Tinashe: The Industry’s Newest Slave!

The “2 On” singer is another female artist to hit the big scene lately, and she’s quite obviously also been programmed with MK Ultra-derived techniques. She also has an album coming out by the name of “Aquarius”. This, I believe, is related to the Age of Aquarius- the astrological age to come. Astrologers say believe that each age (2,150 years) affects the way mankind behaves, and possibly also affects the rise and fall of civilisations. It’s a rather ominous thought to think that a “new age” is coming (or has already arrived), seeing as mankind has made a pivotal turn as far as their priorities and capabilities. The government used to have to convince people to give up their freedoms and liberties, but people are so content that they don’t seem to mind one way or another anymore. But that’s a story for another time.

Anyway. Monarch slaves are commonly dressed in all sorts of triggers, including collars, red shoes (Wizard of Oz programming), chains, winged eye makeup (to reference the eye of Horus), reflective materials, animal prints, black and white (duality), etc. They also adhere to behaviours seen by other beta slaves, including sexual gestures, the covering of one eye, lack of much clothing, the list goes on.

And for those of you wondering, if you ever want to find out if one of your favourite stars (or just someone you suspect is a beta slave) is really a slave, all you have to do is search for their name + the word “photoshoot”. This is because their higher-budget shoots are usually organised for them, and they’re organised ahead of time. This makes it easier to manipulate them. If they arrive on-set, and there’s a table/room full of all kinds of options to wear, they’re under the impression they’re getting a choice– when in reality every one of these objects is going to be a trigger. So, if you search for their name plus that word, and you find dozens and dozens of photos with them in monarch programming-related gear? Welp, there’s your answer.

In fact, I’m hard-pressed to find any picture of Tinashe where she’s not in any of the items listed above.

 

 

All black, winged eye makeup, and the covering of one eye.

Black and white stripes. Rightside-up and upside-down pentagrams (blatant duality).

Sexual behaviour, animal print.

Same as above, and the hiding of one eye.

Reflective top, chained pants.

Black and white, winged eye makeup.

Chains and sexualisation, more black clothes.

Obvious sexualisation, and promotion of military gear (not necessarily Beta-programming related, but common among industry slaves).

Instagram photo, self-sexualisation, more black clothing.

Bracers, all black, chains, and hiding of one eye.

Red shoes (“Wizard of Oz” programming)

 

So as we can see, just by doing a simple search on the internet, you can easily find out who is a monarch slave and who (probably) isn’t, purely based on what they wear (or are told to wear), and how they behave. Tinashe clearly wears all the required garments to be considered a beta sex kitten. Try and find more stars, it’s like a game. Post names below of stars you suspect and if I agree, I’ll write an article on them too! The more the merrier.

I see it in almost every major TV show I watch.

“Hermanos”- Breaking Bad: Season 4, Episode 8

Every single thing about this place makes me feel like being sick to my fucking stomach.

The Vector Gallery located on 124 Clinton St, New York is the first Satanic art gallery in the Lower East Side- and the first I’ve ever seen that’s permanent.
That link is to their official tumblr, and you can find most of this information there, but only at the cost of feeling like part of your soul has died.
In fact, in order to be able to enter the back room of the gallery, you literally have to formally sell your soul to Satan. I shit you not.

The artist himself, JJ Brine, has declared it “The Official Art Gallery of Satan” and has stated in interviews that the place is, in and of itself, a living entity. He has claimed that certain things have fallen off walls and rearranged themselves, and that the gallery sends messages to him. The gallery is said to have a very strong, unique energy of its own- an energy I feel simply from even looking at the images of it.
JJ has also founded and lead a new religion he calls “Vectorism”.

The artist and who I presume is his girlfriend.

The difference between Vectorism and Satanism are that Vectorism actually recognises Satan as lord and saviour. This is not the ideology that Satanism is founded upon, which is that you’re free to believe and do whatever you want without consequence. You’re your own god. But not with Vectorism, no. With Vectorism, Satan is GOD and is to be respected, feared, and worshipped. They hold religious ceremonies as well.

The walls are littered with “post-human art”, a term he claims Satan chose. The entire gallery is littered with art dedicated to Satan, Charles Manson (whom has been named their church’s official religious leader), desecration of classical art, hooved and horned creatures with outreached hands and warm smiles, Baphomet-like figures, and yes- heaps upon heaps of Illuminati-related symbolism. It’s also full to the brim with all sorts of reflective materials, mirrors, silver spray paint, glitter, bright neon lights, etc.

This man is leading a movement all of its own, and it’s rapidly gaining in popularity.
This man is sick, and he is dangerous.
I wish all of this was one great big joke- but unfortunately, it most certainly doesn’t seem to be whatsoever.

Jessie J’s “Thunder”: Isn’t once or twice enough?

Mickey Mouse ears AND bows = mind control triggers.

I mean really, I genuinely lost count of how many times this woman covers one of her eyes in this music video. I truly did. I guess we’ll know by the end of me writing this- but for now just kick back, relax, and have a read. This one is dark. Darker than dark-dark. Like 3dark5me.

