Kiesza’s album artwork for “Hideaway” and “Giant in my Heart” feature monarch symbolism.

Kiesza is a well-known singer-songwriter and dancer who came onto the scene around 2010-ish. She’s mostly known for her single “Hideaway”, whose title suggests a sort of mental escape. And whaddaya know, the lyrics follow exactly that theme. One part goes,

“You send me the shiver up my spine, might overflow
You’re bringing me closer to the edge of letting go
You’re just a hideaway, you’re just a feeling
You let my heart escape beyond the meaning
Putting my head into the clouds I’m floating home
When you get me going I can’t find a way to stop
You’re just a chance I take to keep on dreaming
You’re just another day that keeps me breathing”

She’s talking about becoming numb to emotions, and having her head in the clouds- which she goes as far as to call “home”. And the first line where she talks about how her spine might “overflow” is related to the point in monarch programming where they overload the Central Nervous System via loud music, electroshock, torture, screaming, etc. When that happens, they dissociate completely, leaving the host body open for programming.  She also talks about the subject being “just another day that keeps me breathing”, suggesting that her life depends on this programming.

Opening of the head suggests mind control, especially when the inside is hollow or filled with something different. The zipper on her arm suggests that she’s a product, rearrangeable and carefully constructed.

Stacking of the heads inside one another suggests multiple personalities, or “alters”. The surrealism of the setting and the sky backdrop suggest being in a dreamland dissociative state.

Once again, the slicing apart of parts of the body suggest a fragmented mind and therefore multiple alters. The giant hole in her chest suggests the removal of emotion, which is a big part programming. Emotion isn’t practical to them. Instead, they’ve placed a manufactured version of “love” inside the hole. It’s funny how they chose an iconic art piece to fill her in with. As though she’s a work of art, meant to be an icon.

Also, the lightning bolt in her name is suggestive of electroshock torture, one of the most commonly used traumatising techniques used by monarch handlers. I figured I should add that in there.
As well, Luke 10:18 states that he saw Satan struck down from the heavens “like lightning”. Therefore, it can also apply in a Luciferian context.
So there you go, more monarch programming symbolism and MK Ultra bullshit. I can’t look anywhere anymore without seeing monarch programming triggers on and around these slaves. It truly is a shame.

Every single thing about this place makes me feel like being sick to my fucking stomach.

The Vector Gallery located on 124 Clinton St, New York is the first Satanic art gallery in the Lower East Side- and the first I’ve ever seen that’s permanent.
That link is to their official tumblr, and you can find most of this information there, but only at the cost of feeling like part of your soul has died.
In fact, in order to be able to enter the back room of the gallery, you literally have to formally sell your soul to Satan. I shit you not.

The artist himself, JJ Brine, has declared it “The Official Art Gallery of Satan” and has stated in interviews that the place is, in and of itself, a living entity. He has claimed that certain things have fallen off walls and rearranged themselves, and that the gallery sends messages to him. The gallery is said to have a very strong, unique energy of its own- an energy I feel simply from even looking at the images of it.
JJ has also founded and lead a new religion he calls “Vectorism”.

The artist and who I presume is his girlfriend.

The difference between Vectorism and Satanism are that Vectorism actually recognises Satan as lord and saviour. This is not the ideology that Satanism is founded upon, which is that you’re free to believe and do whatever you want without consequence. You’re your own god. But not with Vectorism, no. With Vectorism, Satan is GOD and is to be respected, feared, and worshipped. They hold religious ceremonies as well.

The walls are littered with “post-human art”, a term he claims Satan chose. The entire gallery is littered with art dedicated to Satan, Charles Manson (whom has been named their church’s official religious leader), desecration of classical art, hooved and horned creatures with outreached hands and warm smiles, Baphomet-like figures, and yes- heaps upon heaps of Illuminati-related symbolism. It’s also full to the brim with all sorts of reflective materials, mirrors, silver spray paint, glitter, bright neon lights, etc.

This man is leading a movement all of its own, and it’s rapidly gaining in popularity.
This man is sick, and he is dangerous.
I wish all of this was one great big joke- but unfortunately, it most certainly doesn’t seem to be whatsoever.

Jessie J’s “Thunder”: Isn’t once or twice enough?

Mickey Mouse ears AND bows = mind control triggers.

I mean really, I genuinely lost count of how many times this woman covers one of her eyes in this music video. I truly did. I guess we’ll know by the end of me writing this- but for now just kick back, relax, and have a read. This one is dark. Darker than dark-dark. Like 3dark5me.

