Tinashe: The Industry’s Newest Slave!

The “2 On” singer is another female artist to hit the big scene lately, and she’s quite obviously also been programmed with MK Ultra-derived techniques. She also has an album coming out by the name of “Aquarius”. This, I believe, is related to the Age of Aquarius- the astrological age to come. Astrologers say believe that each age (2,150 years) affects the way mankind behaves, and possibly also affects the rise and fall of civilisations. It’s a rather ominous thought to think that a “new age” is coming (or has already arrived), seeing as mankind has made a pivotal turn as far as their priorities and capabilities. The government used to have to convince people to give up their freedoms and liberties, but people are so content that they don’t seem to mind one way or another anymore. But that’s a story for another time.

Anyway. Monarch slaves are commonly dressed in all sorts of triggers, including collars, red shoes (Wizard of Oz programming), chains, winged eye makeup (to reference the eye of Horus), reflective materials, animal prints, black and white (duality), etc. They also adhere to behaviours seen by other beta slaves, including sexual gestures, the covering of one eye, lack of much clothing, the list goes on.

And for those of you wondering, if you ever want to find out if one of your favourite stars (or just someone you suspect is a beta slave) is really a slave, all you have to do is search for their name + the word “photoshoot”. This is because their higher-budget shoots are usually organised for them, and they’re organised ahead of time. This makes it easier to manipulate them. If they arrive on-set, and there’s a table/room full of all kinds of options to wear, they’re under the impression they’re getting a choice– when in reality every one of these objects is going to be a trigger. So, if you search for their name plus that word, and you find dozens and dozens of photos with them in monarch programming-related gear? Welp, there’s your answer.

In fact, I’m hard-pressed to find any picture of Tinashe where she’s not in any of the items listed above.

 

 

All black, winged eye makeup, and the covering of one eye.

Black and white stripes. Rightside-up and upside-down pentagrams (blatant duality).

Sexual behaviour, animal print.

Same as above, and the hiding of one eye.

Reflective top, chained pants.

Black and white, winged eye makeup.

Chains and sexualisation, more black clothes.

Obvious sexualisation, and promotion of military gear (not necessarily Beta-programming related, but common among industry slaves).

Instagram photo, self-sexualisation, more black clothing.

Bracers, all black, chains, and hiding of one eye.

Red shoes (“Wizard of Oz” programming)

 

So as we can see, just by doing a simple search on the internet, you can easily find out who is a monarch slave and who (probably) isn’t, purely based on what they wear (or are told to wear), and how they behave. Tinashe clearly wears all the required garments to be considered a beta sex kitten. Try and find more stars, it’s like a game. Post names below of stars you suspect and if I agree, I’ll write an article on them too! The more the merrier.

I see it in almost every major TV show I watch.

“Hermanos”- Breaking Bad: Season 4, Episode 8

Kiesza’s album artwork for “Hideaway” and “Giant in my Heart” feature monarch symbolism.

Kiesza is a well-known singer-songwriter and dancer who came onto the scene around 2010-ish. She’s mostly known for her single “Hideaway”, whose title suggests a sort of mental escape. And whaddaya know, the lyrics follow exactly that theme. One part goes,

“You send me the shiver up my spine, might overflow
You’re bringing me closer to the edge of letting go
You’re just a hideaway, you’re just a feeling
You let my heart escape beyond the meaning
Putting my head into the clouds I’m floating home
When you get me going I can’t find a way to stop
You’re just a chance I take to keep on dreaming
You’re just another day that keeps me breathing”

She’s talking about becoming numb to emotions, and having her head in the clouds- which she goes as far as to call “home”. And the first line where she talks about how her spine might “overflow” is related to the point in monarch programming where they overload the Central Nervous System via loud music, electroshock, torture, screaming, etc. When that happens, they dissociate completely, leaving the host body open for programming.  She also talks about the subject being “just another day that keeps me breathing”, suggesting that her life depends on this programming.

Opening of the head suggests mind control, especially when the inside is hollow or filled with something different. The zipper on her arm suggests that she’s a product, rearrangeable and carefully constructed.

