Alexa Goddard’s “Marilyn”: I can’t even anymore.

Do you know who Alexa Goddard is? Because I didn’t, until I saw her name and face plastered all over Vevo’s homepage. She’s signed to Roc-A-Fella Records, and we all know what that means. But hey, I guess the industry could always use another sexed-up sleazebag to do their bidding. She does a super duper job of it in the video for her latest single. Called “Marilyn”. And it’s about wanting to be like “Marilyn, Marilyn!” Because she lived such a fabulous life apparently, and everything people know about her is so accurate. Except it’s not. She was put through atrocity after atrocity, until she was all used up. Then she was disposed of, in the characteristic “mysterious celebrity death” they’re given. Cheap cover stories and disinformation.

Regardless, here we are with yet another Marilyn Monroe idolisation song. I swear to god if I see one more shirt, belt, wallet, backpack, poster, keychain, or fucking tampon with her face on it? So help me. That’s all I can say, because I don’t need the NSA at my front doorstep.

OH-kay, moving on. The lyrics for the first verse of the song go:
“Let’s go down to Carnaby
Get fucked up like we’re royalty
Let’s go try something that we shouldn’t
Cause that’s what legends do
Take me down the rabbit hole
Let’s go places no one knows
It’s my twisted fantasy
This is who I wanna be”

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Shot reflecting only her head.

If you know anything at all about MK Ultra/ monarch programming references, this song should ring a bell. Loud. I mean, really. These are the kinds of girls children look up to and idolise. They see them on TV or on the internet, half-naked and dancing around like they’re up for bid. That’s a thing. And I presume it’s only going to get worse. These lyrics suggest careless, self-destructive behaviour while also suggesting dissociation (through an Alice in Wonderland programming reference) into a world that she calls her “twisted fantasy”. Sounds fun. The first few seconds of the video show a reflection of her in a rearview mirror, but not a shot of her driving- a reflection of just her head. This is the first clue to her fragmented state.
Warning: There’s also a lot of flashing and flickering in this video too, some of which was too fast for me to even slow down to analyse, so just be careful what you watch. I’m glad I’m not epileptic.

We see Alexa walking along with a suitcase in a white top and long white skirt that look eerily similar to a wedding dress. They use the white gown to symbolise a sacrificing of purity, exactly like Taylor Swift when she performed her song “I Knew You Were Trouble”. The next thing I took note of was the fact that she was shown walking past a wax museum. A museum full of figures that look like exactly like people, but aren’t alive or mentally aware? Hmmm. It’s fitting.

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Taylor in a virginal “wedding” gown for ritualistic “sacrifice” at the 2012 Brit Awards. Hellfire and all. The women dancers in this bit were wearing cages (at the AMAs) and large masks (in this performance) around their faces.

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White, virginal stylised top and skirt. Notice the wax museum to her right (left of screen).

One other thing that caught my eye was the drawing of attention to a map in her hand titled “EZ Map”. Why would they show the map up close, in-focus like that unless there was something significant about it? Nothing is accidental in complete fabrications, especially when it’s a split second long. The letters E and Z are important because E is the 5th letter of the alphabet, and Z is the 26th. 5 + (2+6) = 13. Whaddaya know, it does have significance. The number 13 is incredibly important to the occult elite, because there are 13 satanic bloodlines that make up the hierarchy of global power. You might say numerology is stupid- and you’re right. But to these men, certain numbers have dire powers and meanings, so much so that they plan certain events on certain days with numerological significance to them. Therefore, even if it is dumb, I can’t overlook it as it can be a valid pointer.

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“EZ” map.

Next, we see the beginnings of her complete and utter insanity. She’s shown stood in front of a checkered wall (duality), spinning (dissociation) around with a GIANT crystal chain collar around her neck (beta programming/ slave status), spinning around in a checkered hallway (duality), and spinning around in a pink and blue (beta-bisexual programming) crop top that has “HELL” written in glitter. Fancy as fuck. Keep in mind that this all happens within a very short time frame. As well, I couldn’t even count the number of times this chick was spinning her brains out like a 5-year-old in this video. Literally could not keep up. I think she spends more time spinning in circles than actually singing. Regardless, it’s crucial because it’s deeply related to the process of getting one to properly dissociate during the programming process. It’s frequently symbolised by spinning tops, pinwheels, carousels, spinning in circles, and ferris wheels.