I realise that this music video came out in 2013, but I’d forgotten all about it. Recent or not, it’s highly relevant to the information on this blog, so I’m doing a breakdown of it. Deal with it. (;

The colour scheme of this video is completely black. I mean, black everything. When I said “dark”, I meant that in more than one way. Literally, figuratively, whatever you want to call it. It is how it is.
She’s wearing a nude leotard with black detailing and a black full-neck collar (probably alluding to Beta slave status), and she also has black chiffon fabric on both sides taking on the appearance of some kind of cloak or wings at times.

The video is also set in the middle of a desert in the middle of the night with lots of- you guessed it- storms going on in the distance. Lightning flashing all about throughout the duration of it. Lightning represents two things in the context of the occult elite and monarch programming. In reference to the occult, lightning symbolises Lucifer, the “morning star”, who was struck down to earth by lightning in lore. As far as MK Ultra, lightning represents electricity (obviously)- which is important because almost all programming involves some kind of brutal, unthinkable torture. Electroshock is used very frequently because it traumatises the body and mind to the point of complete and total detachment- which is the goal. When one dissociates fully, programming can be executed properly because the consciousness and perception of the person is no longer interfering with the host-victim’s body. Super.

Anyway, the most obvious of all symbolism in this video is the one-eyed sign, commonly known as the “all-seeing eye”, or the “Eye of Horus”. This represents the global elite and their prideful, seemingly omniscient presence and awareness due to their power and the all-seeing, all-knowing power of Lucifer that they evidently hold so near and dear. The one-eyed symbol is the most commonly used symbol in reference to the elite, as the butterfly is to monarch programming. If you see a well-known politician or celebrity doing the one-eyed “salute”, be keen about what they say and do. It’s always important to be vigilant about the world around you and all of what your mind is taking in. Your mind is your most important asset, so it’s important to protect that.

Leaning up against a car, suggesting she drove to this metaphorical place or was brought here intentionally.

The first thing we see in this video is Jessie leaning up against a black car in said desert, covering herself up with the sheer black fabric, appearing like a cloak. She looks detached and distant, and the way she’s covering herself signals vulnerability.
Next to the car, we can see a small dead tree or plant of some sort that appears as though it was planted relatively recently. This is significant because it shows a lot about monarch programming- the small plant is young but already lifeless, and was intentionally planted that way by hand- into dry, dead soil. Child victims of MK are broken and their spirits killed before they even get a chance. This is done deliberately and calculatedly, into conditions where they’ll never get the chance to sprout or grow. This is just my interpretation, however.

Next is where she begins to come alive, so to speak. Let the Illuminati batshit begin.She covers one of her eyes not even a tenth of the way into the video. No need to explain, we allllllll know what that means.
After she begins to come alive, she opens up the cloak- rendering herself completely open and susceptible. This is important because that’s the state a victim has to be in in order to program or attach darker things to them.

Ohhh dear, here she goes covering one eye again. In all fairness, she’s better at doing it slyly in videos than some other people. *COUGH*PARISHILTON*COUGH*
Damn, I’m sorry. This cold is really getting to me.
Ahem, so yeah. Anyway.

She then reaches full-vulnerability mode when she quickly bends over backwards, revealing and opening herself up entirely to… well, whatever darkness is consuming her.

 

She then covers her eye again, but I’m already getting tired of saying it so I’m just going to include a nice little collection of her many one-eyed shots at the end of this article. We can count and see how many Satan points she gets. Yay!
When lightning strikes in the distance, she whips open the black fabric and thrusts her arms into the air, fabric being blown about by the tumultuous winds surrounding her.

 

Soon after, we see her on the ground, bent over forward, shrouded by the black fabric, and contorting and twisting in an eerily inhuman fashion. This type of movement is reminiscent of what you commonly see in exorcisms and possession- and it reminds me of what we saw happen to Elisa Lam, or the way Rihanna moved in her video for “What Now”.

Weak, and surrounded by darkness.

Oh yeah, and then she awkwardly forms a triangle with her arm. Could be coincidence, but I personally don’t believe in that. This is very iffy, I’m only including it to cover the full scope of possibility. After all, that’s what having lots of speculation and theories is all about, yeah?

Maybe, maybe not- but it’s there.

