Kiesza’s album artwork for “Hideaway” and “Giant in my Heart” feature monarch symbolism.

Kiesza is a well-known singer-songwriter and dancer who came onto the scene around 2010-ish. She’s mostly known for her single “Hideaway”, whose title suggests a sort of mental escape. And whaddaya know, the lyrics follow exactly that theme. One part goes,

“You send me the shiver up my spine, might overflow
You’re bringing me closer to the edge of letting go
You’re just a hideaway, you’re just a feeling

You let my heart escape beyond the meaning
Putting my head into the clouds I’m floating home
When you get me going I can’t find a way to stop
You’re just a chance I take to keep on dreaming
You’re just another day that keeps me breathing”

She’s talking about becoming numb to emotions, and having her head in the clouds- which she goes as far as to call “home”. And the first line where she talks about how her spine might “overflow” is related to the point in monarch programming where they overload the Central Nervous System via loud music, electroshock, torture, screaming, etc. When that happens, they dissociate completely, leaving the host body open for programming.  She also talks about the subject being “just another day that keeps me breathing”, suggesting that her life depends on this programming.

Opening of the head suggests mind control, especially when the inside is hollow or filled with something different. The zipper on her arm suggests that she’s a product, rearrangeable and carefully constructed.

Stacking of the heads inside one another suggests multiple personalities, or “alters”. The surrealism of the setting and the sky backdrop suggest being in a dreamland dissociative state.

Once again, the slicing apart of parts of the body suggest a fragmented mind and therefore multiple alters. The giant hole in her chest suggests the removal of emotion, which is a big part programming. Emotion isn’t practical to them. Instead, they’ve placed a manufactured version of “love” inside the hole. It’s funny how they chose an iconic art piece to fill her in with. As though she’s a work of art, meant to be an icon.

Also, the lightning bolt in her name is suggestive of electroshock torture, one of the most commonly used traumatising techniques used by monarch handlers. I figured I should add that in there.
As well, Luke 10:18 states that he saw Satan struck down from the heavens “like lightning”. Therefore, it can also apply in a Luciferian context.
So there you go, more monarch programming symbolism and MK Ultra bullshit. I can’t look anywhere anymore without seeing monarch programming triggers on and around these slaves. It truly is a shame.


Every single thing about this place makes me feel like being sick to my fucking stomach.

The Vector Gallery located on 124 Clinton St, New York is the first Satanic art gallery in the Lower East Side- and the first I’ve ever seen that’s permanent.
That link is to their official tumblr, and you can find most of this information there, but only at the cost of feeling like part of your soul has died.
In fact, in order to be able to enter the back room of the gallery, you literally have to formally sell your soul to Satan. I shit you not.

The artist himself, JJ Brine, has declared it “The Official Art Gallery of Satan” and has stated in interviews that the place is, in and of itself, a living entity. He has claimed that certain things have fallen off walls and rearranged themselves, and that the gallery sends messages to him. The gallery is said to have a very strong, unique energy of its own- an energy I feel simply from even looking at the images of it.
JJ has also founded and lead a new religion he calls “Vectorism”.

The artist and who I presume is his girlfriend.

The difference between Vectorism and Satanism are that Vectorism actually recognises Satan as lord and saviour. This is not the ideology that Satanism is founded upon, which is that you’re free to believe and do whatever you want without consequence. You’re your own god. But not with Vectorism, no. With Vectorism, Satan is GOD and is to be respected, feared, and worshipped. They hold religious ceremonies as well.

The walls are littered with “post-human art”, a term he claims Satan chose. The entire gallery is littered with art dedicated to Satan, Charles Manson (whom has been named their church’s official religious leader), desecration of classical art, hooved and horned creatures with outreached hands and warm smiles, Baphomet-like figures, and yes- heaps upon heaps of Illuminati-related symbolism. It’s also full to the brim with all sorts of reflective materials, mirrors, silver spray paint, glitter, bright neon lights, etc.