I realise that this music video came out in 2013, but I’d forgotten all about it. Recent or not, it’s highly relevant to the information on this blog, so I’m doing a breakdown of it. Deal with it. (;

The colour scheme of this video is completely black. I mean, black everything. When I said “dark”, I meant that in more than one way. Literally, figuratively, whatever you want to call it. It is how it is.
She’s wearing a nude leotard with black detailing and a black full-neck collar (probably alluding to Beta slave status), and she also has black chiffon fabric on both sides taking on the appearance of some kind of cloak or wings at times.

The video is also set in the middle of a desert in the middle of the night with lots of- you guessed it- storms going on in the distance. Lightning flashing all about throughout the duration of it. Lightning represents two things in the context of the occult elite and monarch programming. In reference to the occult, lightning symbolises Lucifer, the “morning star”, who was struck down to earth by lightning in lore. As far as MK Ultra, lightning represents electricity (obviously)- which is important because almost all programming involves some kind of brutal, unthinkable torture. Electroshock is used very frequently because it traumatises the body and mind to the point of complete and total detachment- which is the goal. When one dissociates fully, programming can be executed properly because the consciousness and perception of the person is no longer interfering with the host-victim’s body. Super.

Anyway, the most obvious of all symbolism in this video is the one-eyed sign, commonly known as the “all-seeing eye”, or the “Eye of Horus”. This represents the global elite and their prideful, seemingly omniscient presence and awareness due to their power and the all-seeing, all-knowing power of Lucifer that they evidently hold so near and dear. The one-eyed symbol is the most commonly used symbol in reference to the elite, as the butterfly is to monarch programming. If you see a well-known politician or celebrity doing the one-eyed “salute”, be keen about what they say and do. It’s always important to be vigilant about the world around you and all of what your mind is taking in. Your mind is your most important asset, so it’s important to protect that.

Leaning up against a car, suggesting she drove to this metaphorical place or was brought here intentionally.

The first thing we see in this video is Jessie leaning up against a black car in said desert, covering herself up with the sheer black fabric, appearing like a cloak. She looks detached and distant, and the way she’s covering herself signals vulnerability.
Next to the car, we can see a small dead tree or plant of some sort that appears as though it was planted relatively recently. This is significant because it shows a lot about monarch programming- the small plant is young but already lifeless, and was intentionally planted that way by hand- into dry, dead soil. Child victims of MK are broken and their spirits killed before they even get a chance. This is done deliberately and calculatedly, into conditions where they’ll never get the chance to sprout or grow. This is just my interpretation, however.

Next is where she begins to come alive, so to speak. Let the Illuminati batshit begin.She covers one of her eyes not even a tenth of the way into the video. No need to explain, we allllllll know what that means.
After she begins to come alive, she opens up the cloak- rendering herself completely open and susceptible. This is important because that’s the state a victim has to be in in order to program or attach darker things to them.

Ohhh dear, here she goes covering one eye again. In all fairness, she’s better at doing it slyly in videos than some other people. *COUGH*PARISHILTON*COUGH*
Damn, I’m sorry. This cold is really getting to me.
Ahem, so yeah. Anyway.

She then reaches full-vulnerability mode when she quickly bends over backwards, revealing and opening herself up entirely to… well, whatever darkness is consuming her.

 

She then covers her eye again, but I’m already getting tired of saying it so I’m just going to include a nice little collection of her many one-eyed shots at the end of this article. We can count and see how many Satan points she gets. Yay!
When lightning strikes in the distance, she whips open the black fabric and thrusts her arms into the air, fabric being blown about by the tumultuous winds surrounding her.

 

Soon after, we see her on the ground, bent over forward, shrouded by the black fabric, and contorting and twisting in an eerily inhuman fashion. This type of movement is reminiscent of what you commonly see in exorcisms and possession- and it reminds me of what we saw happen to Elisa Lam, or the way Rihanna moved in her video for “What Now”.

Weak, and surrounded by darkness.

Oh yeah, and then she awkwardly forms a triangle with her arm. Could be coincidence, but I personally don’t believe in that. This is very iffy, I’m only including it to cover the full scope of possibility. After all, that’s what having lots of speculation and theories is all about, yeah?

Maybe, maybe not- but it’s there.

THERE. Now, this is where shit gets real. She begins to take on a dark, demented personality and you can tell it purely by the look in her eyes. Some of them are very quick flashes, and some are more extended, but they definitely give me the creeps.

Evil glare #1.

After that, we see Jessie chaotically moving and twisting about, while also being surrounded by multiples of her doing the exact same. This screams monarch victim because they literally represent the multiple alters within a subject. It’s disturbing knowing what some of these elite and those in their hierarchy of their monarch system are capable of.

Multiple multiples.

They all just look so lost and distressed.

Once again, lightning strikes. At that exact moment, she’s posed in a way that represents full openness and acceptance. She’s opened up, and the electricity can do its job (symbolically, in a theoretical monarch setting).