Stacking of the heads inside one another suggests multiple personalities, or “alters”. The surrealism of the setting and the sky backdrop suggest being in a dreamland dissociative state.

Once again, the slicing apart of parts of the body suggest a fragmented mind and therefore multiple alters. The giant hole in her chest suggests the removal of emotion, which is a big part programming. Emotion isn’t practical to them. Instead, they’ve placed a manufactured version of “love” inside the hole. It’s funny how they chose an iconic art piece to fill her in with. As though she’s a work of art, meant to be an icon.

Also, the lightning bolt in her name is suggestive of electroshock torture, one of the most commonly used traumatising techniques used by monarch handlers. I figured I should add that in there.
As well, Luke 10:18 states that he saw Satan struck down from the heavens “like lightning”. Therefore, it can also apply in a Luciferian context.
So there you go, more monarch programming symbolism and MK Ultra bullshit. I can’t look anywhere anymore without seeing monarch programming triggers on and around these slaves. It truly is a shame.

Jeremih and YG’s cover art for “Don’t Tell ‘Em” is also questionable.

 

Jeremih and YG are two popular rappers in the industry today, so clearly that should tell us that they’re involved with the darker side of the industry as well. I mean, come on. Lesbereal, if you wanna make it to the “top”, you’ve gotta agree to subject yourself and others to things you wouldn’t normally- all in the name of fame in the game.

The cover art for their single “Don’t Tell ‘Em” shows a blonde woman with fringe to her cheeks, covering her eyes like a veil. She’s also doing the universal “shhh” handsign. The hair is (I’m hoping, at least) a wig as well.

Wigs are commonly used in monarch programmed individuals to signify different alters. The fringe over her eyes symbolises blindness to, well, everything. The true nature of both the industry and themselves. Blind to who and what they really are, blind to the amount of control they’re under. This is tied in well with the handsign, which represents silence and secrecy- something understandingly important to the occult elite of the world, and therefore everyone under their control. The title is clever, not only because it’s plastered right on her face which she can’t see, but also because it aptly applies to this concept of secrecy and being shrouded from reality. 

Cover art these days is littered with symbolism, and is usually a surefire way to tell who’s really who, and if you dig a bit further, you can easily find out who is handled by who and through what means. 
Please, for the love of God, do some research if you don’t know anything about this atrocity of a system.

Jessie J’s “Thunder”: Isn’t once or twice enough?

Mickey Mouse ears AND bows = mind control triggers.

I mean really, I genuinely lost count of how many times this woman covers one of her eyes in this music video. I truly did. I guess we’ll know by the end of me writing this- but for now just kick back, relax, and have a read. This one is dark. Darker than dark-dark. Like 3dark5me.

I realise that this music video came out in 2013, but I’d forgotten all about it. Recent or not, it’s highly relevant to the information on this blog, so I’m doing a breakdown of it. Deal with it. (;

The colour scheme of this video is completely black. I mean, black everything. When I said “dark”, I meant that in more than one way. Literally, figuratively, whatever you want to call it. It is how it is.
She’s wearing a nude leotard with black detailing and a black full-neck collar (probably alluding to Beta slave status), and she also has black chiffon fabric on both sides taking on the appearance of some kind of cloak or wings at times.

The video is also set in the middle of a desert in the middle of the night with lots of- you guessed it- storms going on in the distance. Lightning flashing all about throughout the duration of it. Lightning represents two things in the context of the occult elite and monarch programming. In reference to the occult, lightning symbolises Lucifer, the “morning star”, who was struck down to earth by lightning in lore. As far as MK Ultra, lightning represents electricity (obviously)- which is important because almost all programming involves some kind of brutal, unthinkable torture. Electroshock is used very frequently because it traumatises the body and mind to the point of complete and total detachment- which is the goal. When one dissociates fully, programming can be executed properly because the consciousness and perception of the person is no longer interfering with the host-victim’s body. Super.