This man is leading a movement all of its own, and it’s rapidly gaining in popularity.
This man is sick, and he is dangerous.
I wish all of this was one great big joke- but unfortunately, it most certainly doesn’t seem to be whatsoever.

Jessie J’s “Thunder”: Isn’t once or twice enough?


Mickey Mouse ears AND bows = mind control triggers.

I mean really, I genuinely lost count of how many times this woman covers one of her eyes in this music video. I truly did. I guess we’ll know by the end of me writing this- but for now just kick back, relax, and have a read. This one is dark. Darker than dark-dark. Like 3dark5me.

I realise that this music video came out in 2013, but I’d forgotten all about it. Recent or not, it’s highly relevant to the information on this blog, so I’m doing a breakdown of it. Deal with it. (;

The colour scheme of this video is completely black. I mean, black everything. When I said “dark”, I meant that in more than one way. Literally, figuratively, whatever you want to call it. It is how it is.
She’s wearing a nude leotard with black detailing and a black full-neck collar (probably alluding to Beta slave status), and she also has black chiffon fabric on both sides taking on the appearance of some kind of cloak or wings at times.

The video is also set in the middle of a desert in the middle of the night with lots of- you guessed it- storms going on in the distance. Lightning flashing all about throughout the duration of it. Lightning represents two things in the context of the occult elite and monarch programming. In reference to the occult, lightning symbolises Lucifer, the “morning star”, who was struck down to earth by lightning in lore. As far as MK Ultra, lightning represents electricity (obviously)- which is important because almost all programming involves some kind of brutal, unthinkable torture. Electroshock is used very frequently because it traumatises the body and mind to the point of complete and total detachment- which is the goal. When one dissociates fully, programming can be executed properly because the consciousness and perception of the person is no longer interfering with the host-victim’s body. Super.

Anyway, the most obvious of all symbolism in this video is the one-eyed sign, commonly known as the “all-seeing eye”, or the “Eye of Horus”. This represents the global elite and their prideful, seemingly omniscient presence and awareness due to their power and the all-seeing, all-knowing power of Lucifer that they evidently hold so near and dear. The one-eyed symbol is the most commonly used symbol in reference to the elite, as the butterfly is to monarch programming. If you see a well-known politician or celebrity doing the one-eyed “salute”, be keen about what they say and do. It’s always important to be vigilant about the world around you and all of what your mind is taking in. Your mind is your most important asset, so it’s important to protect that.

Screenshot (510)

Leaning up against a car, suggesting she drove to this metaphorical place or was brought here intentionally.

The first thing we see in this video is Jessie leaning up against a black car in said desert, covering herself up with the sheer black fabric, appearing like a cloak. She looks detached and distant, and the way she’s covering herself signals vulnerability.
Next to the car, we can see a small dead tree or plant of some sort that appears as though it was planted relatively recently. This is significant because it shows a lot about monarch programming- the small plant is young but already lifeless, and was intentionally planted that way by hand- into dry, dead soil. Child victims of MK are broken and their spirits killed before they even get a chance. This is done deliberately and calculatedly, into conditions where they’ll never get the chance to sprout or grow. This is just my interpretation, however.

Next is where she begins to come alive, so to speak. Let the Illuminati batshit begin.Screenshot (511)She covers one of her eyes not even a tenth of the way into the video. No need to explain, we allllllll know what that means.Screenshot (512)Screenshot (514)
After she begins to come alive, she opens up the cloak- rendering herself completely open and susceptible. This is important because that’s the state a victim has to be in in order to program or attach darker things to them.
Screenshot (513)

Ohhh dear, here she goes covering one eye again. In all fairness, she’s better at doing it slyly in videos than some other people. *COUGH*PARISHILTON*COUGH*
Damn, I’m sorry. This cold is really getting to me.
Ahem, so yeah. Anyway.

She then reaches full-vulnerability mode when she quickly bends over backwards, revealing and opening herself up entirely to… well, whatever darkness is consuming her.