We then see the darkness quickly consuming her, and these pictures can say more than I ever could. There’s nothing more to it than complete and utter destruction of happiness and joy. You can tell by the looks on her faces.

Collar around the neck, symbolising control and her status as a slave to the industry and its inner workings.

Turmoil and hatred simmering inside.

Cue possession traits, these next photos are pretty unsettling. She is shown levitating, hovering over the ground, completely open and exposed. There’s no way around that. In this first of the levitation flashes, the shadow on the ground does not appear to have a head. It could be the angle of the lighting, but I’m not sure. Regardless, it’s strange. And if the shadow is meant to not have a head, then that’s symbolic of dehumanisation and not having any remaining essence, or “core”- meaning the original self. Just a body to be inhabited and used for other means.

After the darkness has fully consumed her, and she’s now what I’m going to refer to as “possessed” (call it what you want, it’s all the same), she’s shown standing up tall and seductively, reaching out a hand to the viewer.. beckoning for them to join her..

Once again, shown surrounded by multiples.

We then quickly see her gazing at us through the dark shroud, symbolising her oblivious and distorted mindstate. This happens very quickly, so if you go to watch the video, watch carefully.

 

Then, we’re shown her levitating once more, but this time it’s proof- proof that the levitation represents her soul leaving the body open to any and all outside influence, due to the fact that her spirit is actually shown leaving the body. At first, the body is surrounded by light, shadow on the ground. But then, the light is gone, so is her shadow.. and so is she.

 

Literally out of her mind.

Yeah, sand makes me really angry too.

We then see some evil, dark expressions on her face, and her levitating body is now curled up, an empty hollow shell, in a position similar to a fetus in the womb.

We also see her kneeling on the ground, head bowed down, wrapped in the darkness, and hands behind her back like she’s completely surrendered. Like a slave about to be killed.
Like a slave who’s accepted that they’re nothing.

Aaand then we see the most disturbing face in the entire video. It weirds me out just looking at it, this bitch be 666% evil.

We also have the wondrous privilege of seeing her lookin’ like a completely power-hungry, psychotic demon woman. Pics because it happened.

Appearing all-powerful and demonic.

Angel of the light, symbolising satanic deception.

Self-inflicted injury, commonly programmed into victims in case programming starts to break down or go wrong.

At the end of the video, we see Jessie clutching her neck- a very common form of symbolism related to self-injury and masochism. After, at the very end, she collapses. This is very, very similar to Eminem at the end of his video for “Rap God”.

Collapsed on the ground, nothing left to give.

So there we have it, mates. Jessie J is just as much of a crazy bitch as Nicki Minaj or Katy Perry or Miley Cyrus or any other MK Ultra-diseased “human” being. These people are no joke. They’re truly slaves. They’re truly not who they once were, when they were young and gullible enough to get involved with the entertainment industry.
For the love of god, if you like to write music, do it for you. Don’t do it for the fame, you’ll never be the same.
End of.

Oh yeah. And here are all the numerous one-eyed shots she provided.

9 SATAN POINTS TO JESSIE J, SHE DESERVES A FUCKING MEDAL.

Hmmmmmmmmmmmmmmmmmmmmmmmmmm…
I wonder who she’s working for. :l

Alexa Goddard’s “Marilyn”: I can’t even anymore.

Do you know who Alexa Goddard is? Because I didn’t, until I saw her name and face plastered all over Vevo’s homepage. She’s signed to Roc-A-Fella Records, and we all know what that means. But hey, I guess the industry could always use another sexed-up sleazebag to do their bidding. She does a super duper job of it in the video for her latest single. Called “Marilyn”. And it’s about wanting to be like “Marilyn, Marilyn!” Because she lived such a fabulous life apparently, and everything people know about her is so accurate. Except it’s not. She was put through atrocity after atrocity, until she was all used up. Then she was disposed of, in the characteristic “mysterious celebrity death” they’re given. Cheap cover stories and disinformation.

Regardless, here we are with yet another Marilyn Monroe idolisation song. I swear to god if I see one more shirt, belt, wallet, backpack, poster, keychain, or fucking tampon with her face on it? So help me. That’s all I can say, because I don’t need the NSA at my front doorstep.

OH-kay, moving on. The lyrics for the first verse of the song go:
“Let’s go down to Carnaby
Get fucked up like we’re royalty
Let’s go try something that we shouldn’t
Cause that’s what legends do
Take me down the rabbit hole
Let’s go places no one knows
It’s my twisted fantasy
This is who I wanna be”

Shot reflecting only her head.

If you know anything at all about MK Ultra/ monarch programming references, this song should ring a bell. Loud. I mean, really. These are the kinds of girls children look up to and idolise. They see them on TV or on the internet, half-naked and dancing around like they’re up for bid. That’s a thing. And I presume it’s only going to get worse. These lyrics suggest careless, self-destructive behaviour while also suggesting dissociation (through an Alice in Wonderland programming reference) into a world that she calls her “twisted fantasy”. Sounds fun. The first few seconds of the video show a reflection of her in a rearview mirror, but not a shot of her driving- a reflection of just her head. This is the first clue to her fragmented state.
Warning: There’s also a lot of flashing and flickering in this video too, some of which was too fast for me to even slow down to analyse, so just be careful what you watch. I’m glad I’m not epileptic.