Anyway, the most obvious of all symbolism in this video is the one-eyed sign, commonly known as the “all-seeing eye”, or the “Eye of Horus”. This represents the global elite and their prideful, seemingly omniscient presence and awareness due to their power and the all-seeing, all-knowing power of Lucifer that they evidently hold so near and dear. The one-eyed symbol is the most commonly used symbol in reference to the elite, as the butterfly is to monarch programming. If you see a well-known politician or celebrity doing the one-eyed “salute”, be keen about what they say and do. It’s always important to be vigilant about the world around you and all of what your mind is taking in. Your mind is your most important asset, so it’s important to protect that.

Leaning up against a car, suggesting she drove to this metaphorical place or was brought here intentionally.

The first thing we see in this video is Jessie leaning up against a black car in said desert, covering herself up with the sheer black fabric, appearing like a cloak. She looks detached and distant, and the way she’s covering herself signals vulnerability.
Next to the car, we can see a small dead tree or plant of some sort that appears as though it was planted relatively recently. This is significant because it shows a lot about monarch programming- the small plant is young but already lifeless, and was intentionally planted that way by hand- into dry, dead soil. Child victims of MK are broken and their spirits killed before they even get a chance. This is done deliberately and calculatedly, into conditions where they’ll never get the chance to sprout or grow. This is just my interpretation, however.

Next is where she begins to come alive, so to speak. Let the Illuminati batshit begin.She covers one of her eyes not even a tenth of the way into the video. No need to explain, we allllllll know what that means.
After she begins to come alive, she opens up the cloak- rendering herself completely open and susceptible. This is important because that’s the state a victim has to be in in order to program or attach darker things to them.

Ohhh dear, here she goes covering one eye again. In all fairness, she’s better at doing it slyly in videos than some other people. *COUGH*PARISHILTON*COUGH*
Damn, I’m sorry. This cold is really getting to me.
Ahem, so yeah. Anyway.

She then reaches full-vulnerability mode when she quickly bends over backwards, revealing and opening herself up entirely to… well, whatever darkness is consuming her.

 

She then covers her eye again, but I’m already getting tired of saying it so I’m just going to include a nice little collection of her many one-eyed shots at the end of this article. We can count and see how many Satan points she gets. Yay!
When lightning strikes in the distance, she whips open the black fabric and thrusts her arms into the air, fabric being blown about by the tumultuous winds surrounding her.

 

Soon after, we see her on the ground, bent over forward, shrouded by the black fabric, and contorting and twisting in an eerily inhuman fashion. This type of movement is reminiscent of what you commonly see in exorcisms and possession- and it reminds me of what we saw happen to Elisa Lam, or the way Rihanna moved in her video for “What Now”.

Weak, and surrounded by darkness.

Oh yeah, and then she awkwardly forms a triangle with her arm. Could be coincidence, but I personally don’t believe in that. This is very iffy, I’m only including it to cover the full scope of possibility. After all, that’s what having lots of speculation and theories is all about, yeah?

Maybe, maybe not- but it’s there.

THERE. Now, this is where shit gets real. She begins to take on a dark, demented personality and you can tell it purely by the look in her eyes. Some of them are very quick flashes, and some are more extended, but they definitely give me the creeps.

Evil glare #1.

After that, we see Jessie chaotically moving and twisting about, while also being surrounded by multiples of her doing the exact same. This screams monarch victim because they literally represent the multiple alters within a subject. It’s disturbing knowing what some of these elite and those in their hierarchy of their monarch system are capable of.

Multiple multiples.

They all just look so lost and distressed.

Once again, lightning strikes. At that exact moment, she’s posed in a way that represents full openness and acceptance. She’s opened up, and the electricity can do its job (symbolically, in a theoretical monarch setting).

We then see the darkness quickly consuming her, and these pictures can say more than I ever could. There’s nothing more to it than complete and utter destruction of happiness and joy. You can tell by the looks on her faces.

Collar around the neck, symbolising control and her status as a slave to the industry and its inner workings.

Turmoil and hatred simmering inside.

