the pressure off their fronts- who weren’t designed for performing- while their alters built for performing can do so successfully. This dissociation is shown symbolically by displaying her as enlightened, up in the clouds, still singing karaoke (as shown by the presence of the shooting star-which, as you can see is now right-side up- the microphone, and the TV she’s watching). She’s laid out on a big, purple triangle piano (concrete triggers), and is surrounded by busts (of mythological figures), symbolising her multiple alters. She is still with a man, he is just a different man. He also happens to be playing the piano she’s laying on. This could very well be another representative of Satan, due to the fact that he is with her, he is in control, and he is playing the music while she sings along. At one point, he even makes a conductor-like gesture, regardless of the lack of a physical orchestra. This is a mockery of the fact that he gives the orders, and she just follows along. She is the instrument, and he is conducting her. Regardless of who the man truly represents, this bit is strongly suggestive of Selena’s dissociated and helpless state as an MK victim.
In the next scene, Selena is entranced by the images shown to her on the screen. She is viewing herself, and she just so happens to be decked-out in triggers, such as leopard print glasses (alluding to her Beta state), her black and white checkered collar (duality), and false beauty mark that ties back in with Marilyn Monroe and the role her image plays in beta programming. She is still in yet another purple-shaded world, riding in a car being driven by yet another random male figure. And he just so happens to be wearing a snakeskin jacket. This video is quite true to the fact that Satan has many, many forms- and takes what form is needed when it’s needed.
At one point, Selena’s eyes are shown as his- suggesting that she has successfully bonded with him on a metaphysical level (eyes being the “window to the soul”). It also shows her lips as his eyes at one point, purely to forcibly draw attention to her mouth in order to sexualise her. This type of behaviour is a common theme throughout most Disney stars’ productions.
After the scene with the snakeskin dude, she’s shown dancing around in front of dozens of screens again- all of which repeatedly show multiples of her. In this quick cutscene, the major multiple shown is male, with black and white glasses and a black and white outfit.
During the next scene in the video, Selena is shown in a field by a tree, surrounded by a mariachi-type band. Each member in the band is wearing a red (sacrifice/sexual colour) sort of film over their eyes, bar one with purple (high level of consciousness/ awareness and power). This scene is pretty important seeing as it’s not only another example of dissociation, but this time it’s dissociation during ritualistic abuse. Her outfit is almost entirely jewels, hinting at the fact that she’s more than likely been through jewel programming as well. She’s adorned with rubies (equivalent to red in colour programming) suggesting even further the symbolic sexual energy of the scene. The man in purple hands her a purple lightsaber-looking object with which she swings around at a pinata. She’s blindfolded during this point, symbolising the fact that her front alter(s) is/are “in the dark” or unknowing about the circumstance, or even her position altogether. When she successfully hits the pinata it bursts open, showering her with confetti which she blindly dances around in.
The final scene in this video is perhaps the most important. The characters we’ve seen all throughout the video are actually in the real audience she’s singing to! So what we were lead to believe were make-believe figures, are actually real and present in her life- even if she is unaware of them.
Y’know, for a Selena Gomez song this video was overwhelmingly intricate. One of the most under-recognised ones in entertainment in the context of monarch programming, in my opinion. But hey, if the occult elite are going to spend their money anywhere, why not on the generations to come’s mass programming? Thrifty.
Oh, yeah. And they also throw this in for us at the end super quick so we get the hint that these people are all symbols related and significant to her success in this video. Can’t deny that. Well, you can. But you’d be wrong.