Screenshot (515)


She then covers her eye again, but I’m already getting tired of saying it so I’m just going to include a nice little collection of her many one-eyed shots at the end of this article. We can count and see how many Satan points she gets. Yay!
When lightning strikes in the distance, she whips open the black fabric and thrusts her arms into the air, fabric being blown about by the tumultuous winds surrounding her.
Screenshot (517)


Soon after, we see her on the ground, bent over forward, shrouded by the black fabric, and contorting and twisting in an eerily inhuman fashion. This type of movement is reminiscent of what you commonly see in exorcisms and possession- and it reminds me of what we saw happen to Elisa Lam, or the way Rihanna moved in her video for “What Now”.

Screenshot (518)

Weak, and surrounded by darkness.

Oh yeah, and then she awkwardly forms a triangle with her arm. Could be coincidence, but I personally don’t believe in that. This is very iffy, I’m only including it to cover the full scope of possibility. After all, that’s what having lots of speculation and theories is all about, yeah?

Maybe, maybe not.

Maybe, maybe not- but it’s there.

THERE. Now, this is where shit gets real. She begins to take on a dark, demented personality and you can tell it purely by the look in her eyes. Some of them are very quick flashes, and some are more extended, but they definitely give me the creeps.

Evil glare #1.

Evil glare #1.

After that, we see Jessie chaotically moving and twisting about, while also being surrounded by multiples of her doing the exact same. This screams monarch victim because they literally represent the multiple alters within a subject. It’s disturbing knowing what some of these elite and those in their hierarchy of their monarch system are capable of.

Multiple multiples.

Multiple multiples.

They all just look so lost and distressed.

They all just look so lost and distressed.

Once again, lightning strikes. At that exact moment, she’s posed in a way that represents full openness and acceptance. She’s opened up, and the electricity can do its job (symbolically, in a theoretical monarch setting).
Screenshot (523)

We then see the darkness quickly consuming her, and these pictures can say more than I ever could. There’s nothing more to it than complete and utter destruction of happiness and joy. You can tell by the looks on her faces.

Screenshot (528)

Collar around the neck, symbolising control and her status as a slave to the industry and its inner workings.

Screenshot (529)

Turmoil and hatred simmering inside.

Screenshot (526)

Cue possession traits, these next photos are pretty unsettling. She is shown levitating, hovering over the ground, completely open and exposed. There’s no way around that. In this first of the levitation flashes, the shadow on the ground does not appear to have a head. It could be the angle of the lighting, but I’m not sure. Regardless, it’s strange. And if the shadow is meant to not have a head, then that’s symbolic of dehumanisation and not having any remaining essence, or “core”- meaning the original self. Just a body to be inhabited and used for other means.
Screenshot (530)

After the darkness has fully consumed her, and she’s now what I’m going to refer to as “possessed” (call it what you want, it’s all the same), she’s shown standing up tall and seductively, reaching out a hand to the viewer.. beckoning for them to join her..

Screenshot (531)

Once again, shown surrounded by multiples.

We then quickly see her gazing at us through the dark shroud, symbolising her oblivious and distorted mindstate. This happens very quickly, so if you go to watch the video, watch carefully.
Screenshot (532)


Then, we’re shown her levitating once more, but this time it’s proof- proof that the levitation represents her soul leaving the body open to any and all outside influence, due to the fact that her spirit is actually shown leaving the body. At first, the body is surrounded by light, shadow on the ground. But then, the light is gone, so is her shadow.. and so is she.
Screenshot (534)


Screenshot (535)

Literally out of her mind.

Screenshot (536)

Yeah, sand makes me really angry too.

We then see some evil, dark expressions on her face, and her levitating body is now curled up, an empty hollow shell, in a position similar to a fetus in the womb.
Screenshot (537)

We also see her kneeling on the ground, head bowed down, wrapped in the darkness, and hands behind her back like she’s completely surrendered. Like a slave about to be killed.
Like a slave who’s accepted that they’re nothing.
Screenshot (538)

Aaand then we see the most disturbing face in the entire video. It weirds me out just looking at it, this bitch be 666% evil.
Screenshot (540)

We also have the wondrous privilege of seeing her lookin’ like a completely power-hungry, psychotic demon woman. Pics because it happened.

