Jessie J’s “Thunder”: Isn’t once or twice enough?

Jessie-J3

Mickey Mouse ears AND bows = mind control triggers.

I mean really, I genuinely lost count of how many times this woman covers one of her eyes in this music video. I truly did. I guess we’ll know by the end of me writing this- but for now just kick back, relax, and have a read. This one is dark. Darker than dark-dark. Like 3dark5me.

I realise that this music video came out in 2013, but I’d forgotten all about it. Recent or not, it’s highly relevant to the information on this blog, so I’m doing a breakdown of it. Deal with it. (;

The colour scheme of this video is completely black. I mean, black everything. When I said “dark”, I meant that in more than one way. Literally, figuratively, whatever you want to call it. It is how it is.
She’s wearing a nude leotard with black detailing and a black full-neck collar (probably alluding to Beta slave status), and she also has black chiffon fabric on both sides taking on the appearance of some kind of cloak or wings at times.

The video is also set in the middle of a desert in the middle of the night with lots of- you guessed it- storms going on in the distance. Lightning flashing all about throughout the duration of it. Lightning represents two things in the context of the occult elite and monarch programming. In reference to the occult, lightning symbolises Lucifer, the “morning star”, who was struck down to earth by lightning in lore. As far as MK Ultra, lightning represents electricity (obviously)- which is important because almost all programming involves some kind of brutal, unthinkable torture. Electroshock is used very frequently because it traumatises the body and mind to the point of complete and total detachment- which is the goal. When one dissociates fully, programming can be executed properly because the consciousness and perception of the person is no longer interfering with the host-victim’s body. Super.

Anyway, the most obvious of all symbolism in this video is the one-eyed sign, commonly known as the “all-seeing eye”, or the “Eye of Horus”. This represents the global elite and their prideful, seemingly omniscient presence and awareness due to their power and the all-seeing, all-knowing power of Lucifer that they evidently hold so near and dear. The one-eyed symbol is the most commonly used symbol in reference to the elite, as the butterfly is to monarch programming. If you see a well-known politician or celebrity doing the one-eyed “salute”, be keen about what they say and do. It’s always important to be vigilant about the world around you and all of what your mind is taking in. Your mind is your most important asset, so it’s important to protect that.

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Leaning up against a car, suggesting she drove to this metaphorical place or was brought here intentionally.

The first thing we see in this video is Jessie leaning up against a black car in said desert, covering herself up with the sheer black fabric, appearing like a cloak. She looks detached and distant, and the way she’s covering herself signals vulnerability.
Next to the car, we can see a small dead tree or plant of some sort that appears as though it was planted relatively recently. This is significant because it shows a lot about monarch programming- the small plant is young but already lifeless, and was intentionally planted that way by hand- into dry, dead soil. Child victims of MK are broken and their spirits killed before they even get a chance. This is done deliberately and calculatedly, into conditions where they’ll never get the chance to sprout or grow. This is just my interpretation, however.

Next is where she begins to come alive, so to speak. Let the Illuminati batshit begin.Screenshot (511)She covers one of her eyes not even a tenth of the way into the video. No need to explain, we allllllll know what that means.Screenshot (512)Screenshot (514)
After she begins to come alive, she opens up the cloak- rendering herself completely open and susceptible. This is important because that’s the state a victim has to be in in order to program or attach darker things to them.
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Ohhh dear, here she goes covering one eye again. In all fairness, she’s better at doing it slyly in videos than some other people. *COUGH*PARISHILTON*COUGH*
Damn, I’m sorry. This cold is really getting to me.
Ahem, so yeah. Anyway.

She then reaches full-vulnerability mode when she quickly bends over backwards, revealing and opening herself up entirely to… well, whatever darkness is consuming her.

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She then covers her eye again, but I’m already getting tired of saying it so I’m just going to include a nice little collection of her many one-eyed shots at the end of this article. We can count and see how many Satan points she gets. Yay!
When lightning strikes in the distance, she whips open the black fabric and thrusts her arms into the air, fabric being blown about by the tumultuous winds surrounding her.
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Soon after, we see her on the ground, bent over forward, shrouded by the black fabric, and contorting and twisting in an eerily inhuman fashion. This type of movement is reminiscent of what you commonly see in exorcisms and possession- and it reminds me of what we saw happen to Elisa Lam, or the way Rihanna moved in her video for “What Now”.