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Slave-status chained collar.

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Look how cute, and she’s original too!

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Checkered walls. She must REALLY like them.

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Remember when I said carousels and ferris wheels can represent dissociation triggers?

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Checkered walls, blue and pink checked “HELL” top, and OH LOOK. SHE’S SPINNING AGAIN.

Then we’re off to the chorus. It goes “I don’t wanna be dull, I don’t wanna be normal like Marilyn Marilyn Monroe, Marilyn Monroe, Marilyn Marilyn! I don’t wanna be alone, I wanna be someone like Marilyn Marilyn Monroe, Marilyn Monroe! (x9).
Can we talk about how grammatically irritating this is? I know what she means, but I don’t know if she does. She could have just as easily said “I wanna be different like Marilyn”.
Not only is it grammatically annoying, but it also insinuates a lot of things, like the fact that you’ll be alone if you’re not someone like Marilyn. Not only that, but it pushes idolatry and unoriginality. Why would you want to be someone like anyone else but yourself? Nobody gets to be you but you. A million girls try to be just like Marilyn, and that’s different. Okay then, buddy.
Before I go on to the latter part of this video, I’m just going to put this screen shot in as well. I was debating whether or not to, but I just had to because of how unsettling it was. This frame went by super quick (I didn’t notice it the first few times), and you never see anything like it again for the rest of the video. It’s just.. lifeless, robotic, and eerie.Screenshot (436)

By the way, the things I’m pointing out act as triggers to a monarch slave, in order to keep them in the mental mode their handlers desire. I’m not just doing this to call out “Illuminati bullshit”, I’m doing this to spread as accurate information about modern MK Ultra culture so we’re not all oblivious to it. So that we better-understand the things we see in the world shaped around us. It’s a big deal in relation to the global elite because they, themselves have used and/or been through MP, and most (if not all) have alters of their own for specific purposes, like occult rituals.
ANYWAY. Then we get to the second half of the video, and she’s in a giant, cage-like fake crown while holding an ice cream cone. Both of these are significant, as the crown here symbolises control over the mind, and ice cream is code for metaphorically freezing the brain in monarch programming. Y’know? Brain freeze. Mariah Carey brought an ice cream trolley to the set of a show she wasn’t invited to be on when she had her programming meltdown.
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Very shortly after, we see the next scene take place- in which she’s wearing a jeweled crop top. This signifies jewel programming- which has a lot in common with colour programming. Different colours/jewels are programmed to be associated with certain alters, and are used as triggers to re-inforce the dissociation once that alter’s taken the body. For example, she’s wearing giant dangling ruby earrings. Rubies are triggers/code for sexual alters. Nobody but a specific slave’s handler is able to bring up an alter, as they can only be accessed with virtually crack-proof codes. So please, nobody go running up to celebrities shouting colours in their faces.
She’s not only wearing that, but she’s also sunglasses with a veil over them. Do not try to tell me this is practical at all, because it’s just ludicrous. But it is extremely symbolic- veils and blindfolds represent the slave being “blind” to their internal programming, as well as the daily manipulation and abuse they endure just for the fame and money- which is more than enough for them (as in their front alters) to take orders 99% of the time.

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Veil over the eyes and jeweled top. But hey, she looks happy to me.

 

 She’s walking down a boardwalk when she encounters a man playing the piano, with a piano belt on. Pianos are black and white, which could represent duality but I’m not gonna make that call 100% because it’s merely a possibility. Also somewhat relevant is the following quote from the fourth chapter of Fritz Springmeier’s book The Illuminati Formula to Create an Undetectable Total Mind Control Slave: “The conscious mind and the subconscious mind need to grapple. For creativity to be productive it must occur within limits. For instance, the concerto is created within the limits of a piano keyboard.” Also, she’s shown tipping the guy- and on her arm you can clearly see a feather tattoo. Real or not (it’s more than likely not), it’s a trigger that represents the lightheaded feeling one gets after being electroshocked to the point of complete and total dissociation. This is also frequently symbolised by balloons or butterflies.

