will.i.am’s “Feelin’ Myself”: A celebration of egomania.

   I know this video was made 3 months ago. I accept my flaws, including the one where I’m not the most musically or internetly up-to-
date person in the world because I actually have a life to attend to, but I saw this video and it really struck me as being one of the
most-obvious I’ve seen thus far in pertinence to MK Ultra/ monarch programming.

   The song is called “Feelin’ Myself”. It’s a collaboration by will.i.am, Wiz Khalifa, French Montana, and last but definitely least, Miley Cyrus. It is the pure celebration of having an ego so big you could take out the entire galaxy with it. These monarch victims/participants are products designed to have “front” alters who are trained to re-wire any and all criticism the sounds of people being “jealous haters”. Without these bulletproof egos, these superstar celebrities likely wouldn’t be able to handle their positions without serious mental breakdowns. Therefore, these egomaniac alters are the “protectors” of their systems, triggered by any number of things.

   In the beginning of this video, will.i.am takes his place next to Miley to put his fist into the air and say “will-power”.
Miley just stands there, kind of dancing a little lazily and looking off-screen to be directed every moment. No big deal. Except she’s also wearing a Chanel jacket covered in chains, and is wearing actual chains. Pretty self-explanatory, I guess.

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   We then see will.i.am leaning against a car, trying to look badass (Is will.i.am really “badass”? Why is he even relevant anymore, isn’t he like 40 now?), except it’s not working because he’s leaning against a car that looks like it was made by Hotwheels, and it makes him
look small. Like a pawn.

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   Now, every “artist” in this video is shown as computer-generated. I’m not going to sit here and call it “the Transhumanist agenda”
because I’m not here to spread lies or rumours. I’m here to make genuine observations based in fact, regardless of my belief system.
Those facts include the ideas surrounded by the portrayal of these people in this video- the idea that they’re “computer generated”, the idea that they’re disposable and replaceable, and the fact that they’re made to look like human-esque computer creations. As though they’ve been specifically constructed and can be animated according to need.

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   will.i.am is constantly portrayed as being made of “glass”, which just so happens to shatter. Twice. This is a symbolic representation of the “shattering” of the human psyche induced by the precision abuse, coreographed electroshock, and timed drugging among other unspeakable acts committed in the process of monarch programming. A mirror is a key symbol in MK Ultra, representing the idea that a mirror can be shattered to create fragments, but even though every fragment is just a piece of the original, each one can still be utilised as a mirror to reflect- its original purpose.

   will.i.am is shown as a computer generation, similar to Eminem’s portrayal in the video for “Rap God”. None of these ideas are new,
but they perpetuate the meaning behind the symbolism repeatedly shown to society through these mediums. In the frame below, we see only a bust of him, surrounded by a bunch of symbols that may seem meaningless at first. But along the right-hand side of the frame, we can clearly see a human body being scanned, eyes (the window to the soul) being displaced, a single eye letting you know who’s behind this, and a rectangular grid of different lights being illuminated which corresponds with what’s known as “domino programming”.

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(Slim in “Rap God”)

   Here we see the ever-so-painfully awkward French Montana being shown numerous ways with a detached head, and being fragmented- indicating being dissociative (the main goal of monarch programming), this means he is not all there, and that he is comprised of parts of a whole.

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(dissociative)

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(parts of a whole)

   Another thing they do with all of the people featured here is they show them as literal multiples of themselves, similar to how both
will.i.am and Britney Spears were portrayed in the video for “Scream and Shout”, or the way Beyonce was shown on-screen during her
Super Bowl presentation.

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(multiples)

   Up next is the ever-so-classy Ms. Cyrus, and she, like almost all the others at some point, is shown in a triangular-shaped room (omg alluminady lolol!!!one1!!11) and she says “everybody trippin’ like they poppin’ molly, up in the club is where you’ll find me”, along with talking about twerking like an “expert” (even though she apparently doesn’t know how).

   There’s not much significant I can say about this scene, other than the fact that she’s shown all warped and distorted- like most of the others as well at some point. This is significant because people or children being programmed are often drugged and shown themselves in funhouse mirrors to give them a warped perception of themselves. A lot of children are even taken to the Oregon Vortex’s House of Mystery, which is all a physics illusion to make visitors feel distorted and “off-balance”. Basically, it’s a house of completely scientifically-explainable mind-fuckery, but even those not under the influence of drugs or hypnosis become easily confused and disoriented. The only other thing I can add here is that she, at least in my opinion, is obviously in a sexual/Beta alter because of her actions and disposition, especially when it comes to her relation to will.

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(Nice triangle room… although she looks a at bit small in proportion, donchya think?)

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(distorted)

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(digital creation, pliable, replaceable)

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(multiples)

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(Beta mode: activated) 

At another point in this video, the most blatant symbol of mind-control is used yet again, showing Miley and will through fractured, and therefore distorted glass. It, too changes and warps with their reflections on it.

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(sexual alter showing) 

Incoming Wiz Khalifa is shown no differently than the others. Head detached, multiple copies of him, and kaleidoscopic distortions
masked by lyrics like “the bigger the bill, the bigger you ball” to distract us and keep us dumbed-down to fuck.

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(self)

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(ex)

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(plan)

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(a)

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(tory)

In the end, all persons are shown in the same frame, and they all disappear one by one. The end.
Yaaay, so worth-it. Well, for me. Not for you. Don’t watch this shit, it isn’t cool, and it’s certainly nothing to emulate or aspire to. It’s just
mind-numbing. With all the flashing lights, distortions, pretty colours, kaleidoscopic patterns, good beats, and familiar faces to disorient us you too can become entranced by the video and an impression can be made into your subconscious. It’s brainrape. Brape?

Whatever. It’s junk.

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   Oh yeah, and will.i.am apparently doesn’t know what “suicide” doors, are since he puts his arms up like butterfly doors…
Suicide doors are reverse-hinge. And really dangerous. Y’know, like. Suicide.

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wil
wat r u doin
wil
stahp

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