Cue possession traits, these next photos are pretty unsettling. She is shown levitating, hovering over the ground, completely open and exposed. There’s no way around that. In this first of the levitation flashes, the shadow on the ground does not appear to have a head. It could be the angle of the lighting, but I’m not sure. Regardless, it’s strange. And if the shadow is meant to not have a head, then that’s symbolic of dehumanisation and not having any remaining essence, or “core”- meaning the original self. Just a body to be inhabited and used for other means.

After the darkness has fully consumed her, and she’s now what I’m going to refer to as “possessed” (call it what you want, it’s all the same), she’s shown standing up tall and seductively, reaching out a hand to the viewer.. beckoning for them to join her..

Once again, shown surrounded by multiples.

We then quickly see her gazing at us through the dark shroud, symbolising her oblivious and distorted mindstate. This happens very quickly, so if you go to watch the video, watch carefully.

 

Then, we’re shown her levitating once more, but this time it’s proof- proof that the levitation represents her soul leaving the body open to any and all outside influence, due to the fact that her spirit is actually shown leaving the body. At first, the body is surrounded by light, shadow on the ground. But then, the light is gone, so is her shadow.. and so is she.

 

Literally out of her mind.

Yeah, sand makes me really angry too.

We then see some evil, dark expressions on her face, and her levitating body is now curled up, an empty hollow shell, in a position similar to a fetus in the womb.

We also see her kneeling on the ground, head bowed down, wrapped in the darkness, and hands behind her back like she’s completely surrendered. Like a slave about to be killed.
Like a slave who’s accepted that they’re nothing.

Aaand then we see the most disturbing face in the entire video. It weirds me out just looking at it, this bitch be 666% evil.

We also have the wondrous privilege of seeing her lookin’ like a completely power-hungry, psychotic demon woman. Pics because it happened.

Appearing all-powerful and demonic.

Angel of the light, symbolising satanic deception.

Self-inflicted injury, commonly programmed into victims in case programming starts to break down or go wrong.

At the end of the video, we see Jessie clutching her neck- a very common form of symbolism related to self-injury and masochism. After, at the very end, she collapses. This is very, very similar to Eminem at the end of his video for “Rap God”.

Collapsed on the ground, nothing left to give.

So there we have it, mates. Jessie J is just as much of a crazy bitch as Nicki Minaj or Katy Perry or Miley Cyrus or any other MK Ultra-diseased “human” being. These people are no joke. They’re truly slaves. They’re truly not who they once were, when they were young and gullible enough to get involved with the entertainment industry.
For the love of god, if you like to write music, do it for you. Don’t do it for the fame, you’ll never be the same.
End of.

Oh yeah. And here are all the numerous one-eyed shots she provided.

9 SATAN POINTS TO JESSIE J, SHE DESERVES A FUCKING MEDAL.

Hmmmmmmmmmmmmmmmmmmmmmmmmmm…
I wonder who she’s working for. :l

MK Celebrities and Self-Awareness

OPEN Q&A SESSION

 

So it’s time for a certified question-and-answer session. I enjoy hearing your input and thoughts/ideas even more than I enjoy trying to explain what I believe.
From now on, comment on any post in this category with questions YOU have too. If it’s genuine and insightful, I’ll break it down and answer it in this category like the following:

A couple days ago, a commenter with the username “Precious” asked:

Q: “Do you think the celebrities in the video know what the directors and editors of the video are trying to hide in the meaning. Or do you think that the celebrities are just as blind as many who listen in to the music. And why are the directors/editors using symbolism as such and supposed mind control ???”

A: I personally believe that most mind-controlled celebrities (more specifically, their main alter) are aware that they’re probably being taken advantage of to some degree, but I don’t believe that most know they’re being manipulated to anywhere near the degree that they truly are. As far as them understanding the meaning of the symbolism in the various videos/songs/shows/etc that they put out varies.

Seeing as some of these types of media are layered with symbolism- frequently, multiple types- they could very well be aware of or even support SOME of the meanings and ideologies within them. However, I do not believe that monarch celebrities have any external awareness of the MK Ultra-related symbolism and triggers. This is namely because of the fact that if they understood what it meant, it wouldn’t be a trigger, and that knowledge could trigger a collapse of the system’s programming (think Britney Spears, Amanda Bynes, Mariah Carey, etc.)

When their mind has a hunch about what they are (and it always does to some extent, because the spirit sees and knows all), and how they became that way, the mind sometimes attempts to wreak havoc on the internal system in an attempt to bring the fragmented pieces of their ego back together. This also tends to happen quite frequently the older the subject gets because cerebral atrophy begins to set in. This is exactly why we see so many mysterious “celebrity deaths” when monarch slaves reach early-middle age- they’re being disposed of. Programming doesn’t tend to stay stable once they reach a certain age, so once they’re no longer useful or bringing in revenue, they’re no longer needed. There’s even something dubbed the “27 Club”, due to the strange number of celebrity deaths at that specific age.

As far as pushing the occult symbolism, a lot of it has to do with how cooperative their front alter(s) is. If they, themselves are programmed to be into into occult/esoteric symbolism or mystic-type religions like Luciferianism, Kabbalah, Scientology, etc, then there’s no reason to try and obscure the meaning of the symbolism or agenda they’re being used to push. In fact, many are more than happy to oblige. Remember, their front alters usually don’t tend to have many questions or desires beyond their bubble they happily live in. Taking orders and making the money they do makes for an easy, comfortable life. That, in turn, makes it easy to just cooperate- regardless of whether or not they agree with or even understand what they’re being used to push.

Also, as far as why they push all these symbols and subliminal meanings in our faces is because it makes for easy mass programming. When everyone is slowly exposed to this repetitive bullshit over generations, they care less and less about important matters and more and more about hashtags and twerking. That makes for an easily controllable and influenceable public, making major political moves possible with little interference or outrage. But keep in mind, the entertainment industry is only one of the tools the dark government utilises to distort our viewpoints. They also use things like false flag terror to get us to give up our privacy and weapons in exchange for what we’re lead to believe is “security and safety”. In order to usher in the police state and fulfill Agenda 21, all of the tools they use are necessary.

Does that help answer your question?

Alexa Goddard’s “Marilyn”: I can’t even anymore.

Do you know who Alexa Goddard is? Because I didn’t, until I saw her name and face plastered all over Vevo’s homepage. She’s signed to Roc-A-Fella Records, and we all know what that means. But hey, I guess the industry could always use another sexed-up sleazebag to do their bidding. She does a super duper job of it in the video for her latest single. Called “Marilyn”. And it’s about wanting to be like “Marilyn, Marilyn!” Because she lived such a fabulous life apparently, and everything people know about her is so accurate. Except it’s not. She was put through atrocity after atrocity, until she was all used up. Then she was disposed of, in the characteristic “mysterious celebrity death” they’re given. Cheap cover stories and disinformation.

Regardless, here we are with yet another Marilyn Monroe idolisation song. I swear to god if I see one more shirt, belt, wallet, backpack, poster, keychain, or fucking tampon with her face on it? So help me. That’s all I can say, because I don’t need the NSA at my front doorstep.

OH-kay, moving on. The lyrics for the first verse of the song go:
“Let’s go down to Carnaby
Get fucked up like we’re royalty
Let’s go try something that we shouldn’t
Cause that’s what legends do
Take me down the rabbit hole
Let’s go places no one knows
It’s my twisted fantasy
This is who I wanna be”

Shot reflecting only her head.

If you know anything at all about MK Ultra/ monarch programming references, this song should ring a bell. Loud. I mean, really. These are the kinds of girls children look up to and idolise. They see them on TV or on the internet, half-naked and dancing around like they’re up for bid. That’s a thing. And I presume it’s only going to get worse. These lyrics suggest careless, self-destructive behaviour while also suggesting dissociation (through an Alice in Wonderland programming reference) into a world that she calls her “twisted fantasy”. Sounds fun. The first few seconds of the video show a reflection of her in a rearview mirror, but not a shot of her driving- a reflection of just her head. This is the first clue to her fragmented state.
Warning: There’s also a lot of flashing and flickering in this video too, some of which was too fast for me to even slow down to analyse, so just be careful what you watch. I’m glad I’m not epileptic.

We see Alexa walking along with a suitcase in a white top and long white skirt that look eerily similar to a wedding dress. They use the white gown to symbolise a sacrificing of purity, exactly like Taylor Swift when she performed her song “I Knew You Were Trouble”. The next thing I took note of was the fact that she was shown walking past a wax museum. A museum full of figures that look like exactly like people, but aren’t alive or mentally aware? Hmmm. It’s fitting.

Taylor in a virginal “wedding” gown for ritualistic “sacrifice” at the 2012 Brit Awards. Hellfire and all. The women dancers in this bit were wearing cages (at the AMAs) and large masks (in this performance) around their faces.

White, virginal stylised top and skirt. Notice the wax museum to her right (left of screen).

One other thing that caught my eye was the drawing of attention to a map in her hand titled “EZ Map”. Why would they show the map up close, in-focus like that unless there was something significant about it? Nothing is accidental in complete fabrications, especially when it’s a split second long. The letters E and Z are important because E is the 5th letter of the alphabet, and Z is the 26th. 5 + (2+6) = 13. Whaddaya know, it does have significance. The number 13 is incredibly important to the occult elite, because there are 13 satanic bloodlines that make up the hierarchy of global power. You might say numerology is stupid- and you’re right. But to these men, certain numbers have dire powers and meanings, so much so that they plan certain events on certain days with numerological significance to them. Therefore, even if it is dumb, I can’t overlook it as it can be a valid pointer.

“EZ” map.

Next, we see the beginnings of her complete and utter insanity. She’s shown stood in front of a checkered wall (duality), spinning (dissociation) around with a GIANT crystal chain collar around her neck (beta programming/ slave status), spinning around in a checkered hallway (duality), and spinning around in a pink and blue (beta-bisexual programming) crop top that has “HELL” written in glitter. Fancy as fuck. Keep in mind that this all happens within a very short time frame. As well, I couldn’t even count the number of times this chick was spinning her brains out like a 5-year-old in this video. Literally could not keep up. I think she spends more time spinning in circles than actually singing. Regardless, it’s crucial because it’s deeply related to the process of getting one to properly dissociate during the programming process. It’s frequently symbolised by spinning tops, pinwheels, carousels, spinning in circles, and ferris wheels.

Slave-status chained collar.

Look how cute, and she’s original too!

Checkered walls. She must REALLY like them.

Remember when I said carousels and ferris wheels can represent dissociation triggers?

Checkered walls, blue and pink checked “HELL” top, and OH LOOK. SHE’S SPINNING AGAIN.

Then we’re off to the chorus. It goes “I don’t wanna be dull, I don’t wanna be normal like Marilyn Marilyn Monroe, Marilyn Monroe, Marilyn Marilyn! I don’t wanna be alone, I wanna be someone like Marilyn Marilyn Monroe, Marilyn Monroe! (x9).
Can we talk about how grammatically irritating this is? I know what she means, but I don’t know if she does. She could have just as easily said “I wanna be different like Marilyn”.
Not only is it grammatically annoying, but it also insinuates a lot of things, like the fact that you’ll be alone if you’re not someone like Marilyn. Not only that, but it pushes idolatry and unoriginality. Why would you want to be someone like anyone else but yourself? Nobody gets to be you but you. A million girls try to be just like Marilyn, and that’s different. Okay then, buddy.
Before I go on to the latter part of this video, I’m just going to put this screen shot in as well. I was debating whether or not to, but I just had to because of how unsettling it was. This frame went by super quick (I didn’t notice it the first few times), and you never see anything like it again for the rest of the video. It’s just.. lifeless, robotic, and eerie.

By the way, the things I’m pointing out act as triggers to a monarch slave, in order to keep them in the mental mode their handlers desire. I’m not just doing this to call out “Illuminati bullshit”, I’m doing this to spread as accurate information about modern MK Ultra culture so we’re not all oblivious to it. So that we better-understand the things we see in the world shaped around us. It’s a big deal in relation to the global elite because they, themselves have used and/or been through MP, and most (if not all) have alters of their own for specific purposes, like occult rituals.
ANYWAY. Then we get to the second half of the video, and she’s in a giant, cage-like fake crown while holding an ice cream cone. Both of these are significant, as the crown here symbolises control over the mind, and ice cream is code for metaphorically freezing the brain in monarch programming. Y’know? Brain freeze. Mariah Carey brought an ice cream trolley to the set of a show she wasn’t invited to be on when she had her programming meltdown.


Very shortly after, we see the next scene take place- in which she’s wearing a jeweled crop top. This signifies jewel programming- which has a lot in common with colour programming. Different colours/jewels are programmed to be associated with certain alters, and are used as triggers to re-inforce the dissociation once that alter’s taken the body. For example, she’s wearing giant dangling ruby earrings. Rubies are triggers/code for sexual alters. Nobody but a specific slave’s handler is able to bring up an alter, as they can only be accessed with virtually crack-proof codes. So please, nobody go running up to celebrities shouting colours in their faces.
She’s not only wearing that, but she’s also sunglasses with a veil over them. Do not try to tell me this is practical at all, because it’s just ludicrous. But it is extremely symbolic- veils and blindfolds represent the slave being “blind” to their internal programming, as well as the daily manipulation and abuse they endure just for the fame and money- which is more than enough for them (as in their front alters) to take orders 99% of the time.

Veil over the eyes and jeweled top. But hey, she looks happy to me.

 

 She’s walking down a boardwalk when she encounters a man playing the piano, with a piano belt on. Pianos are black and white, which could represent duality but I’m not gonna make that call 100% because it’s merely a possibility. Also somewhat relevant is the following quote from the fourth chapter of Fritz Springmeier’s book The Illuminati Formula to Create an Undetectable Total Mind Control Slave: “The conscious mind and the subconscious mind need to grapple. For creativity to be productive it must occur within limits. For instance, the concerto is created within the limits of a piano keyboard.” Also, she’s shown tipping the guy- and on her arm you can clearly see a feather tattoo. Real or not (it’s more than likely not), it’s a trigger that represents the lightheaded feeling one gets after being electroshocked to the point of complete and total dissociation. This is also frequently symbolised by balloons or butterflies.

Feather tattoo.

For a couple seconds after, we see a clear shot of a man drinking a frosty, ice-cold beverage. Which is cool and all, except it’s centered in such a way that draws our eye to his tattoo and not him. I have not tried to decipher his tat, so if any of you have a clue, comment below and I’ll edit.

Thereafter, we see Alexa encounter a few small dogs. This part lasts a bit longer than it really should, which was an instant clue to me that it had to mean something. I immediately remembered that slaves with Wizard of Oz programming are given dogs (like Toto) that they get deeply attached to, only to have them “run away” or “get sick and instantly die out of nowhere for no reason because they killed it”. This is to further fracture a slave’s ego for programming, and can be done at any age. For example, Miley Cyrus was recently reprogrammed when she fell “ill” during her current tour. Right around the same time, one of her dogs whom she was evidently very close with died suddenly. Perfect grounds for stable programming. Also not pictured here, she’s wearing a bow (symbol for mind control) ring during a good portion of the video.

Alexa with the little dogs. More black, white, and stripes too.

After a bit more spinning around and chanting “Marilyn, Marilyn”, she’s shown walking across a street in a black & white-striped maxi dress and carrying a red umbrella. Obvious symbolism going on here, as well as red being a sacrificial colour. When it comes to “sacrifice”, the sequence of colours a theoretical woman wears go from white for purity, to red for sacrifice, and then black for rebirth.

 

 

The last scene in this video takes place on the beach itself. She’s blowing on a pinwheel, looking all daydreamy, and then running around with balloons. Pinwheel spinning around because she’s taking a break (but no seriously, it’s for dissociation), and the balloons represent the lightheadedness experienced by electroshocked/tortured- similar to the symbol of the feather on her arm from earlier.

This is strongly suggestive that she really is off “in a world of her own”.

 

So that concludes my interpretation of this otherwise dull and obnoxiously cliche video. Okay I’m kidding, it’s totally still obnoxious. But I couldn’t resist analysing it because there was just too much going on here for me to pass it up.
Even though you may or may not have learned anything from this article, I still strongly recommend that each and every one of you go out there into the world, mind open, and learn as much as you can for yourself. Other people can mislead you, and some do intentionally. Just be on the watch. Sort truth from fiction, and guard yourself from the malicious elite and their entire pyramid of people feeding off one another’s power for their own gain.
I think “be cautious” are the words I was looking for.

Goodie! Now I have a bigger problem.

So the real video for “Problem” came out just now, and it’s truly just a slightly more complex version of the lyric video.

The concepts of duality and DID (Dissociative Identity Disorder) induced in the inner-most workings of the entertainment industry reign over all other symbolism in this video. The stripes are once again present, and there are maybe like two frames of any color other than black and white being used.

I think the thing that differs most from the lyric video and this music video is the amplification of sexuality. Ariana and Iggy both appear to be heavily behaving as one would in “Beta mode”. Beta programming is a type of monarch programming that removes all personal, internal values, morals, and ideas about sex altogether, and creates a whole new persona that can be triggered by any number of things. Most common are animal prints and cats such as Beyonce’s “Kitty Kat” and Katy Perry’s ad for her perfume- which is also cat-themed. This new persona becomes the go-to identity to trigger when producing music videos or performing, and often for sex itself; alas, I digress.

The cat mask is similar to the one Ariana Grande wore for a photoshoot, and holds the same meaning. In addition, Katy has her fingers positioned in a distinct way, creating two triangles with the eye as the focus.

Yes, a human dressed like a cat looking like she wants to have sex in a satin bed is the PERFECT way to sell perfume. Also, notice how the people surrounding her are holding up cats. Can you say “triggers”?

 

 

Anyway, back to the video. The man who does the chorus bears a golden ring with a cat’s head on it. Ariana whispers into his ear and puts her hand on his shoulder seductively at a couple points:

 

That finger is not Ariana’s. Which is just a bit odd to me, not sure why there’s even a finger there. It’s kind of awkward.

 

The man in this image plays the role of the “handler” due to that ring, and Ariana obviously displays allegiance to him throughout.

 

Another thing that popped out at me was the way they continue to display multiples in different forms. For example, at a few points, Ariana and Iggy are surrounded by multicolour silhouettes of themselves, making it appear as though there are numerous copies of them. They also display Iggy in a trio a couple times, which also represents multiples within an individual.

 

Multiples via silhouette.

Ex-monarch programming victim Kim Noble (who has 13 distinct personalities), creates paintings to express herself and the torture she was put through. This painting of a face just strongly reminded me of Ariana’s dress above. ^^^

Yo dawg. We heard you like MK Ultra, so we use multiples of multiples.

 

Ariana is shown multiple times spinning around on a big, black and white-striped disk. This, I believe, is the setting and evidence for her dissociation. Spinning is a standard torture process in monarch programming in order to disorientate the victim. In combination with drugs and violently creative abuse, dissociation becomes easier and easier for them to escape the repeated pain, as it becomes a natural mental reflex. This spinning is usually symbolised as the person spinning in circles or being spun, carousels, or spinning objects or images (like the giant black and white hypno-ray backdrop). Due to the depth of field the converging lines create, it resembles a tunnel of sorts. She wears all white, and her shoes are off for some reason- possibly because she feels more comfortable and less pressure within the sanctuary of her mind. She sings that she has her “head in the clouds” and has “no weight on her shoulders”.

Giant, spinning hypnotic spiral is there the whole time.

There are a final couple of things I’m going to acknowledge in this article, and one of them is the fact that there’s also a black contortionist with a “black” and white checkerboard applied to the whole surface of his skin. Also, Ariana is even more hyper-sexualised in this official video than the lyric video. I can’t tell you how many flashes of things like her ass and her waist or her legs are shown, but…

Popular black contortionist painted with masonic/dualistic checkerboard. Because that has everything to do with relationship problems.

I guess that’s just standard for the music biz these days. Hmph, shame.