Screenshot (543)

Appearing all-powerful and demonic.

Screenshot (539)

Angel of the light, symbolising satanic deception.

Screenshot (545)

Self-inflicted injury, commonly programmed into victims in case programming starts to break down or go wrong.

At the end of the video, we see Jessie clutching her neck- a very common form of symbolism related to self-injury and masochism. After, at the very end, she collapses. This is very, very similar to Eminem at the end of his video for “Rap God”.

Screenshot (548)

Collapsed on the ground, nothing left to give.

So there we have it, mates. Jessie J is just as much of a crazy bitch as Nicki Minaj or Katy Perry or Miley Cyrus or any other MK Ultra-diseased “human” being. These people are no joke. They’re truly slaves. They’re truly not who they once were, when they were young and gullible enough to get involved with the entertainment industry.
For the love of god, if you like to write music, do it for you. Don’t do it for the fame, you’ll never be the same.
End of.

Oh yeah. And here are all the numerous one-eyed shots she provided.
Screenshot (544) Screenshot (542) Screenshot (541) Screenshot (527) Screenshot (524) Screenshot (516)


I wonder who she’s working for. :l

MK Celebrities and Self-Awareness



So it’s time for a certified question-and-answer session. I enjoy hearing your input and thoughts/ideas even more than I enjoy trying to explain what I believe.
From now on, comment on any post in this category with questions YOU have too. If it’s genuine and insightful, I’ll break it down and answer it in this category like the following:

A couple days ago, a commenter with the username “Precious” asked:

Q: “Do you think the celebrities in the video know what the directors and editors of the video are trying to hide in the meaning. Or do you think that the celebrities are just as blind as many who listen in to the music. And why are the directors/editors using symbolism as such and supposed mind control ???”

Screenshot (17)

A: I personally believe that most mind-controlled celebrities (more specifically, their main alter) are aware that they’re probably being taken advantage of to some degree, but I don’t believe that most know they’re being manipulated to anywhere near the degree that they truly are. As far as them understanding the meaning of the symbolism in the various videos/songs/shows/etc that they put out varies.

Seeing as some of these types of media are layered with symbolism- frequently, multiple types- they could very well be aware of or even support SOME of the meanings and ideologies within them. However, I do not believe that monarch celebrities have any external awareness of the MK Ultra-related symbolism and triggers. This is namely because of the fact that if they understood what it meant, it wouldn’t be a trigger, and that knowledge could trigger a collapse of the system’s programming (think Britney Spears, Amanda Bynes, Mariah Carey, etc.)

When their mind has a hunch about what they are (and it always does to some extent, because the spirit sees and knows all), and how they became that way, the mind sometimes attempts to wreak havoc on the internal system in an attempt to bring the fragmented pieces of their ego back together. This also tends to happen quite frequently the older the subject gets because cerebral atrophy begins to set in. This is exactly why we see so many mysterious “celebrity deaths” when monarch slaves reach early-middle age- they’re being disposed of. Programming doesn’t tend to stay stable once they reach a certain age, so once they’re no longer useful or bringing in revenue, they’re no longer needed. There’s even something dubbed the “27 Club”, due to the strange number of celebrity deaths at that specific age.

As far as pushing the occult symbolism, a lot of it has to do with how cooperative their front alter(s) is. If they, themselves are programmed to be into into occult/esoteric symbolism or mystic-type religions like Luciferianism, Kabbalah, Scientology, etc, then there’s no reason to try and obscure the meaning of the symbolism or agenda they’re being used to push. In fact, many are more than happy to oblige. Remember, their front alters usually don’t tend to have many questions or desires beyond their bubble they happily live in. Taking orders and making the money they do makes for an easy, comfortable life. That, in turn, makes it easy to just cooperate- regardless of whether or not they agree with or even understand what they’re being used to push.

Also, as far as why they push all these symbols and subliminal meanings in our faces is because it makes for easy mass programming. When everyone is slowly exposed to this repetitive bullshit over generations, they care less and less about important matters and more and more about hashtags and twerking. That makes for an easily controllable and influenceable public, making major political moves possible with little interference or outrage. But keep in mind, the entertainment industry is only one of the tools the dark government utilises to distort our viewpoints. They also use things like false flag terror to get us to give up our privacy and weapons in exchange for what we’re lead to believe is “security and safety”. In order to usher in the police state and fulfill Agenda 21, all of the tools they use are necessary.

Does that help answer your question?

Eminem’s “Rap God”: The Return of Slim Shady

Eminem’s “Rap God”: The Return of Slim Shady

Background information…

  • Change of Direction

So recently, Marshall Mathers, more commonly known by his alias “Eminem”, has released another studio album called “The Marshall Mathers LP2″. For a while, particularly during his “Recovery” years, it appeared that Eminem was no longer messing around with the whole “Slim Shady” getup. With songs like “I’m not Afraid”, I began to believe that and have a ray of hope for the popular rap star. But in recent times, it is clear that Mathers is far from done with Slim Shady, addiction, submission to his higher-ups, and his dance with darkness.

He’s made it very clear where he stands now, and through his lyrics, his promotional images, and his musical themes, even Helen Keller could put it together.

  • Promotional Image

The most popularized and widely-distributed image for promotion of his new album features Eminem holding up devil horns. The horns extend out over his head, while his fist covers one of his eyes. If you’re a regular reader of Vigilant Citizen’s articles, and/or are well-versed in occult symbolism, you’ll already understand the significance of this image. If not, please take 2 seconds to research satanic hand-gestures, and the meaning of the ‘one-eye’ symbol, also known as the “Eye of Horus”.


(I wonder what team he’s playing for)

  • Interview with MTV

Before I break this video down for you, allow me to explain one thing. Eminem is not who he once was a long, long time ago. He, himself, stated in an interview with MTV that it only took him “6 minutes” to write the lyrics for the song “Rap God”, which is less time than the actual duration of the song itself. Then later on, he goes to say it took him “a minute and a half”. The most unnerving thing he mentions is that he cannot remember when or where he wrote the song. He only recalls ambiguous bits and pieces from his memory, which is a pretty strong suggestion that this is a result of monarch programming. Victims/ participants often lose their sense of time, as well as experience blackouts due to the fact that their psyche is fractured, resulting in what’s known as co-consciousness. Beyonce is a similar example, as she’s admitted that she never remembers her own performances- that her alter ego “Sasha Fierce” takes over, and that Sasha’s much different than herself.


(He seems really “out-of-it)

Video for “Rap God”…

  • Introduction

“Rap God” starts out with Eminem in a black and white suit and tie, plastered on a geometric background of colors spit up into black-and-colored stripes (a common MK trigger). He flashes back and forth in an array of positions, as well as switching between himself with sunglasses on and off. This is representational of his multiple personalities switching in and out. Also significant is the way in which he’s split up into multicolored versions of himself.



(Switching in and out)

You can also hear him in the background saying “six minutes” repeatedly.

The lyrics in the intro go:

Look, I was gonna go easy on you and not to hurt your feelings

But I’m only going to get this one chance

Something’s wrong, I can feel it (Six minutes, Slim Shady, you’re on)

Just a feeling I’ve got, like something’s about to happen, but I don’t know what

If that means, what I think it means, we’re in trouble – big trouble – and if he is as bananas as you say, I’m not taking any chances

You were just what the doctor ordered

The intro sets a strange tone, and with it rapped in a voice that is not his own, it points to one of his many splits taking over him and consequently, the mic. It almost sounds as though it could be one personality talking about Marshall to another, or two handlers having a conversation.

  • Programming in Progress

You were just what the doctor ordered” is eerily suggestive of his successfully programmed state.

Throughout the beginning of the video, he is showed as being under surveillance, due to the multiple CCTV cameras, and his appearance on TV screens, quite similar to Rihanna in the video for “What Now”. His image is displayed with an array of other images, including “Rock ‘Em Sock ‘Em” toy boxers, symbolizing an inner battle and opposing forces.



(No hiding)

At about 34 seconds in, he is shown in the camera room, strapped to a chair, with his body and head attached to wires. Similar to the imagery in Britney Spears’ video for her single “Hold It Against Me”. Also shown on a shelf in the room are WWII- related videos and games- one of which is aptly named “The Programme”. A CCTV camera pans by, capturing them, and imprinting them into Eminem’s mind via the cables he’s attached to.

Image(Literal mind-control)


(Being fed violent imagery)

  • Inside Out

At 1:36, his face is broken up and displayed on multiple TV screens at once, representing his fractured psyche.


(Split into parts of a whole)

And then at 2:03, Eminem is displayed as a type of 3-dimensional hologram figure, showing his dehumanized and robotic state, which he admits to through the lyrics in this song “They said I rap like a robot, so call me Rapbot”. I realized, after watching the video many times over, that this digitized version of him is the outward projection of himself, while the backgrounds of the multicolored bars and shapes are literally the inside of the projection’s head.


(Inside of head)


(Outside of head)

  • Marshall v. Marshall

At 2:13, he is shown rapping and moving about in a dark, black room, wearing solid black clothes. This represents his true self, who is both literally and figuratively “in the dark”. He’s made to look delusional because he’s rapping away from the camera, towards… well, nothing. It’s odd, and it’s no accident.


(Rapping to the air)

After viewing the video a few times, and taking into consideration the other imagery shown in this room, it appears to be another representation of the inside of his mind.

Shortly after, one of the screens shows the game “Pong” over a background consisting of Eminem’s programming room. This is another display of opposing forces, and the opponent is winning. Still, the real Marshall is showed trying to escape, and searching for some way out.


Also shown are clips pointing towards Eminem’s internal struggles and competition between egos.


Included (first, subliminally) is Marshall in a black, leather straight-jacket, looking thoroughly possessed and/or mentally ill. As well, he is only ever shown like this on a red background, inside his mind.


(Winner of the “Most Disturbing Picture of 2013″)

  • Neverending

At 2:58, Eminem is shown dropping out of a portal suspended in the same dark room. It’s what this scene is showing that is symbolic, rather than the portals themselves. Some might say they represent different, fractured mind-states created by his handlers, and from a still picture and no other information, that might be believable. But if you’re familiar with the video game “Portal”, and you understand how portals work, then it might be a little easier for you to understand what they symbolize here. In the game, you use the portals to traverse obstacles. In other words, the portals get you from one place to another. In Em’s mind, he’s shown looking through, falling from, and jumping through these portals in an attempt to get somewhere other than where he is now. And every time he tries, because the portals are all in the same vicinity, he just winds up right back where he started.


(No way out)

This shows the endless cycle MK Ultra instills in these people’s minds. Not unlike the video for “Fjogur Piano” by Sigur Ros, an air of inescapability and eternal torment is conveyed. That is why often times, it’s so difficult for victims to break free from the cycle. Not because it’s unbreakable, but because they’re lead to believe it to be. That’s why it may be easy for us to say “You’re stupid, you can break free whenever you want”, but that’s just it. It’s from our perspective that we may say things like that. Yet from theirs, we’re the ones who look “stupid”, because their understanding of the world around them and how it works is much, much different than how we see it. That’s how they’re programmed to be. Programming not only changes the person’s mind, but it removes from them their purity, their essence, and their liveliness. It breaks them, and in the process, destroys their willpower altogether.

  • Handlers

Throughout the whole video, there are clips of Eminem rapping and dancing around with his hood over his eyes. He’s surrounded by a group of people all dressed in black, literally pushing him around and keeping him somewhat ‘stable’, as he appears to be either drunk, drugged, or both.


He then raps “I’m the walking dead, but I’m just a talking head, a zombie floating”, which so accurately describes his state as an MK victim, or possibly ‘participant’, as he goes on to rap and brag about the benefits of his career- i.e. money, drugs, and sex. What else is new.

The further on the song goes, the more unstable he becomes. Literally being handled, he begins falling in and out of the arms of his ‘posse’.

  • Black & White


   (Good & Evil)

Throughout this whole song and video, there are bits and pieces all pointing to the extreme duality and spiritual themes behind its true meaning.

“That if you’re half as nice at songs you can sacrifice virgins too”

“Even though I walk in the church and burst in a ball of flames”

“So you be Thor and I’ll be Odin

You rodent, I’m omnipotent”

“And I’m a million leagues above you, ill when I speak in tongues”

“I’m drunk so Satan take the fucking wheel, I’m asleep in the front seat”


“But in my head there’s something I can feel tugging and struggling

Angels fight with devils”

are just a few lyrical examples, not including all of the religious imagery and words found in multiple subliminal frames.

Subliminal text examples given: “Inferno”, “God was Bold”, “Pagan”, “Satan spake”, “lake of fire”, and “Omnipotent”.

Subliminal visual examples including, but not limited to:


  • Ending Scene

Towards the end of the video, Em is shown immediately gripping the seat he’s in in the camera room- almost as though he’s being jolted with electricity. When his programming is complete, he detaches from the wires and proceeds to show a display of inhuman mental and psychic powers.


(Download: 100% Complete)

He begins to levitate, both above the sea of people pushing him around, as well as in the programming room.

Levitation is a common theme found in the process of exorcism and possession because it’s an intimidation factor used to show power over the laws of physics/ properties of this world. In the programming room, as he’s rising, books, videos, records, cassette tapes, and computer parts all begin to fly off the shelves and form a violent maelstrom around him. In my opinion, this represents his mastery over all which is now rendered obsolete due to his perfected, “God-like” state.


His internal mind is shown as successfully fracturing into dozens of pieces, the colored lines now in disarray.


(“Success” = A fractured ego)

After these scenes take place, he is shown walking on water, another blasphemous depiction of his new-found godhood.


As the video comes to an end (exactly at the 6-minute mark Shady was allowed), Eminem collapses into the sea of people- symbolizing Shady’s stepping-back down and return to his dormant state within Em’s mind.


(Lost consciousness… some people find it funny, apparently)

Physical collapse is another common theme found in possession, as the grandiose displays often leave the human body thoroughly and completely exhausted.

In Conclusion…

This video is one of the most disturbing videos I’ve seen in a while, especially when the time’s been taken to watch it frame-for-frame in order to catch all the subliminal imagery. If you look into his eyes, watch his gestures, and pay attention to the way he moves, you can clearly see something so distinctly inhuman about him and his behavior. Similar to the gestures of Elisa Lam when she was attacked, Eminem’s movements appear distorted and strange.


(Elisa Lam-esque)


Through his soulless gaze, you can tell he’s truly given himself over to the pressures of the beast known as the industry. He states how angels and devils are fighting over him, and how he wants nothing to do with the person angels want him to be. He’s clearly cut himself off from any shred of hope or light, and while it makes me sad, it doesn’t surprise me.

In the words of Iggy Azalea, “Once you go great, you never go good. You never go back, even if you could”.


(But is it truly worth-it…?)

works cited:

Mathers, Marshall. Eminem- Rap God (Explicit). Dir. Rich Lee. Prod. Justin Diener and Kathy
Angstadt. YouTube. EminemVEVO, 27 Nov. 2013. Web. 1 Dec. 2013. < 

Mathers, Marshall. Eminem’s ‘Rap God’ Lyrics Took ’6 Minutes’ To MTV, 5 Nov. 2013.
Web. 1 Dec. 2013. < 

Promotional photograph of Eminem for album “Marshall Mathers LP 2″. Idolator. BuzzMedia, 26 Aug.
2013. Web. 1 Dec. 2013. < 
“Eminem – Rap God lyrics.” Direct Lyrics. Ed. Yvo Schaap. Spin Music, 2013. Web. 1 Dec. 2013.