THERE. Now, this is where shit gets real. She begins to take on a dark, demented personality and you can tell it purely by the look in her eyes. Some of them are very quick flashes, and some are more extended, but they definitely give me the creeps.

Evil glare #1.

After that, we see Jessie chaotically moving and twisting about, while also being surrounded by multiples of her doing the exact same. This screams monarch victim because they literally represent the multiple alters within a subject. It’s disturbing knowing what some of these elite and those in their hierarchy of their monarch system are capable of.

Multiple multiples.

They all just look so lost and distressed.

Once again, lightning strikes. At that exact moment, she’s posed in a way that represents full openness and acceptance. She’s opened up, and the electricity can do its job (symbolically, in a theoretical monarch setting).

We then see the darkness quickly consuming her, and these pictures can say more than I ever could. There’s nothing more to it than complete and utter destruction of happiness and joy. You can tell by the looks on her faces.

Collar around the neck, symbolising control and her status as a slave to the industry and its inner workings.

Turmoil and hatred simmering inside.

Cue possession traits, these next photos are pretty unsettling. She is shown levitating, hovering over the ground, completely open and exposed. There’s no way around that. In this first of the levitation flashes, the shadow on the ground does not appear to have a head. It could be the angle of the lighting, but I’m not sure. Regardless, it’s strange. And if the shadow is meant to not have a head, then that’s symbolic of dehumanisation and not having any remaining essence, or “core”- meaning the original self. Just a body to be inhabited and used for other means.

After the darkness has fully consumed her, and she’s now what I’m going to refer to as “possessed” (call it what you want, it’s all the same), she’s shown standing up tall and seductively, reaching out a hand to the viewer.. beckoning for them to join her..

Once again, shown surrounded by multiples.

We then quickly see her gazing at us through the dark shroud, symbolising her oblivious and distorted mindstate. This happens very quickly, so if you go to watch the video, watch carefully.

 

Then, we’re shown her levitating once more, but this time it’s proof- proof that the levitation represents her soul leaving the body open to any and all outside influence, due to the fact that her spirit is actually shown leaving the body. At first, the body is surrounded by light, shadow on the ground. But then, the light is gone, so is her shadow.. and so is she.

 

Literally out of her mind.

Yeah, sand makes me really angry too.

We then see some evil, dark expressions on her face, and her levitating body is now curled up, an empty hollow shell, in a position similar to a fetus in the womb.

We also see her kneeling on the ground, head bowed down, wrapped in the darkness, and hands behind her back like she’s completely surrendered. Like a slave about to be killed.
Like a slave who’s accepted that they’re nothing.

Aaand then we see the most disturbing face in the entire video. It weirds me out just looking at it, this bitch be 666% evil.

We also have the wondrous privilege of seeing her lookin’ like a completely power-hungry, psychotic demon woman. Pics because it happened.

Appearing all-powerful and demonic.

Angel of the light, symbolising satanic deception.

Self-inflicted injury, commonly programmed into victims in case programming starts to break down or go wrong.

At the end of the video, we see Jessie clutching her neck- a very common form of symbolism related to self-injury and masochism. After, at the very end, she collapses. This is very, very similar to Eminem at the end of his video for “Rap God”.

Collapsed on the ground, nothing left to give.

So there we have it, mates. Jessie J is just as much of a crazy bitch as Nicki Minaj or Katy Perry or Miley Cyrus or any other MK Ultra-diseased “human” being. These people are no joke. They’re truly slaves. They’re truly not who they once were, when they were young and gullible enough to get involved with the entertainment industry.
For the love of god, if you like to write music, do it for you. Don’t do it for the fame, you’ll never be the same.
End of.

Oh yeah. And here are all the numerous one-eyed shots she provided.

9 SATAN POINTS TO JESSIE J, SHE DESERVES A FUCKING MEDAL.

Hmmmmmmmmmmmmmmmmmmmmmmmmmm…
I wonder who she’s working for. :l

MK Celebrities and Self-Awareness

OPEN Q&A SESSION

 

So it’s time for a certified question-and-answer session. I enjoy hearing your input and thoughts/ideas even more than I enjoy trying to explain what I believe.
From now on, comment on any post in this category with questions YOU have too. If it’s genuine and insightful, I’ll break it down and answer it in this category like the following:

A couple days ago, a commenter with the username “Precious” asked:

Q: “Do you think the celebrities in the video know what the directors and editors of the video are trying to hide in the meaning. Or do you think that the celebrities are just as blind as many who listen in to the music. And why are the directors/editors using symbolism as such and supposed mind control ???”