Feather tattoo.

Feather tattoo.

For a couple seconds after, we see a clear shot of a man drinking a frosty, ice-cold beverage. Which is cool and all, except it’s centered in such a way that draws our eye to his tattoo and not him. I have not tried to decipher his tat, so if any of you have a clue, comment below and I’ll edit.
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Thereafter, we see Alexa encounter a few small dogs. This part lasts a bit longer than it really should, which was an instant clue to me that it had to mean something. I immediately remembered that slaves with Wizard of Oz programming are given dogs (like Toto) that they get deeply attached to, only to have them “run away” or “get sick and instantly die out of nowhere for no reason because they killed it”. This is to further fracture a slave’s ego for programming, and can be done at any age. For example, Miley Cyrus was recently reprogrammed when she fell “ill” during her current tour. Right around the same time, one of her dogs whom she was evidently very close with died suddenly. Perfect grounds for stable programming. Also not pictured here, she’s wearing a bow (symbol for mind control) ring during a good portion of the video.

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Alexa with the little dogs. More black, white, and stripes too.

After a bit more spinning around and chanting “Marilyn, Marilyn”, she’s shown walking across a street in a black & white-striped maxi dress and carrying a red umbrella. Obvious symbolism going on here, as well as red being a sacrificial colour. When it comes to “sacrifice”, the sequence of colours a theoretical woman wears go from white for purity, to red for sacrifice, and then black for rebirth.
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The last scene in this video takes place on the beach itself. She’s blowing on a pinwheel, looking all daydreamy, and then running around with balloons. Pinwheel spinning around because she’s taking a break (but no seriously, it’s for dissociation), and the balloons represent the lightheadedness experienced by electroshocked/tortured- similar to the symbol of the feather on her arm from earlier.

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Screenshot (459) This is strongly suggestive that she really is off “in a world of her own”.

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So that concludes my interpretation of this otherwise dull and obnoxiously cliche video. Okay I’m kidding, it’s totally still obnoxious. But I couldn’t resist analysing it because there was just too much going on here for me to pass it up.
Even though you may or may not have learned anything from this article, I still strongly recommend that each and every one of you go out there into the world, mind open, and learn as much as you can for yourself. Other people can mislead you, and some do intentionally. Just be on the watch. Sort truth from fiction, and guard yourself from the malicious elite and their entire pyramid of people feeding off one another’s power for their own gain.
I think “be cautious” are the words I was looking for.

Pills ‘N Potions: A Deadly Concoction.

 

But I’m not talking about medication and alcohol- no. I’m talking about the latest single by Nicki Minaj released under YMCMB. It’s a rather odd (for her), but not too terrible-sounding song from the rapper-gone-pop-gone-whatever-she-is-now vocalist.
The “simple” meaning of the song is about a toxic relationship that she repeatedly chooses to stay in because she “still loves” him. But beneath the shaky facades of most mainstream pop songs today lie undeniably dark messages. In this, it’s about a slave in the world of monarch programming, and the male in the song and video represents an alter.

The lyrics, on the surface, are easy to grasp. They go over relationships, people who love you, people who don’t really love you, people who hate you, and being better than those people because you sold out to afford your drugs and cars.
Now that we spent all that exhaustive time covering the originality of these lyrics, let’s look a bit deeper and get a grasp on what this song is really all about.

I’m going to assume that most of you who landed on this article have already seen the video and want answers. Welp. I’ll tell you right now that I know for sure this video is not about Easter. Luckily for you, there aren’t any subliminal messages in it, but it is laden with symbolism so let’s walk through this one step by step, yeah?

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It all starts out with Nicki. She’s in cat-eye eyeliner (wink wink) and smoking a cig in a sheer, white robe. But it gets deep fast. The next setting we see her in is one of vulnerability. She’s looking up as though being looked down upon, half-naked and covering up what she can. This Nicki is in black.

