Tinashe: The Industry’s Newest Slave!

The “2 On” singer is another female artist to hit the big scene lately, and she’s quite obviously also been programmed with MK Ultra-derived techniques. She also has an album coming out by the name of “Aquarius”. This, I believe, is related to the Age of Aquarius- the astrological age to come. Astrologers say believe that each age (2,150 years) affects the way mankind behaves, and possibly also affects the rise and fall of civilisations. It’s a rather ominous thought to think that a “new age” is coming (or has already arrived), seeing as mankind has made a pivotal turn as far as their priorities and capabilities. The government used to have to convince people to give up their freedoms and liberties, but people are so content that they don’t seem to mind one way or another anymore. But that’s a story for another time.

Anyway. Monarch slaves are commonly dressed in all sorts of triggers, including collars, red shoes (Wizard of Oz programming), chains, winged eye makeup (to reference the eye of Horus), reflective materials, animal prints, black and white (duality), etc. They also adhere to behaviours seen by other beta slaves, including sexual gestures, the covering of one eye, lack of much clothing, the list goes on.

And for those of you wondering, if you ever want to find out if one of your favourite stars (or just someone you suspect is a beta slave) is really a slave, all you have to do is search for their name + the word “photoshoot”. This is because their higher-budget shoots are usually organised for them, and they’re organised ahead of time. This makes it easier to manipulate them. If they arrive on-set, and there’s a table/room full of all kinds of options to wear, they’re under the impression they’re getting a choice– when in reality every one of these objects is going to be a trigger. So, if you search for their name plus that word, and you find dozens and dozens of photos with them in monarch programming-related gear? Welp, there’s your answer.

In fact, I’m hard-pressed to find any picture of Tinashe where she’s not in any of the items listed above.

 

 

All black, winged eye makeup, and the covering of one eye.

Black and white stripes. Rightside-up and upside-down pentagrams (blatant duality).

Sexual behaviour, animal print.

Same as above, and the hiding of one eye.

Reflective top, chained pants.

Black and white, winged eye makeup.

Chains and sexualisation, more black clothes.

Obvious sexualisation, and promotion of military gear (not necessarily Beta-programming related, but common among industry slaves).

Instagram photo, self-sexualisation, more black clothing.

Bracers, all black, chains, and hiding of one eye.

Red shoes (“Wizard of Oz” programming)

 

So as we can see, just by doing a simple search on the internet, you can easily find out who is a monarch slave and who (probably) isn’t, purely based on what they wear (or are told to wear), and how they behave. Tinashe clearly wears all the required garments to be considered a beta sex kitten. Try and find more stars, it’s like a game. Post names below of stars you suspect and if I agree, I’ll write an article on them too! The more the merrier.

Knowing the truth behind certain deaths is important.

Because actress and beta slave Nicole Kidman’s father just died in a tragic fall, so what does that mean?
Perfect trauma grounds for reprogramming.
I don’t know what her handlers have in store for her in the near future, but I wouldn’t be surprised if we see/ hear a lot of more of her soon.
One way or another.

Kiesza’s album artwork for “Hideaway” and “Giant in my Heart” feature monarch symbolism.

Kiesza is a well-known singer-songwriter and dancer who came onto the scene around 2010-ish. She’s mostly known for her single “Hideaway”, whose title suggests a sort of mental escape. And whaddaya know, the lyrics follow exactly that theme. One part goes,

“You send me the shiver up my spine, might overflow
You’re bringing me closer to the edge of letting go
You’re just a hideaway, you’re just a feeling
You let my heart escape beyond the meaning
Putting my head into the clouds I’m floating home
When you get me going I can’t find a way to stop
You’re just a chance I take to keep on dreaming
You’re just another day that keeps me breathing”

She’s talking about becoming numb to emotions, and having her head in the clouds- which she goes as far as to call “home”. And the first line where she talks about how her spine might “overflow” is related to the point in monarch programming where they overload the Central Nervous System via loud music, electroshock, torture, screaming, etc. When that happens, they dissociate completely, leaving the host body open for programming.  She also talks about the subject being “just another day that keeps me breathing”, suggesting that her life depends on this programming.