A: I personally believe that most mind-controlled celebrities (more specifically, their main alter) are aware that they’re probably being taken advantage of to some degree, but I don’t believe that most know they’re being manipulated to anywhere near the degree that they truly are. As far as them understanding the meaning of the symbolism in the various videos/songs/shows/etc that they put out varies.

Seeing as some of these types of media are layered with symbolism- frequently, multiple types- they could very well be aware of or even support SOME of the meanings and ideologies within them. However, I do not believe that monarch celebrities have any external awareness of the MK Ultra-related symbolism and triggers. This is namely because of the fact that if they understood what it meant, it wouldn’t be a trigger, and that knowledge could trigger a collapse of the system’s programming (think Britney Spears, Amanda Bynes, Mariah Carey, etc.)

When their mind has a hunch about what they are (and it always does to some extent, because the spirit sees and knows all), and how they became that way, the mind sometimes attempts to wreak havoc on the internal system in an attempt to bring the fragmented pieces of their ego back together. This also tends to happen quite frequently the older the subject gets because cerebral atrophy begins to set in. This is exactly why we see so many mysterious “celebrity deaths” when monarch slaves reach early-middle age- they’re being disposed of. Programming doesn’t tend to stay stable once they reach a certain age, so once they’re no longer useful or bringing in revenue, they’re no longer needed. There’s even something dubbed the “27 Club”, due to the strange number of celebrity deaths at that specific age.

As far as pushing the occult symbolism, a lot of it has to do with how cooperative their front alter(s) is. If they, themselves are programmed to be into into occult/esoteric symbolism or mystic-type religions like Luciferianism, Kabbalah, Scientology, etc, then there’s no reason to try and obscure the meaning of the symbolism or agenda they’re being used to push. In fact, many are more than happy to oblige. Remember, their front alters usually don’t tend to have many questions or desires beyond their bubble they happily live in. Taking orders and making the money they do makes for an easy, comfortable life. That, in turn, makes it easy to just cooperate- regardless of whether or not they agree with or even understand what they’re being used to push.

Also, as far as why they push all these symbols and subliminal meanings in our faces is because it makes for easy mass programming. When everyone is slowly exposed to this repetitive bullshit over generations, they care less and less about important matters and more and more about hashtags and twerking. That makes for an easily controllable and influenceable public, making major political moves possible with little interference or outrage. But keep in mind, the entertainment industry is only one of the tools the dark government utilises to distort our viewpoints. They also use things like false flag terror to get us to give up our privacy and weapons in exchange for what we’re lead to believe is “security and safety”. In order to usher in the police state and fulfill Agenda 21, all of the tools they use are necessary.

Does that help answer your question?

“Love You like A Love Song”: A Selena Gomez Delusion

 

I’m well aware that this video is pretty old, but I’m re-posting this article for you guys to see- because for some reason, it was taken down. I’ve revised it and republished it now, so I invite you all to have a read. It’s a bit lengthy, but the video is alarmingly intricate when knowledge of monarch and occult symbolism are applied. A lot of what I’ve deciphered is somewhat easy to understand, but I’m still currently doing further research into what exactly certain portions are referencing. If you have any additional knowledge or further insights, please feel free to comment in the comments section below.

 

The video for this song starts out in an oriental karaoke lounge (Edit:  Karaoke bars are commonly used as a place to secretly bring Monarch slaves in for accessing). It’s dark, uncomfortable, and everyone is in black. Displayed on the stage is an inverted pentagram in the form of a shooting star. This is a reference to Satan/Lucifer, as he was cast down to Earth in the form of a star, and is referred to as ‘the morning star’ and ‘son of the dawn’. There is also a rainbow on the screen, a common MK trigger.