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Weak, and surrounded by darkness.

Oh yeah, and then she awkwardly forms a triangle with her arm. Could be coincidence, but I personally don’t believe in that. This is very iffy, I’m only including it to cover the full scope of possibility. After all, that’s what having lots of speculation and theories is all about, yeah?

Maybe, maybe not.

Maybe, maybe not- but it’s there.

THERE. Now, this is where shit gets real. She begins to take on a dark, demented personality and you can tell it purely by the look in her eyes. Some of them are very quick flashes, and some are more extended, but they definitely give me the creeps.

Evil glare #1.

Evil glare #1.

After that, we see Jessie chaotically moving and twisting about, while also being surrounded by multiples of her doing the exact same. This screams monarch victim because they literally represent the multiple alters within a subject. It’s disturbing knowing what some of these elite and those in their hierarchy of their monarch system are capable of.

Multiple multiples.

Multiple multiples.

They all just look so lost and distressed.

They all just look so lost and distressed.

Once again, lightning strikes. At that exact moment, she’s posed in a way that represents full openness and acceptance. She’s opened up, and the electricity can do its job (symbolically, in a theoretical monarch setting).
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We then see the darkness quickly consuming her, and these pictures can say more than I ever could. There’s nothing more to it than complete and utter destruction of happiness and joy. You can tell by the looks on her faces.

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Collar around the neck, symbolising control and her status as a slave to the industry and its inner workings.

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Turmoil and hatred simmering inside.

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Cue possession traits, these next photos are pretty unsettling. She is shown levitating, hovering over the ground, completely open and exposed. There’s no way around that. In this first of the levitation flashes, the shadow on the ground does not appear to have a head. It could be the angle of the lighting, but I’m not sure. Regardless, it’s strange. And if the shadow is meant to not have a head, then that’s symbolic of dehumanisation and not having any remaining essence, or “core”- meaning the original self. Just a body to be inhabited and used for other means.
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After the darkness has fully consumed her, and she’s now what I’m going to refer to as “possessed” (call it what you want, it’s all the same), she’s shown standing up tall and seductively, reaching out a hand to the viewer.. beckoning for them to join her..

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Once again, shown surrounded by multiples.

We then quickly see her gazing at us through the dark shroud, symbolising her oblivious and distorted mindstate. This happens very quickly, so if you go to watch the video, watch carefully.
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Then, we’re shown her levitating once more, but this time it’s proof- proof that the levitation represents her soul leaving the body open to any and all outside influence, due to the fact that her spirit is actually shown leaving the body. At first, the body is surrounded by light, shadow on the ground. But then, the light is gone, so is her shadow.. and so is she.
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Literally out of her mind.

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Yeah, sand makes me really angry too.

We then see some evil, dark expressions on her face, and her levitating body is now curled up, an empty hollow shell, in a position similar to a fetus in the womb.
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We also see her kneeling on the ground, head bowed down, wrapped in the darkness, and hands behind her back like she’s completely surrendered. Like a slave about to be killed.
Like a slave who’s accepted that they’re nothing.
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Aaand then we see the most disturbing face in the entire video. It weirds me out just looking at it, this bitch be 666% evil.
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We also have the wondrous privilege of seeing her lookin’ like a completely power-hungry, psychotic demon woman. Pics because it happened.

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Appearing all-powerful and demonic.

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Angel of the light, symbolising satanic deception.

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Self-inflicted injury, commonly programmed into victims in case programming starts to break down or go wrong.

At the end of the video, we see Jessie clutching her neck- a very common form of symbolism related to self-injury and masochism. After, at the very end, she collapses. This is very, very similar to Eminem at the end of his video for “Rap God”.

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Collapsed on the ground, nothing left to give.

So there we have it, mates. Jessie J is just as much of a crazy bitch as Nicki Minaj or Katy Perry or Miley Cyrus or any other MK Ultra-diseased “human” being. These people are no joke. They’re truly slaves. They’re truly not who they once were, when they were young and gullible enough to get involved with the entertainment industry.
For the love of god, if you like to write music, do it for you. Don’t do it for the fame, you’ll never be the same.
End of.