Opening of the head suggests mind control, especially when the inside is hollow or filled with something different. The zipper on her arm suggests that she’s a product, rearrangeable and carefully constructed.

Stacking of the heads inside one another suggests multiple personalities, or “alters”. The surrealism of the setting and the sky backdrop suggest being in a dreamland dissociative state.

Once again, the slicing apart of parts of the body suggest a fragmented mind and therefore multiple alters. The giant hole in her chest suggests the removal of emotion, which is a big part programming. Emotion isn’t practical to them. Instead, they’ve placed a manufactured version of “love” inside the hole. It’s funny how they chose an iconic art piece to fill her in with. As though she’s a work of art, meant to be an icon.

Also, the lightning bolt in her name is suggestive of electroshock torture, one of the most commonly used traumatising techniques used by monarch handlers. I figured I should add that in there.
As well, Luke 10:18 states that he saw Satan struck down from the heavens “like lightning”. Therefore, it can also apply in a Luciferian context.
So there you go, more monarch programming symbolism and MK Ultra bullshit. I can’t look anywhere anymore without seeing monarch programming triggers on and around these slaves. It truly is a shame.

Jeremih and YG’s cover art for “Don’t Tell ‘Em” is also questionable.

 

Jeremih and YG are two popular rappers in the industry today, so clearly that should tell us that they’re involved with the darker side of the industry as well. I mean, come on. Lesbereal, if you wanna make it to the “top”, you’ve gotta agree to subject yourself and others to things you wouldn’t normally- all in the name of fame in the game.

The cover art for their single “Don’t Tell ‘Em” shows a blonde woman with fringe to her cheeks, covering her eyes like a veil. She’s also doing the universal “shhh” handsign. The hair is (I’m hoping, at least) a wig as well.

Wigs are commonly used in monarch programmed individuals to signify different alters. The fringe over her eyes symbolises blindness to, well, everything. The true nature of both the industry and themselves. Blind to who and what they really are, blind to the amount of control they’re under. This is tied in well with the handsign, which represents silence and secrecy- something understandingly important to the occult elite of the world, and therefore everyone under their control. The title is clever, not only because it’s plastered right on her face which she can’t see, but also because it aptly applies to this concept of secrecy and being shrouded from reality. 

Cover art these days is littered with symbolism, and is usually a surefire way to tell who’s really who, and if you dig a bit further, you can easily find out who is handled by who and through what means. 
Please, for the love of God, do some research if you don’t know anything about this atrocity of a system.

will.i.am’s “Feelin’ Myself”: A celebration of egomania.

   I know this video was made 3 months ago. I accept my flaws, including the one where I’m not the most musically or internetly up-to-
date person in the world because I actually have a life to attend to, but I saw this video and it really struck me as being one of the
most-obvious I’ve seen thus far in pertinence to MK Ultra/ monarch programming.

   The song is called “Feelin’ Myself”. It’s a collaboration by will.i.am, Wiz Khalifa, French Montana, and last but definitely least, Miley Cyrus. It is the pure celebration of having an ego so big you could take out the entire galaxy with it. These monarch victims/participants are products designed to have “front” alters who are trained to re-wire any and all criticism the sounds of people being “jealous haters”. Without these bulletproof egos, these superstar celebrities likely wouldn’t be able to handle their positions without serious mental breakdowns. Therefore, these egomaniac alters are the “protectors” of their systems, triggered by any number of things.

   In the beginning of this video, will.i.am takes his place next to Miley to put his fist into the air and say “will-power”.
Miley just stands there, kind of dancing a little lazily and looking off-screen to be directed every moment. No big deal. Except she’s also wearing a Chanel jacket covered in chains, and is wearing actual chains. Pretty self-explanatory, I guess.

   We then see will.i.am leaning against a car, trying to look badass (Is will.i.am really “badass”? Why is he even relevant anymore, isn’t he like 40 now?), except it’s not working because he’s leaning against a car that looks like it was made by Hotwheels, and it makes him
look small. Like a pawn.