 

 

Selena is beckoned up onto the stage, and eagerly begins to sing. “Love You Like a Love Song” is about Lucifer, and Selena’s connection to the darker occult. She sings,
“You are beautiful, like a dream come alive, incredible. A sinful, miracle, lyrical. You’ve saved my life again”. Later on, she goes to sing, “It feels like I’ve been rescued. I’ve been set free. I am hypnotized by your destiny.”
None of what she is saying implies rational, conscious choice. She uses the words ‘dream’, ‘hypnotised’, ‘sinful’, and yet also says ‘saved’. In some monarch programming, a victim can be traumatised literally to the point of death via electroshock, drugs, and/or abuse. The victim is then resuscitated, and told by their handlers that they were rescued by the deity or entity they’re intended to  worship. They are told that they owe their lives to this entity, because this entity ‘saved’ them. This is called resuscitation programming

Selena is shown in a land of various shades of purple, a color coded trigger to dissociate. She is laid out and/or walking hand-in-hand with a generic male figure. This male figure is supposed to represent Lucifer, the ‘son of morning’. They suggest this in multiple hints, like the fact that he’s playing an instrument (Satan oversaw all music in heaven before he fell), and the fact that they repeatedly display the sun between Selena and this male figure, as seen in the photos below, literally representing their connection via the ‘enlightenment’ and ‘illumination’ she sees through him.

 

 

In this purple wonderland, Selena is shown doing the hermetic ‘as above, so below’ sign. Not only that, but she is coincidentally shown as having six birds flying out of her head, along with her spinning a hoop around her hips. Spinning is yet another MK trigger, used to further dissociate victims. It is often displayed in the form of a carousel, or twirling. Another point I could mention is that she’s got metal bracers/cuffs around her arms and wrist, signifying her status as a slave to the industry. This is a common giveaway.

 

 

The next scene is one of the most symbolic and significant of the video. At a certain point, Selena achieves full dissociation. This is actually important for their Systems when related to performing, as dissociation takes the pressure off their fronts- who weren’t designed for performing- while their alters built for performing can do so successfully.  This dissociation is shown symbolically by displaying her as enlightened, up in the clouds, still singing karaoke (as shown by the presence of the shooting star-which, as you can see is now right-side up- the microphone, and the TV she’s watching). She’s laid out on a big, purple triangle piano (concrete triggers), and is surrounded by busts (of mythological figures), symbolising her multiple alters. She is still with a man, he is just a different man. He also happens to be playing the piano she’s laying on. This could very well be another representative of Satan, due to the fact that he is with her, he is in control, and he is playing the music while she sings along. At one point, he even makes a conductor-like gesture, regardless of the lack of a physical orchestra. This is a mockery of the fact that he gives the orders, and she just follows along. She is the instrument, and he is conducting her. Regardless of who the man truly represents, this bit is strongly suggestive of Selena’s dissociated and helpless state as an MK victim.

 

 

In the next scene, Selena is entranced by the images shown to her on the screen. She is viewing herself, and she just so happens to be decked-out in triggers, such as leopard print glasses (alluding to her Beta state), her black and white checkered collar (duality), and false beauty mark that ties back in with Marilyn Monroe and the role her image plays in beta programming. She is still in yet another purple-shaded world, riding in a car being driven by yet another random male figure. And he just so happens to be wearing a snakeskin jacket. This video is quite true to the fact that Satan has many, many forms- and takes what form is needed when it’s needed.

As you can see, she’s wearing bracers around her wrists in this scene as well.

At one point, Selena’s eyes are shown as his- suggesting that she has successfully bonded with him on a metaphysical level (eyes being the “window to the soul”). It also shows her lips as his eyes at one point, purely to forcibly draw attention to her mouth in order to sexualise her. This type of behaviour is a common theme throughout most Disney stars’ productions.

After the scene with the snakeskin dude, she’s shown dancing around in front of dozens of screens again- all of which repeatedly show multiples of her. In this quick cutscene, the major multiple shown is male, with black and white glasses and a black and white outfit.

During the next scene in the video, Selena is shown in a field by a tree, surrounded by a mariachi-type band. Each member in the band is wearing a red (sacrifice/sexual colour) sort of film over their eyes, bar one with purple (high level of consciousness/ awareness and power). This scene is pretty important seeing as it’s not only another example of dissociation, but this time it’s dissociation during ritualistic abuse. Her outfit is almost entirely jewels, hinting at the fact that she’s more than likely been through jewel programming as well. She’s adorned with rubies (equivalent to red in colour programming) suggesting even further the symbolic sexual energy of the scene. The man in purple hands her a purple lightsaber-looking object with which she swings around at a pinata. She’s blindfolded during this point, symbolising the fact that her front alter(s) is/are “in the dark” or unknowing about the circumstance, or even her position altogether. When she successfully hits the pinata it bursts open, showering her with confetti which she blindly dances around in.

Trees also play a significant part in monarch programming because they lie at the center of a sort of “internal Garden of Eden”.