We see Alexa walking along with a suitcase in a white top and long white skirt that look eerily similar to a wedding dress. They use the white gown to symbolise a sacrificing of purity, exactly like Taylor Swift when she performed her song “I Knew You Were Trouble”. The next thing I took note of was the fact that she was shown walking past a wax museum. A museum full of figures that look like exactly like people, but aren’t alive or mentally aware? Hmmm. It’s fitting.

Taylor in a virginal “wedding” gown for ritualistic “sacrifice” at the 2012 Brit Awards. Hellfire and all. The women dancers in this bit were wearing cages (at the AMAs) and large masks (in this performance) around their faces.

White, virginal stylised top and skirt. Notice the wax museum to her right (left of screen).

One other thing that caught my eye was the drawing of attention to a map in her hand titled “EZ Map”. Why would they show the map up close, in-focus like that unless there was something significant about it? Nothing is accidental in complete fabrications, especially when it’s a split second long. The letters E and Z are important because E is the 5th letter of the alphabet, and Z is the 26th. 5 + (2+6) = 13. Whaddaya know, it does have significance. The number 13 is incredibly important to the occult elite, because there are 13 satanic bloodlines that make up the hierarchy of global power. You might say numerology is stupid- and you’re right. But to these men, certain numbers have dire powers and meanings, so much so that they plan certain events on certain days with numerological significance to them. Therefore, even if it is dumb, I can’t overlook it as it can be a valid pointer.

“EZ” map.

Next, we see the beginnings of her complete and utter insanity. She’s shown stood in front of a checkered wall (duality), spinning (dissociation) around with a GIANT crystal chain collar around her neck (beta programming/ slave status), spinning around in a checkered hallway (duality), and spinning around in a pink and blue (beta-bisexual programming) crop top that has “HELL” written in glitter. Fancy as fuck. Keep in mind that this all happens within a very short time frame. As well, I couldn’t even count the number of times this chick was spinning her brains out like a 5-year-old in this video. Literally could not keep up. I think she spends more time spinning in circles than actually singing. Regardless, it’s crucial because it’s deeply related to the process of getting one to properly dissociate during the programming process. It’s frequently symbolised by spinning tops, pinwheels, carousels, spinning in circles, and ferris wheels.

Slave-status chained collar.

Look how cute, and she’s original too!

Checkered walls. She must REALLY like them.

Remember when I said carousels and ferris wheels can represent dissociation triggers?

Checkered walls, blue and pink checked “HELL” top, and OH LOOK. SHE’S SPINNING AGAIN.

Then we’re off to the chorus. It goes “I don’t wanna be dull, I don’t wanna be normal like Marilyn Marilyn Monroe, Marilyn Monroe, Marilyn Marilyn! I don’t wanna be alone, I wanna be someone like Marilyn Marilyn Monroe, Marilyn Monroe! (x9).
Can we talk about how grammatically irritating this is? I know what she means, but I don’t know if she does. She could have just as easily said “I wanna be different like Marilyn”.
Not only is it grammatically annoying, but it also insinuates a lot of things, like the fact that you’ll be alone if you’re not someone like Marilyn. Not only that, but it pushes idolatry and unoriginality. Why would you want to be someone like anyone else but yourself? Nobody gets to be you but you. A million girls try to be just like Marilyn, and that’s different. Okay then, buddy.
Before I go on to the latter part of this video, I’m just going to put this screen shot in as well. I was debating whether or not to, but I just had to because of how unsettling it was. This frame went by super quick (I didn’t notice it the first few times), and you never see anything like it again for the rest of the video. It’s just.. lifeless, robotic, and eerie.

By the way, the things I’m pointing out act as triggers to a monarch slave, in order to keep them in the mental mode their handlers desire. I’m not just doing this to call out “Illuminati bullshit”, I’m doing this to spread as accurate information about modern MK Ultra culture so we’re not all oblivious to it. So that we better-understand the things we see in the world shaped around us. It’s a big deal in relation to the global elite because they, themselves have used and/or been through MP, and most (if not all) have alters of their own for specific purposes, like occult rituals.
ANYWAY. Then we get to the second half of the video, and she’s in a giant, cage-like fake crown while holding an ice cream cone. Both of these are significant, as the crown here symbolises control over the mind, and ice cream is code for metaphorically freezing the brain in monarch programming. Y’know? Brain freeze. Mariah Carey brought an ice cream trolley to the set of a show she wasn’t invited to be on when she had her programming meltdown.