Oh yeah. And here are all the numerous one-eyed shots she provided.
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9 SATAN POINTS TO JESSIE J, SHE DESERVES A FUCKING MEDAL.

Hmmmmmmmmmmmmmmmmmmmmmmmmmm…
I wonder who she’s working for. :l

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Pills ‘N Potions: A Deadly Concoction.

 

But I’m not talking about medication and alcohol- no. I’m talking about the latest single by Nicki Minaj released under YMCMB. It’s a rather odd (for her), but not too terrible-sounding song from the rapper-gone-pop-gone-whatever-she-is-now vocalist.
The “simple” meaning of the song is about a toxic relationship that she repeatedly chooses to stay in because she “still loves” him. But beneath the shaky facades of most mainstream pop songs today lie undeniably dark messages. In this, it’s about a slave in the world of monarch programming, and the male in the song and video represents an alter.

The lyrics, on the surface, are easy to grasp. They go over relationships, people who love you, people who don’t really love you, people who hate you, and being better than those people because you sold out to afford your drugs and cars.
Now that we spent all that exhaustive time covering the originality of these lyrics, let’s look a bit deeper and get a grasp on what this song is really all about.

I’m going to assume that most of you who landed on this article have already seen the video and want answers. Welp. I’ll tell you right now that I know for sure this video is not about Easter. Luckily for you, there aren’t any subliminal messages in it, but it is laden with symbolism so let’s walk through this one step by step, yeah?

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It all starts out with Nicki. She’s in cat-eye eyeliner (wink wink) and smoking a cig in a sheer, white robe. But it gets deep fast. The next setting we see her in is one of vulnerability. She’s looking up as though being looked down upon, half-naked and covering up what she can. This Nicki is in black.

She’s singing the lines “Pills ‘n potions, we’re overdosing, I’m angry but I still love you” while the video rapidly switches between her in black and white outfits. These lyrics are the key to understanding all of this. Pills and potions refers to the drugs they use to manipulate a monarch slave into thinking a certain way and becoming easily suggestable. The word “potion” obviously has a magical connotation, signifying the fact that it’s not all just technical medical and psychological torment. It’s much deeper and darker than that. The other keyword is “we’re”. She’s not saying “I’M overdosing”. She says “we’re”. That hints at the whole alter-alter thing.
A few times in this video, she makes hand gestures as though she’s choking herself, symbolising how these slaves are taught to believe that pain is love and love is pain. This is in both black and white, to show that the good parts and bad parts of her are all hurting- and have been taught to want to hurt. That that’s love.

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Cue weird rabbit theme coming into play. This is probably the reason most of you came looking for answers, and I’m proud of you. Yeah, that’s right. You.
This starts with a simple Pez dispenser with a white rabbit head. The symbol of a white rabbit is related to Alice in Wonderland programming, and rabbits are related to beta programming (sexual alters, you can probably tell why). In Alice in Wonderland programming, the slave is taught to go “through the looking glass” to dissociate or access certain parts of their mind otherwise secured. The fact that this white rabbit is dispensing pills (not Pez) is accurately representative of how slaves are forcibly hooked on all kinds of hardcore drugs in order to have something to held over them and used to manipulate them (far too easily). Think about it. What wouldn’t a drug addict do at rock bottom, just for their next score? Even then, those are still people with some shred of free will left.
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The next rabbit we see is a black and white picture of a rabbit (in what appears to originally have been in a laying down position), animated standing up and moving his paws to the beat of the music. This one is weird, just in a disturbing way. The fact that they animated what was probably a dead rabbit to look like some kind of Frankenstein robot freak is just odd in and of itself, but it’s scarily applicable to the state of a monarch slave.
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Next thing we see is the the rapper “The Game” (portraying the other alter) looking up at the screen with purple smoky, cloudy, liquidy material coming up from behind his head. Now, as we know, the colour purple is both associated with higher consciousness (“illumination”, per se) and it can also represent an abuser or handler figure in a System- because remember, nearly all handlers are programmed themselves, and many slaves have alters within their System that are handler figures to keep them in line. It’s a hierarchy of power. A pyramid. I think both meanings could be accurate in this circumstance. Since the material is coming from his head, I’m going to say I believe it to represent higher consciousness and his thought. Which can’t be good, because he looks demented when he makes eye contact in the video.