Ruby earrings and a massive ruby ring, covered in jewels.

Red is sacrificial here, and even though she’s swimming in red confetti, she’s blinded from it by a red blindfold.

At one point, a shaft of light quickly shoots straight through her body. This could either symbolise enlightenment, or electroshock (which would make sense in the context of ritual abuse).

 

The final scene in this video is perhaps the most important. The characters we’ve seen all throughout the video are actually in the real audience she’s singing to! So what we were lead to believe were make-believe figures, are actually real and present in her life- even if she is unaware of them.

Y’know, for a Selena Gomez song this video was overwhelmingly intricate. One of the most under-recognised ones in entertainment in the context of monarch programming, in my opinion. But hey, if the occult elite are going to spend their money anywhere, why not on the generations to come’s mass programming? Thrifty.

Oh, yeah. And they also throw this in for us at the end super quick so we get the hint that these people are all symbols related and significant to her success in this video. Can’t deny that. Well, you can. But you’d be wrong.

Family photo!

 

 I’ve got 99 problems, and “Problem” is one of them.

So one of the latest and greatest collabs  has happened, and it’s by Ariana Grande and Iggy Azalea- two big up-and-coming artists in the mainstream industry. Okay, so maybe it’s not the greatest, but it’s relevant. And that’s what’s important to cover. When occult symbolism and a hierarchy of power are the very foundation of the music industry- so if you wanna make it big, you have to comply with pushing their agenda. The issue I have with the song “Problem” is not the sound; it’s got nothing to do with the genre, and it’s got very little to do with the lyrics (which are about as deep as puddle, regardless). The problem I have with this song is the overwhelmingly-overused, simple and obvious symbolic theme throughout the entirety of the official Vevo/Interscope lyric video, and surrounding promotional imagery.

Black and white (symbolising duality), and sexualisation to promote the classic “good girl gone bad” image.

Iggy Azalea isn’t too shy of a girl herself. Her frequently raunchy lyrics, and overtly sexual musical themes are things of a parent’s worst nightmare. Although she can be quite explicit, seeing younger stars on channels like Disney and Nickelodeon teaming up with the industry’s leading sex kittens isn’t too uncommon anymore.

 

This photoset shows her powerlessness and allegiance to the industry and its inner workings. The leopard skin leggings, the checkerboard couch, and the all-seeing-eye are symbols of her status in the monarch world.

Ariana is going through the “good girl gone bad” stage, something all young female stars have to go through at some point to make it big. Taylor Swift, Rihanna, Selena Gomez, Christina Aguilera, Miley Cyrus, and Beyoncé are just a few examples off the top of my head. After all, innocence doesn’t sell records. But there are two things it does do- earn the trust of parents in order to expose this “phase” to children, and normalise sexualisation of the very innocence they possess.

Ariana in cat ears (beta programming trigger). She’s also in a shirt with a cat on it. Cat. Kitten. Sex kitten. Get it? Good.

Flashing the occult triple six hand-sign over one eye is super cool.

Masks are representative of multiple personalities in monarch programming. The fact that it’s a kitten should be enough in and of itself to show she has been/is under Beta programming. Once again, the black and white stripes represent the duality of her nature, and the poses go to show the sexualising of innocence and youth is also present.

To symbolise her going through this, she is constantly portrayed as or dressed in black and white and hyper-sexualised. In this context, the black and white represents the concept of duality, a mixing of good and evil through light and dark. Duality holds its place as a common theme throughout many religions and cults, and often, it is a celebration of both extremes of good and evil in human nature- especially in conjunction. Because of this, it is also a standard in monarch programming. Which leads me into this simple lyric/music video.

This video isn’t even technically a music video. It’s a “lyric” video, which really just means “people want a video for this song, but we don’t have time for this, so let’s just throw some words on a screen and flash subliminal imagery behind them”. Whether or not you’re conscious of the heavy symbolism used by the occult elite everywhere you look, it doesn’t mean it’s not there. It also doesn’t mean your subconscious doesn’t recognise it and make connections, because your subconscious records everything. No matter the size, speed, or exposure time, your subconscious can pick up on the most minute of details. This makes it a very powerful tool for the industry.

What most people would see when watching this video is simply sexy girls in shadows, winking, licking their lips, moving their hips, and singing. But what’s beneath this lazy facade runs deep in the world of symbolism.