She’s singing the lines “Pills ‘n potions, we’re overdosing, I’m angry but I still love you” while the video rapidly switches between her in black and white outfits. These lyrics are the key to understanding all of this. Pills and potions refers to the drugs they use to manipulate a monarch slave into thinking a certain way and becoming easily suggestable. The word “potion” obviously has a magical connotation, signifying the fact that it’s not all just technical medical and psychological torment. It’s much deeper and darker than that. The other keyword is “we’re”. She’s not saying “I’M overdosing”. She says “we’re”. That hints at the whole alter-alter thing.
A few times in this video, she makes hand gestures as though she’s choking herself, symbolising how these slaves are taught to believe that pain is love and love is pain. This is in both black and white, to show that the good parts and bad parts of her are all hurting- and have been taught to want to hurt. That that’s love.

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Cue weird rabbit theme coming into play. This is probably the reason most of you came looking for answers, and I’m proud of you. Yeah, that’s right. You.
This starts with a simple Pez dispenser with a white rabbit head. The symbol of a white rabbit is related to Alice in Wonderland programming, and rabbits are related to beta programming (sexual alters, you can probably tell why). In Alice in Wonderland programming, the slave is taught to go “through the looking glass” to dissociate or access certain parts of their mind otherwise secured. The fact that this white rabbit is dispensing pills (not Pez) is accurately representative of how slaves are forcibly hooked on all kinds of hardcore drugs in order to have something to held over them and used to manipulate them (far too easily). Think about it. What wouldn’t a drug addict do at rock bottom, just for their next score? Even then, those are still people with some shred of free will left.
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The next rabbit we see is a black and white picture of a rabbit (in what appears to originally have been in a laying down position), animated standing up and moving his paws to the beat of the music. This one is weird, just in a disturbing way. The fact that they animated what was probably a dead rabbit to look like some kind of Frankenstein robot freak is just odd in and of itself, but it’s scarily applicable to the state of a monarch slave.
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Next thing we see is the the rapper “The Game” (portraying the other alter) looking up at the screen with purple smoky, cloudy, liquidy material coming up from behind his head. Now, as we know, the colour purple is both associated with higher consciousness (“illumination”, per se) and it can also represent an abuser or handler figure in a System- because remember, nearly all handlers are programmed themselves, and many slaves have alters within their System that are handler figures to keep them in line. It’s a hierarchy of power. A pyramid. I think both meanings could be accurate in this circumstance. Since the material is coming from his head, I’m going to say I believe it to represent higher consciousness and his thought. Which can’t be good, because he looks demented when he makes eye contact in the video.

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We then see Nicki continuing to sing, while what I’m going to call “liquid chrome” tears are flowing down her face. This liquid chrome material is pervasive throughout the entire video, and it seems to me to metaphorically represent the manifestation of this toxicity of being a slave and the conflict within a System.

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This next frame is one of the reasons I say this man and Nicki represent alters for one other. They have their backs/attention turned away from one another and seem to be oblivious of the other’s existence at first. They later turn to face one another. This is all mixed around between scenes of Nicki and him individually with the cloudy purple or pink liquid stuff.

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I mean, Nicki has her eyes shut for about 60% of this video, allowing us to better grasp the fact that sometimes, she’s off in a dissociative dreamland created within her mind via monarch programming. That dissociation is represented in this picture.

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These next two pictures are probably the most important ones in the whole video. In one, Nicki is holding the man’s detached head, symbolising an alternate personality. This is also symbolised by masks, dolls, mannequins, pretty much anything that seems human, but isn’t. In the frame where Nicki is being held by him, he has complete control while Nicki seems to be practically asleep. Which is the point in this context. Good on you, creative directors.

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This photo below is representative of domination over a slave and its alters. Any time Nicki is used to portray a handler, she’s wearing tall boots, and I’m assuming it’s because it has ties with BDSM, “D” standing for dominance/domination.Screenshot (387)

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Nicki as a handler figure in “Monster”

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Nicki as a handler figure in “Out of My Mind”.

 

The following are all representations of the distortion and pure imagination involved in programming. These all go to show that Nicki is in some kind of dream world- when which another alter has taken the host body over.