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We then see Nicki continuing to sing, while what I’m going to call “liquid chrome” tears are flowing down her face. This liquid chrome material is pervasive throughout the entire video, and it seems to me to metaphorically represent the manifestation of this toxicity of being a slave and the conflict within a System.

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This next frame is one of the reasons I say this man and Nicki represent alters for one other. They have their backs/attention turned away from one another and seem to be oblivious of the other’s existence at first. They later turn to face one another. This is all mixed around between scenes of Nicki and him individually with the cloudy purple or pink liquid stuff.

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I mean, Nicki has her eyes shut for about 60% of this video, allowing us to better grasp the fact that sometimes, she’s off in a dissociative dreamland created within her mind via monarch programming. That dissociation is represented in this picture.

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These next two pictures are probably the most important ones in the whole video. In one, Nicki is holding the man’s detached head, symbolising an alternate personality. This is also symbolised by masks, dolls, mannequins, pretty much anything that seems human, but isn’t. In the frame where Nicki is being held by him, he has complete control while Nicki seems to be practically asleep. Which is the point in this context. Good on you, creative directors.

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This photo below is representative of domination over a slave and its alters. Any time Nicki is used to portray a handler, she’s wearing tall boots, and I’m assuming it’s because it has ties with BDSM, “D” standing for dominance/domination.Screenshot (387)

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Nicki as a handler figure in “Monster”

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Nicki as a handler figure in “Out of My Mind”.

 

The following are all representations of the distortion and pure imagination involved in programming. These all go to show that Nicki is in some kind of dream world- when which another alter has taken the host body over.

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Once again, this proves that the liquid chrome really does signify toxicity, as it replaces the smoke later on in the video. But that’s not the only thing that gets replaced. Nicki is actually replaced with the rabbit, who is also smoking a cigarette- hinting at the fact that the bunny “is” her, or symbolises her. It symbolises her having that sexual alter we see throughout the whole video (pictures of which I’ll include in a group at the end, because there are too many to individually account for).

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Taxidermy rabbit made to look alive. Talk about dehumanisation.

 

This next part in the video is where Nicki places her hand on the black man’s head (mind), and the toxic chrome flows down his face to cover him. He remains statuesque throughout the entire duration, not even noticing. This shit’s important, guys. This is a violent exchange of toxicity between two people. Some of this could also be applied to the context of a slave-handler relationship, but because of the seemingly equalised distribution of power between the two, I’m calling it how I see it. You can determine what you believe on your own.

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Now we see two pills as eyes, with what looks damn well like black tar heroin tears. I wish I had black tar heroin tears…
At this point, complete dehumanisation and infiltration via drugs has come into full play.

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At the end, good Nicki is seen walking amidst a big black sea of cloudy liquid that’s energetically and violently moving about. The black stuff means the good her has been taken over by the darkness (more than likely for good), while her stone cold stare means she doesn’t care anymore. Pretty simple. If the white her in this last few moments of the video were to represent her “core” (Onika Tanya Maraj), then that would mean her core is suspended and surrounded by chaos and darkness, which is also true in monarch slaves.

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In the end, this video was one of the harder ones for me to decipher because it is so vague in parts, but I did my best to interpret what I see with what I know, and if any of you disagree with any of my interpretations please feel free to comment. Oh yeah, I almost forgot. The beta state pictures.

 

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Screenshot (381) What even is that coat? Some kind of abstract animal print? Whatever it is, it’s weird and I don’t like it.

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That’s all, folks. I did my best, and I know this video was in high demand for people looking for all this Illuminati horse shit everywhere. So I hope my interpretation helps solve any questions you may have had. If not, comment and ask and I guarantee I’ll respond AQAP.

 

 

Pills ‘N Potions Video Breakdown Coming Soon!

Hey everyone, new Pills ‘N Potions video breakdown coming tomorrow!
Stay tuned and you’ll receive the blessing of knowledge.
You’re welcome.