Very shortly after, we see the next scene take place- in which she’s wearing a jeweled crop top. This signifies jewel programming- which has a lot in common with colour programming. Different colours/jewels are programmed to be associated with certain alters, and are used as triggers to re-inforce the dissociation once that alter’s taken the body. For example, she’s wearing giant dangling ruby earrings. Rubies are triggers/code for sexual alters. Nobody but a specific slave’s handler is able to bring up an alter, as they can only be accessed with virtually crack-proof codes. So please, nobody go running up to celebrities shouting colours in their faces.
She’s not only wearing that, but she’s also sunglasses with a veil over them. Do not try to tell me this is practical at all, because it’s just ludicrous. But it is extremely symbolic- veils and blindfolds represent the slave being “blind” to their internal programming, as well as the daily manipulation and abuse they endure just for the fame and money- which is more than enough for them (as in their front alters) to take orders 99% of the time.

Veil over the eyes and jeweled top. But hey, she looks happy to me.

 

 She’s walking down a boardwalk when she encounters a man playing the piano, with a piano belt on. Pianos are black and white, which could represent duality but I’m not gonna make that call 100% because it’s merely a possibility. Also somewhat relevant is the following quote from the fourth chapter of Fritz Springmeier’s book The Illuminati Formula to Create an Undetectable Total Mind Control Slave: “The conscious mind and the subconscious mind need to grapple. For creativity to be productive it must occur within limits. For instance, the concerto is created within the limits of a piano keyboard.” Also, she’s shown tipping the guy- and on her arm you can clearly see a feather tattoo. Real or not (it’s more than likely not), it’s a trigger that represents the lightheaded feeling one gets after being electroshocked to the point of complete and total dissociation. This is also frequently symbolised by balloons or butterflies.

Feather tattoo.

For a couple seconds after, we see a clear shot of a man drinking a frosty, ice-cold beverage. Which is cool and all, except it’s centered in such a way that draws our eye to his tattoo and not him. I have not tried to decipher his tat, so if any of you have a clue, comment below and I’ll edit.

Thereafter, we see Alexa encounter a few small dogs. This part lasts a bit longer than it really should, which was an instant clue to me that it had to mean something. I immediately remembered that slaves with Wizard of Oz programming are given dogs (like Toto) that they get deeply attached to, only to have them “run away” or “get sick and instantly die out of nowhere for no reason because they killed it”. This is to further fracture a slave’s ego for programming, and can be done at any age. For example, Miley Cyrus was recently reprogrammed when she fell “ill” during her current tour. Right around the same time, one of her dogs whom she was evidently very close with died suddenly. Perfect grounds for stable programming. Also not pictured here, she’s wearing a bow (symbol for mind control) ring during a good portion of the video.

Alexa with the little dogs. More black, white, and stripes too.

After a bit more spinning around and chanting “Marilyn, Marilyn”, she’s shown walking across a street in a black & white-striped maxi dress and carrying a red umbrella. Obvious symbolism going on here, as well as red being a sacrificial colour. When it comes to “sacrifice”, the sequence of colours a theoretical woman wears go from white for purity, to red for sacrifice, and then black for rebirth.

 

 

The last scene in this video takes place on the beach itself. She’s blowing on a pinwheel, looking all daydreamy, and then running around with balloons. Pinwheel spinning around because she’s taking a break (but no seriously, it’s for dissociation), and the balloons represent the lightheadedness experienced by electroshocked/tortured- similar to the symbol of the feather on her arm from earlier.

This is strongly suggestive that she really is off “in a world of her own”.

 

So that concludes my interpretation of this otherwise dull and obnoxiously cliche video. Okay I’m kidding, it’s totally still obnoxious. But I couldn’t resist analysing it because there was just too much going on here for me to pass it up.
Even though you may or may not have learned anything from this article, I still strongly recommend that each and every one of you go out there into the world, mind open, and learn as much as you can for yourself. Other people can mislead you, and some do intentionally. Just be on the watch. Sort truth from fiction, and guard yourself from the malicious elite and their entire pyramid of people feeding off one another’s power for their own gain.
I think “be cautious” are the words I was looking for.

 I’ve got 99 problems, and “Problem” is one of them.

So one of the latest and greatest collabs  has happened, and it’s by Ariana Grande and Iggy Azalea- two big up-and-coming artists in the mainstream industry. Okay, so maybe it’s not the greatest, but it’s relevant. And that’s what’s important to cover. When occult symbolism and a hierarchy of power are the very foundation of the music industry- so if you wanna make it big, you have to comply with pushing their agenda. The issue I have with the song “Problem” is not the sound; it’s got nothing to do with the genre, and it’s got very little to do with the lyrics (which are about as deep as puddle, regardless). The problem I have with this song is the overwhelmingly-overused, simple and obvious symbolic theme throughout the entirety of the official Vevo/Interscope lyric video, and surrounding promotional imagery.

Black and white (symbolising duality), and sexualisation to promote the classic “good girl gone bad” image.

Iggy Azalea isn’t too shy of a girl herself. Her frequently raunchy lyrics, and overtly sexual musical themes are things of a parent’s worst nightmare. Although she can be quite explicit, seeing younger stars on channels like Disney and Nickelodeon teaming up with the industry’s leading sex kittens isn’t too uncommon anymore.