Throughout, Ariana and Iggy are both filmed with rays of shadows on them in various ways. These stripes represent two things: “illumination” and once again, the concept of duality. The idea of esoteric enlightenment is something the occult elite hold very near and dear. A few good, solid times, the rays are focused around one of Ariana’s eyes- both rightside up and upside down.

As you can see above, the illuminated rays protruding from the eye of providence on Aleister Crowley’s hat strike and uncanny resemblance. This shows the idea that the occult hold, where apparently the more powerful you are, the more godlike you are. Because money might not buy happiness, but it does salvation, right? I have nothing more to say about this “creative” take on the all-seeing eye and its meanings. Other than the fact that they’re clearly out of ideas. And their minds.

The other thing I’d like to point out is the repeated flashing of one eye in the light, and one eye in the dark. Many times, it appears as though these women are split right down the middle by the shadow, part good and part evil. This is the display of blatant dualism in these industry puppets. During Iggy’s part, she is shown nearly always with one eye hidden, once again alluding to the all-seeing-eye symbolism.

   

The final thing I’d like to point out is the sexually-charged imagery that runs rampant throughout the video. I understand that Ariana is beyond the age of consent, but I’m not concerned with that. I’m more just making a point of the bits of Beta slipping through- again, suggestive of monarch programming.

                      

This video might not be Katy-Perry-obnoxious with the overt symbolism, but it’s still symbolically significant. Both of these women are little more than pawns, they’re slaves to the industry. Even Iggy herself has said “too late, now I’m in this bitch”. Once you blow up, you can’t just become un-famous. These record company execs take advantage of young, fame-hungry individuals and make it impossible for them to change their minds. They also cultivate these stars from childhood just like Britney Spears and Cristina Aguilera and every kid that’s ever been on the Disney Channel or Nickelodeon. So in a way, some of these human beings were never given a chance- even from childhood or birth.

The only way to protect yourself from the malicious intent of the “Illuminati” (or men of power, or the occult elite, or whatever you want to call them- it’s all the same) is to educate yourself about their methods of mass programming and manipulation of the human psyche. Because, while what we know is intricate, the whole picture is far more advanced than we could ever know.

Good luck.

Movie Star Planet: The online gathering place to program your children!

So I was watching Cartoon Network the other day (a key perpetrator in the realm of symbolism and subliminals), and I saw a commercial for something called “Movie Star Planet”. In watching this commercial, I must have seen at least a dozen different symbolic things, and I was so frustrated and angry that I kept re-watching it, just to see if I could find more. And I did every time. This is an online gathering place, geared specifically toward children. They create a character, choose their outfits, chat with strangers, and play games and such. I decided to create one for myself, to see just how bad it was. And man, lemme tell ya. This shit’s cray.

It seemed everywhere I looked in this game, I was seeing upside-down stars. There were also a lot of references to Christianity, like the blue boy’s cross necklace. Not to mention, this:

But really. It’s not.

Because who doesn’t want to expose children to satanic imagery?

And while we’re on the topic of upside-down stars, here’s more:

Speaking of BETA programming, take a gander at this next photo:

It’s like a game, they try and see how many symbols they can shove into one frame. It’s fun!

…

I think the use of the word ‘swag’ in this person’s username is explanation enough for what is happening to this generation.

Another thing- this game is most definitely geared towards children, particularly young, pre-pubescent girls. So why do the characters look like well-developed and ready-to-show-it teenage girls? Because sexualisation of children is a thing. ESPECIALLY for girls. They make ‘being a teenager’ look attractive and fun so they mimic it themselves. One thing is for sure, I know for a fact that when I was about 12 years old, I was still into the outdoors, playing with toys, not showing off my tits.

Last and most, here we have the perfect, ideal image we all want our precious little girls to portray.

But seriously, what is this thing. Kill it. Kill it before it breeds.

So yeah. I don’t know what children will be playing in 10 years, but I’m honestly afraid to know. The symbolism constantly bombarding kids every time they watch TV, play video games, or read a magazine is extensive. To the point where it genuinely sickens me. But hey, I’m not one of the elite, so I don’t get a say.

I get to sit by idly and watch the world crumble. Piece by piece.

Stay vigilant.

 

UPDATE (3/19/17): Another user by the name “Eudae” commented on this very, very old post (my oldest, actually) to show just how much more overt the occult symbolism has grown within the CHILDREN’S “game”- a game I’m actually shocked to even discover is still around. The following are pictures contributed by the user. Disgusting: