Tinashe: The Industry’s Newest Slave!

The “2 On” singer is another female artist to hit the big scene lately, and she’s quite obviously also been programmed with MK Ultra-derived techniques. She also has an album coming out by the name of “Aquarius”. This, I believe, is related to the Age of Aquarius- the astrological age to come. Astrologers say believe that each age (2,150 years) affects the way mankind behaves, and possibly also affects the rise and fall of civilisations. It’s a rather ominous thought to think that a “new age” is coming (or has already arrived), seeing as mankind has made a pivotal turn as far as their priorities and capabilities. The government used to have to convince people to give up their freedoms and liberties, but people are so content that they don’t seem to mind one way or another anymore. But that’s a story for another time.

Anyway. Monarch slaves are commonly dressed in all sorts of triggers, including collars, red shoes (Wizard of Oz programming), chains, winged eye makeup (to reference the eye of Horus), reflective materials, animal prints, black and white (duality), etc. They also adhere to behaviours seen by other beta slaves, including sexual gestures, the covering of one eye, lack of much clothing, the list goes on.

And for those of you wondering, if you ever want to find out if one of your favourite stars (or just someone you suspect is a beta slave) is really a slave, all you have to do is search for their name + the word “photoshoot”. This is because their higher-budget shoots are usually organised for them, and they’re organised ahead of time. This makes it easier to manipulate them. If they arrive on-set, and there’s a table/room full of all kinds of options to wear, they’re under the impression they’re getting a choice– when in reality every one of these objects is going to be a trigger. So, if you search for their name plus that word, and you find dozens and dozens of photos with them in monarch programming-related gear? Welp, there’s your answer.

In fact, I’m hard-pressed to find any picture of Tinashe where she’s not in any of the items listed above.

 

 

All black, winged eye makeup, and the covering of one eye.

Black and white stripes. Rightside-up and upside-down pentagrams (blatant duality).

Sexual behaviour, animal print.

Same as above, and the hiding of one eye.

Reflective top, chained pants.

Black and white, winged eye makeup.

Chains and sexualisation, more black clothes.

Obvious sexualisation, and promotion of military gear (not necessarily Beta-programming related, but common among industry slaves).

Instagram photo, self-sexualisation, more black clothing.

Bracers, all black, chains, and hiding of one eye.

Red shoes (“Wizard of Oz” programming)

 

So as we can see, just by doing a simple search on the internet, you can easily find out who is a monarch slave and who (probably) isn’t, purely based on what they wear (or are told to wear), and how they behave. Tinashe clearly wears all the required garments to be considered a beta sex kitten. Try and find more stars, it’s like a game. Post names below of stars you suspect and if I agree, I’ll write an article on them too! The more the merrier.

I see it in almost every major TV show I watch.

“Hermanos”- Breaking Bad: Season 4, Episode 8

Kiesza’s album artwork for “Hideaway” and “Giant in my Heart” feature monarch symbolism.

Kiesza is a well-known singer-songwriter and dancer who came onto the scene around 2010-ish. She’s mostly known for her single “Hideaway”, whose title suggests a sort of mental escape. And whaddaya know, the lyrics follow exactly that theme. One part goes,

“You send me the shiver up my spine, might overflow
You’re bringing me closer to the edge of letting go
You’re just a hideaway, you’re just a feeling
You let my heart escape beyond the meaning
Putting my head into the clouds I’m floating home
When you get me going I can’t find a way to stop
You’re just a chance I take to keep on dreaming
You’re just another day that keeps me breathing”

She’s talking about becoming numb to emotions, and having her head in the clouds- which she goes as far as to call “home”. And the first line where she talks about how her spine might “overflow” is related to the point in monarch programming where they overload the Central Nervous System via loud music, electroshock, torture, screaming, etc. When that happens, they dissociate completely, leaving the host body open for programming.  She also talks about the subject being “just another day that keeps me breathing”, suggesting that her life depends on this programming.

Opening of the head suggests mind control, especially when the inside is hollow or filled with something different. The zipper on her arm suggests that she’s a product, rearrangeable and carefully constructed.

Stacking of the heads inside one another suggests multiple personalities, or “alters”. The surrealism of the setting and the sky backdrop suggest being in a dreamland dissociative state.

Once again, the slicing apart of parts of the body suggest a fragmented mind and therefore multiple alters. The giant hole in her chest suggests the removal of emotion, which is a big part programming. Emotion isn’t practical to them. Instead, they’ve placed a manufactured version of “love” inside the hole. It’s funny how they chose an iconic art piece to fill her in with. As though she’s a work of art, meant to be an icon.

Also, the lightning bolt in her name is suggestive of electroshock torture, one of the most commonly used traumatising techniques used by monarch handlers. I figured I should add that in there.
As well, Luke 10:18 states that he saw Satan struck down from the heavens “like lightning”. Therefore, it can also apply in a Luciferian context.
So there you go, more monarch programming symbolism and MK Ultra bullshit. I can’t look anywhere anymore without seeing monarch programming triggers on and around these slaves. It truly is a shame.

Jeremih and YG’s cover art for “Don’t Tell ‘Em” is also questionable.

 

Jeremih and YG are two popular rappers in the industry today, so clearly that should tell us that they’re involved with the darker side of the industry as well. I mean, come on. Lesbereal, if you wanna make it to the “top”, you’ve gotta agree to subject yourself and others to things you wouldn’t normally- all in the name of fame in the game.

The cover art for their single “Don’t Tell ‘Em” shows a blonde woman with fringe to her cheeks, covering her eyes like a veil. She’s also doing the universal “shhh” handsign. The hair is (I’m hoping, at least) a wig as well.

Wigs are commonly used in monarch programmed individuals to signify different alters. The fringe over her eyes symbolises blindness to, well, everything. The true nature of both the industry and themselves. Blind to who and what they really are, blind to the amount of control they’re under. This is tied in well with the handsign, which represents silence and secrecy- something understandingly important to the occult elite of the world, and therefore everyone under their control. The title is clever, not only because it’s plastered right on her face which she can’t see, but also because it aptly applies to this concept of secrecy and being shrouded from reality. 

Cover art these days is littered with symbolism, and is usually a surefire way to tell who’s really who, and if you dig a bit further, you can easily find out who is handled by who and through what means. 
Please, for the love of God, do some research if you don’t know anything about this atrocity of a system.

Nicki Minaj’s new single “Pills N Potions” has a questionable cover.

 

In this album art, she’s posed as a white rabbit- a common theme in Alice in Wonderland Programming. In this, subjects are tranced and taught to go “through the looking glass” into another part of their individualised internal world. Other commons AIW triggers include white/red roses, gems, size distortion, more mirrors, etc.

She’s also hyper-sexualised with the connotation of “bunnies”, plus no bra. But a slave dressed as an animal, whether it be a cat or rabbit or Ke$ha, is dehumanising. Dehumanisation is one of the central themes to monarch mind control, and is achieved in multiple ways- from depriving one of their senses by locking them in a dark room for 2 days, or leaving a child in a 2-foot long cage with barely enough room to blink.

The lyrics to this song are also a bit “questionable”. The chorus goes:

“Pills and potions
We’re overdosing
I’m angry but I still love you
Pills and potions
We’re overdosing
Can’t stand it, but I still love you”

This could all too easily be applied to the mindstate of programmed victims, where they develop severe Stockholm Syndrome- usually at a very young age if they were sold out into the industry. They learn that pain is pleasure and pleasure is pain, that love is hate and hate is love, bitter sweet and sweet bitter. They get the alters to believe that the torture and unspeakable horrors being inflicted upon them is merely “training”. It saddens me just typing it.

Good to know we live in times where prostitution is more rampant than ever- just in the form of allowing yourself to be made into a sex object by the monstrous industry. Only to be discarded when you age, and lose the only platform that ever made you successful.
Hi, Miley!