But seriously, I’m kidding.
BUT YEAH. PILLS ‘N POTIONS ARTICLE COMING TOMORROW.
Or maybe the next day.
I never know how lazy I’m going to feel…

Nicki Minaj’s new single “Pills N Potions” has a questionable cover.

 

In this album art, she’s posed as a white rabbit- a common theme in Alice in Wonderland Programming. In this, subjects are tranced and taught to go “through the looking glass” into another part of their individualised internal world. Other commons AIW triggers include white/red roses, gems, size distortion, more mirrors, etc.

She’s also hyper-sexualised with the connotation of “bunnies”, plus no bra. But a slave dressed as an animal, whether it be a cat or rabbit or Ke$ha, is dehumanising. Dehumanisation is one of the central themes to monarch mind control, and is achieved in multiple ways- from depriving one of their senses by locking them in a dark room for 2 days, or leaving a child in a 2-foot long cage with barely enough room to blink.

The lyrics to this song are also a bit “questionable”. The chorus goes:

“Pills and potions
We’re overdosing
I’m angry but I still love you
Pills and potions
We’re overdosing
Can’t stand it, but I still love you”

This could all too easily be applied to the mindstate of programmed victims, where they develop severe Stockholm Syndrome- usually at a very young age if they were sold out into the industry. They learn that pain is pleasure and pleasure is pain, that love is hate and hate is love, bitter sweet and sweet bitter. They get the alters to believe that the torture and unspeakable horrors being inflicted upon them is merely “training”. It saddens me just typing it.

Good to know we live in times where prostitution is more rampant than ever- just in the form of allowing yourself to be made into a sex object by the monstrous industry. Only to be discarded when you age, and lose the only platform that ever made you successful.
Hi, Miley!

Beta Sex Kittens: Marilyn Monroe Overload

So you may or may not have noticed… Marilyn Monroe is kind of a big deal. And she’s gained in popularity significantly over time. The reason she’s so significant to Monarch programming- and its victims- is because she was the very first programmed Beta Sex Kitten- a successful prototype. She reached diamond presidential status, and was the first major celebrity embodiment of sex appeal. 

Due to her success as a sex kitten and Hollywood icon, most modern-day Betas are programmed to both follow her ways and idolise her. At some point or another, many if not most of them are lead to portray her image and pay a sort of homage to her. So I’ve collected a small sample of female “sex symbol” celebrities who have embodied her spirit and image in photos and videos.

Up first, we have Miley Cyrus. Huge pop culture icon and influence in today’s world. Annoying or not, she’s here to stay. Here is her posing as Marilyn for a recent photoshoot.

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Another well-known celeb and sex symbol would be Beyonce. Women of all colours and bloodlines portray her, including black women. Beyonce, or probably her alter Sasha Fierce rather, seems to be in a permanent “sex kitten” mode recently. Almost every song on her self-titled album is graphic and sexual in nature. Here’s her taking on the Marilyn look. Notice the one-eyed symbol and black & white contrast (duality).

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Another celebrity woman of colour is Nicki Minaj, who is also a sex kitten icon. She’s known for her love of animal prints and explicit lyrics, even calling herself “Nicki Lewinsky” at times. She also seems to frequently be in a beta state a good portion of the time. Here’s her as Marilyn as well. Notice the diamond “collar” in the second photo.

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Even women like Penelope Cruz and Rihanna have posed as her. Notice again, the one-eye and black/white contrast.

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Here’s another handful of Beta sex kitten celebs who’ve been in Marilyn moods:

 

  • Scarlet Johansson- notice the cat print

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  • Angelina Jolie

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  • Katy Perry- notice the dualistic checkerboard pattern

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  • Lady Gaga

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  • The late Anna Nicole Smith, Taylor Swift, Paris Hilton, the list goes on. And on…

 

 

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There are dozens, probably hundreds of major sex kitten celebs who have portrayed her, and I’m not going to find every one of them. I’ve made the point I was striving to make, and that is to draw a parallel distinction between monarch programming and the likeness of Marilyn Monroe.

God rest her soul. I’m tired of seeing people idolise her. She lived in fear, control, and abuse her whole life, and was murdered shamelessly and disposed of like the trash her handlers treated her as. 

She was the beginning- the beginning of a monarch empire built solely for selling sex and its image. An empire that is meeting its peak.