 

This photoset shows her powerlessness and allegiance to the industry and its inner workings. The leopard skin leggings, the checkerboard couch, and the all-seeing-eye are symbols of her status in the monarch world.

Ariana is going through the “good girl gone bad” stage, something all young female stars have to go through at some point to make it big. Taylor Swift, Rihanna, Selena Gomez, Christina Aguilera, Miley Cyrus, and Beyoncé are just a few examples off the top of my head. After all, innocence doesn’t sell records. But there are two things it does do- earn the trust of parents in order to expose this “phase” to children, and normalise sexualisation of the very innocence they possess.

Ariana in cat ears (beta programming trigger). She’s also in a shirt with a cat on it. Cat. Kitten. Sex kitten. Get it? Good.

Flashing the occult triple six hand-sign over one eye is super cool.

Masks are representative of multiple personalities in monarch programming. The fact that it’s a kitten should be enough in and of itself to show she has been/is under Beta programming. Once again, the black and white stripes represent the duality of her nature, and the poses go to show the sexualising of innocence and youth is also present.

To symbolise her going through this, she is constantly portrayed as or dressed in black and white and hyper-sexualised. In this context, the black and white represents the concept of duality, a mixing of good and evil through light and dark. Duality holds its place as a common theme throughout many religions and cults, and often, it is a celebration of both extremes of good and evil in human nature- especially in conjunction. Because of this, it is also a standard in monarch programming. Which leads me into this simple lyric/music video.

This video isn’t even technically a music video. It’s a “lyric” video, which really just means “people want a video for this song, but we don’t have time for this, so let’s just throw some words on a screen and flash subliminal imagery behind them”. Whether or not you’re conscious of the heavy symbolism used by the occult elite everywhere you look, it doesn’t mean it’s not there. It also doesn’t mean your subconscious doesn’t recognise it and make connections, because your subconscious records everything. No matter the size, speed, or exposure time, your subconscious can pick up on the most minute of details. This makes it a very powerful tool for the industry.

What most people would see when watching this video is simply sexy girls in shadows, winking, licking their lips, moving their hips, and singing. But what’s beneath this lazy facade runs deep in the world of symbolism.

Throughout, Ariana and Iggy are both filmed with rays of shadows on them in various ways. These stripes represent two things: “illumination” and once again, the concept of duality. The idea of esoteric enlightenment is something the occult elite hold very near and dear. A few good, solid times, the rays are focused around one of Ariana’s eyes- both rightside up and upside down.

As you can see above, the illuminated rays protruding from the eye of providence on Aleister Crowley’s hat strike and uncanny resemblance. This shows the idea that the occult hold, where apparently the more powerful you are, the more godlike you are. Because money might not buy happiness, but it does salvation, right? I have nothing more to say about this “creative” take on the all-seeing eye and its meanings. Other than the fact that they’re clearly out of ideas. And their minds.

The other thing I’d like to point out is the repeated flashing of one eye in the light, and one eye in the dark. Many times, it appears as though these women are split right down the middle by the shadow, part good and part evil. This is the display of blatant dualism in these industry puppets. During Iggy’s part, she is shown nearly always with one eye hidden, once again alluding to the all-seeing-eye symbolism.

   

The final thing I’d like to point out is the sexually-charged imagery that runs rampant throughout the video. I understand that Ariana is beyond the age of consent, but I’m not concerned with that. I’m more just making a point of the bits of Beta slipping through- again, suggestive of monarch programming.

                      

This video might not be Katy-Perry-obnoxious with the overt symbolism, but it’s still symbolically significant. Both of these women are little more than pawns, they’re slaves to the industry. Even Iggy herself has said “too late, now I’m in this bitch”. Once you blow up, you can’t just become un-famous. These record company execs take advantage of young, fame-hungry individuals and make it impossible for them to change their minds. They also cultivate these stars from childhood just like Britney Spears and Cristina Aguilera and every kid that’s ever been on the Disney Channel or Nickelodeon. So in a way, some of these human beings were never given a chance- even from childhood or birth.

The only way to protect yourself from the malicious intent of the “Illuminati” (or men of power, or the occult elite, or whatever you want to call them- it’s all the same) is to educate yourself about their methods of mass programming and manipulation of the human psyche. Because, while what we know is intricate, the whole picture is far more advanced than we could ever know.

Good luck.

will.i.am’s “Feelin’ Myself”: A celebration of egomania.

   I know this video was made 3 months ago. I accept my flaws, including the one where I’m not the most musically or internetly up-to-
date person in the world because I actually have a life to attend to, but I saw this video and it really struck me as being one of the
most-obvious I’ve seen thus far in pertinence to MK Ultra/ monarch programming.

   The song is called “Feelin’ Myself”. It’s a collaboration by will.i.am, Wiz Khalifa, French Montana, and last but definitely least, Miley Cyrus. It is the pure celebration of having an ego so big you could take out the entire galaxy with it. These monarch victims/participants are products designed to have “front” alters who are trained to re-wire any and all criticism the sounds of people being “jealous haters”. Without these bulletproof egos, these superstar celebrities likely wouldn’t be able to handle their positions without serious mental breakdowns. Therefore, these egomaniac alters are the “protectors” of their systems, triggered by any number of things.