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Once again, this proves that the liquid chrome really does signify toxicity, as it replaces the smoke later on in the video. But that’s not the only thing that gets replaced. Nicki is actually replaced with the rabbit, who is also smoking a cigarette- hinting at the fact that the bunny “is” her, or symbolises her. It symbolises her having that sexual alter we see throughout the whole video (pictures of which I’ll include in a group at the end, because there are too many to individually account for).

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Taxidermy rabbit made to look alive. Talk about dehumanisation.

 

This next part in the video is where Nicki places her hand on the black man’s head (mind), and the toxic chrome flows down his face to cover him. He remains statuesque throughout the entire duration, not even noticing. This shit’s important, guys. This is a violent exchange of toxicity between two people. Some of this could also be applied to the context of a slave-handler relationship, but because of the seemingly equalised distribution of power between the two, I’m calling it how I see it. You can determine what you believe on your own.

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Now we see two pills as eyes, with what looks damn well like black tar heroin tears. I wish I had black tar heroin tears…
At this point, complete dehumanisation and infiltration via drugs has come into full play.

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At the end, good Nicki is seen walking amidst a big black sea of cloudy liquid that’s energetically and violently moving about. The black stuff means the good her has been taken over by the darkness (more than likely for good), while her stone cold stare means she doesn’t care anymore. Pretty simple. If the white her in this last few moments of the video were to represent her “core” (Onika Tanya Maraj), then that would mean her core is suspended and surrounded by chaos and darkness, which is also true in monarch slaves.

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In the end, this video was one of the harder ones for me to decipher because it is so vague in parts, but I did my best to interpret what I see with what I know, and if any of you disagree with any of my interpretations please feel free to comment. Oh yeah, I almost forgot. The beta state pictures.

 

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Screenshot (381) What even is that coat? Some kind of abstract animal print? Whatever it is, it’s weird and I don’t like it.

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That’s all, folks. I did my best, and I know this video was in high demand for people looking for all this Illuminati horse shit everywhere. So I hope my interpretation helps solve any questions you may have had. If not, comment and ask and I guarantee I’ll respond AQAP.

 

 

Pills ‘N Potions Video Breakdown Coming Soon!

Hey everyone, new Pills ‘N Potions video breakdown coming tomorrow!
Stay tuned and you’ll receive the blessing of knowledge.
You’re welcome.

But seriously, I’m kidding.
BUT YEAH. PILLS ‘N POTIONS ARTICLE COMING TOMORROW.
Or maybe the next day.
I never know how lazy I’m going to feel…

Nicki Minaj’s new single “Pills N Potions” has a questionable cover.

 

In this album art, she’s posed as a white rabbit- a common theme in Alice in Wonderland Programming. In this, subjects are tranced and taught to go “through the looking glass” into another part of their individualised internal world. Other commons AIW triggers include white/red roses, gems, size distortion, more mirrors, etc.

She’s also hyper-sexualised with the connotation of “bunnies”, plus no bra. But a slave dressed as an animal, whether it be a cat or rabbit or Ke$ha, is dehumanising. Dehumanisation is one of the central themes to monarch mind control, and is achieved in multiple ways- from depriving one of their senses by locking them in a dark room for 2 days, or leaving a child in a 2-foot long cage with barely enough room to blink.

The lyrics to this song are also a bit “questionable”. The chorus goes:

“Pills and potions
We’re overdosing
I’m angry but I still love you
Pills and potions
We’re overdosing
Can’t stand it, but I still love you”

This could all too easily be applied to the mindstate of programmed victims, where they develop severe Stockholm Syndrome- usually at a very young age if they were sold out into the industry. They learn that pain is pleasure and pleasure is pain, that love is hate and hate is love, bitter sweet and sweet bitter. They get the alters to believe that the torture and unspeakable horrors being inflicted upon them is merely “training”. It saddens me just typing it.

Good to know we live in times where prostitution is more rampant than ever- just in the form of allowing yourself to be made into a sex object by the monstrous industry. Only to be discarded when you age, and lose the only platform that ever made you successful.
Hi, Miley!