   Now, every “artist” in this video is shown as computer-generated. I’m not going to sit here and call it “the Transhumanist agenda”
because I’m not here to spread lies or rumours. I’m here to make genuine observations based in fact, regardless of my belief system.
Those facts include the ideas surrounded by the portrayal of these people in this video- the idea that they’re “computer generated”, the idea that they’re disposable and replaceable, and the fact that they’re made to look like human-esque computer creations. As though they’ve been specifically constructed and can be animated according to need.

   will.i.am is constantly portrayed as being made of “glass”, which just so happens to shatter. Twice. This is a symbolic representation of the “shattering” of the human psyche induced by the precision abuse, coreographed electroshock, and timed drugging among other unspeakable acts committed in the process of monarch programming. A mirror is a key symbol in MK Ultra, representing the idea that a mirror can be shattered to create fragments, but even though every fragment is just a piece of the original, each one can still be utilised as a mirror to reflect- its original purpose.

   will.i.am is shown as a computer generation, similar to Eminem’s portrayal in the video for “Rap God”. None of these ideas are new,
but they perpetuate the meaning behind the symbolism repeatedly shown to society through these mediums. In the frame below, we see only a bust of him, surrounded by a bunch of symbols that may seem meaningless at first. But along the right-hand side of the frame, we can clearly see a human body being scanned, eyes (the window to the soul) being displaced, a single eye letting you know who’s behind this, and a rectangular grid of different lights being illuminated which corresponds with what’s known as “domino programming”.

(Slim in “Rap God”)

   Here we see the ever-so-painfully awkward French Montana being shown numerous ways with a detached head, and being fragmented- indicating being dissociative (the main goal of monarch programming), this means he is not all there, and that he is comprised of parts of a whole.

(dissociative)

(parts of a whole)

   Another thing they do with all of the people featured here is they show them as literal multiples of themselves, similar to how both
will.i.am and Britney Spears were portrayed in the video for “Scream and Shout”, or the way Beyonce was shown on-screen during her
Super Bowl presentation.

(multiples)

   Up next is the ever-so-classy Ms. Cyrus, and she, like almost all the others at some point, is shown in a triangular-shaped room (omg alluminady lolol!!!one1!!11) and she says “everybody trippin’ like they poppin’ molly, up in the club is where you’ll find me”, along with talking about twerking like an “expert” (even though she apparently doesn’t know how).

   There’s not much significant I can say about this scene, other than the fact that she’s shown all warped and distorted- like most of the others as well at some point. This is significant because people or children being programmed are often drugged and shown themselves in funhouse mirrors to give them a warped perception of themselves. A lot of children are even taken to the Oregon Vortex’s House of Mystery, which is all a physics illusion to make visitors feel distorted and “off-balance”. Basically, it’s a house of completely scientifically-explainable mind-fuckery, but even those not under the influence of drugs or hypnosis become easily confused and disoriented. The only other thing I can add here is that she, at least in my opinion, is obviously in a sexual/Beta alter because of her actions and disposition, especially when it comes to her relation to will.

(Nice triangle room… although she looks a at bit small in proportion, donchya think?)

(distorted)

(digital creation, pliable, replaceable)

(multiples)

(Beta mode: activated) 

At another point in this video, the most blatant symbol of mind-control is used yet again, showing Miley and will through fractured, and therefore distorted glass. It, too changes and warps with their reflections on it.

(sexual alter showing) 

Incoming Wiz Khalifa is shown no differently than the others. Head detached, multiple copies of him, and kaleidoscopic distortions
masked by lyrics like “the bigger the bill, the bigger you ball” to distract us and keep us dumbed-down to fuck.

 

(self)

(ex)

(plan)

(a)

(tory)

In the end, all persons are shown in the same frame, and they all disappear one by one. The end.
Yaaay, so worth-it. Well, for me. Not for you. Don’t watch this shit, it isn’t cool, and it’s certainly nothing to emulate or aspire to. It’s just
mind-numbing. With all the flashing lights, distortions, pretty colours, kaleidoscopic patterns, good beats, and familiar faces to disorient us you too can become entranced by the video and an impression can be made into your subconscious. It’s brainrape. Brape?

Whatever. It’s junk.

   Oh yeah, and will.i.am apparently doesn’t know what “suicide” doors, are since he puts his arms up like butterfly doors…
Suicide doors are reverse-hinge. And really dangerous. Y’know, like. Suicide.

wil
wat r u doin
wil
stahp