   In the beginning of this video, will.i.am takes his place next to Miley to put his fist into the air and say “will-power”.
Miley just stands there, kind of dancing a little lazily and looking off-screen to be directed every moment. No big deal. Except she’s also wearing a Chanel jacket covered in chains, and is wearing actual chains. Pretty self-explanatory, I guess.

   We then see will.i.am leaning against a car, trying to look badass (Is will.i.am really “badass”? Why is he even relevant anymore, isn’t he like 40 now?), except it’s not working because he’s leaning against a car that looks like it was made by Hotwheels, and it makes him
look small. Like a pawn.

   Now, every “artist” in this video is shown as computer-generated. I’m not going to sit here and call it “the Transhumanist agenda”
because I’m not here to spread lies or rumours. I’m here to make genuine observations based in fact, regardless of my belief system.
Those facts include the ideas surrounded by the portrayal of these people in this video- the idea that they’re “computer generated”, the idea that they’re disposable and replaceable, and the fact that they’re made to look like human-esque computer creations. As though they’ve been specifically constructed and can be animated according to need.

   will.i.am is constantly portrayed as being made of “glass”, which just so happens to shatter. Twice. This is a symbolic representation of the “shattering” of the human psyche induced by the precision abuse, coreographed electroshock, and timed drugging among other unspeakable acts committed in the process of monarch programming. A mirror is a key symbol in MK Ultra, representing the idea that a mirror can be shattered to create fragments, but even though every fragment is just a piece of the original, each one can still be utilised as a mirror to reflect- its original purpose.

   will.i.am is shown as a computer generation, similar to Eminem’s portrayal in the video for “Rap God”. None of these ideas are new,
but they perpetuate the meaning behind the symbolism repeatedly shown to society through these mediums. In the frame below, we see only a bust of him, surrounded by a bunch of symbols that may seem meaningless at first. But along the right-hand side of the frame, we can clearly see a human body being scanned, eyes (the window to the soul) being displaced, a single eye letting you know who’s behind this, and a rectangular grid of different lights being illuminated which corresponds with what’s known as “domino programming”.

(Slim in “Rap God”)

   Here we see the ever-so-painfully awkward French Montana being shown numerous ways with a detached head, and being fragmented- indicating being dissociative (the main goal of monarch programming), this means he is not all there, and that he is comprised of parts of a whole.

(dissociative)

(parts of a whole)

   Another thing they do with all of the people featured here is they show them as literal multiples of themselves, similar to how both
will.i.am and Britney Spears were portrayed in the video for “Scream and Shout”, or the way Beyonce was shown on-screen during her
Super Bowl presentation.

(multiples)

   Up next is the ever-so-classy Ms. Cyrus, and she, like almost all the others at some point, is shown in a triangular-shaped room (omg alluminady lolol!!!one1!!11) and she says “everybody trippin’ like they poppin’ molly, up in the club is where you’ll find me”, along with talking about twerking like an “expert” (even though she apparently doesn’t know how).

   There’s not much significant I can say about this scene, other than the fact that she’s shown all warped and distorted- like most of the others as well at some point. This is significant because people or children being programmed are often drugged and shown themselves in funhouse mirrors to give them a warped perception of themselves. A lot of children are even taken to the Oregon Vortex’s House of Mystery, which is all a physics illusion to make visitors feel distorted and “off-balance”. Basically, it’s a house of completely scientifically-explainable mind-fuckery, but even those not under the influence of drugs or hypnosis become easily confused and disoriented. The only other thing I can add here is that she, at least in my opinion, is obviously in a sexual/Beta alter because of her actions and disposition, especially when it comes to her relation to will.

(Nice triangle room… although she looks a at bit small in proportion, donchya think?)

(distorted)

(digital creation, pliable, replaceable)

(multiples)

(Beta mode: activated) 

At another point in this video, the most blatant symbol of mind-control is used yet again, showing Miley and will through fractured, and therefore distorted glass. It, too changes and warps with their reflections on it.

(sexual alter showing) 

Incoming Wiz Khalifa is shown no differently than the others. Head detached, multiple copies of him, and kaleidoscopic distortions
masked by lyrics like “the bigger the bill, the bigger you ball” to distract us and keep us dumbed-down to fuck.

 

(self)

(ex)

(plan)

(a)

(tory)

In the end, all persons are shown in the same frame, and they all disappear one by one. The end.
Yaaay, so worth-it. Well, for me. Not for you. Don’t watch this shit, it isn’t cool, and it’s certainly nothing to emulate or aspire to. It’s just
mind-numbing. With all the flashing lights, distortions, pretty colours, kaleidoscopic patterns, good beats, and familiar faces to disorient us you too can become entranced by the video and an impression can be made into your subconscious. It’s brainrape. Brape?

Whatever. It’s junk.

   Oh yeah, and will.i.am apparently doesn’t know what “suicide” doors, are since he puts his arms up like butterfly doors…
Suicide doors are reverse-hinge. And really dangerous. Y’know, like. Suicide.

wil
wat r u doin
wil
stahp

Katy Perry’s “Dark Horse”: So in-your-face, it’s offensive.

So I watched the video for Katy Perry’s single “Dark Horse”, which I eagerly anticipated because I knew before they made it that it was going to be good. Not “good” in a sense of “wow, this song is cool, I totally respect her”, but good in a sense of “I know this is going to be too easy”. When I saw it, I was astounded by the pure blatancy of it. The elite are so in-our-face with it because they know they can be. They’ve got the masses so zombified that they perpetually don’t know, don’t care, and continue to eat up all the bullshit they produce.

Well, I for one don’t like being mindfucked by anybody- especially by the people who govern our nations and repeatedly attempt to seduce us to sleep while they take over everything. So in honour of my stance of trying to shake people like a newborn until they wake up and open their eyes to the monstrosity our planet has become, here is my analytical breakdown for the symbolism and meaning behind the video and lyrics for pop-superstar Katy Perry’s “Dark Horse”.

The video basically is a combination of Egyptian mythology and MK Ultra overload.
It begins by setting the time and place, although vaguely, by showing the words “Memphis, Egypt a crazy long time ago”.
Please, be more ambiguous.

The first thing we see is Katy dressed like an Egyptian goddess, being rowed down what I assume is a river in a boat (which is
significant in the story of Horus and Set in Egyptian mythology) with immediate monarch programming triggers. We see a blue man
with a cage around his head symbolising control of the mind, and a de-humanised beta slave with the head of a cat attached by chains.

In the middle is Katy, which we immediately see has the Eye of Horus (which bears the same meaning as the “All-Seeing Eye”, or the
eye of “God”) beneath a triangle literally printed onto her hair.
One of her eyes is also lined exactly like the Eye of Horus, probably coincidentally.
Just kidding, coincidence doesn’t exist in complete fabrications.

Moving on, we see a man approach Katy with a one-eyed patch (again, probably coincidence). He offers her the gift of a stupid-big
diamond, which she eagerly snatches up and examines with a cheesy Eye of Horus prop. Did I mention she also has a snake headdress on that looks oddly like Mickey Mouse ears. Oh yeah, that. And as we should know by now, Mickey Mouse ears are a sign of monarch programming and mind-control. Regardless of its form, this headdress is a snake (evil and temptation), a symbol that shows up a lot in this video- too damn much.

   Oh, and of course she does the whole required “Marilyn Monroe” impersonation. I mean, Marilyn was the first ever diamond-status
presidential-model Beta sex slave, brutally manipulated and later murdered by her handlers. Yes, let’s degrade and disrespect both her image and Katy’s as much as possible. Such a twisted joke.

   Soon after the diamond (God, this video this screams programming) is offered to her, she uses her power of lust and seduction to get her way, and then quickly destroys and consumes her victim’s power once she has what she wants. EXACTLY like Isis, Horus’ mother- the viscious Egyptian goddess of power, magic, and immortality. And in the process of eating the jewels, she makes an insane face usually only found on the mug of Nicki Minaj.

   We see a quick shot of Katy being portrayed as a statue in a modern interpretation of Egyptian carvings. She is surrounded by
golden snakes, wrapping around her hair and her body- reminiscent of the mythological Medusa, which has ties to Isis and Lucifer,
among other Pagan gods. You don’t have to look any further than what’s underground, beneath the Vatican. There are entire rooms built to worship these deities. The chief exorcist of the Vatican has made claims of the devil being present in the Catholic church, and even having to perform an exorcism on another exorcist.

   Anyway, back to the video. Again, somebody brings Katy a gift again- this time, it’s a fat dude with an Eye of Horus stamped on his
belly. He bears all the finest and delicious foods you can imagine- including a pyramid made out of Twinkies, and a giant bowl of
flaming Cheetos. She eats a Cheeto, and it’s too hot, so she gets mad and vaporises the dude. Anger issues? I dunno, I’ll leave that one up to you.

He turns into a goblet of water, which she quickly drinks.

And in between them bringing the treats and her murdering the man, she’s shown yet again hiding one of her eyes, and being
surrounded by programming triggers/symbols like the rabbit- an allusion to Alice in Wonderland programming where the person is
taught to dissociate and “go through the looking glass”. Some of you might say “Hey! The rabbit had a totally different meaning in ancient Egypt! ur so syko lololol” Which is true, but we have to use our brains, and look at these symbols in the context they’re in to analyse them properly. Katy Perry is a monarch slave, and these symbols have a specific meaning to her and her mindstate.

   This theme of seducing men into giving her things with her sex appeal/ power, and her destroying/ altering the bearers occurs THREE more times. Once, a man brings her a pimped-out golden ride with spinners, hydraulics, and a horned animal on it. She turns him into sand like the others, leaving him as a pair of dice for her new ride.

In between this man showing her his ride and her murdering HIM, Juicy J comes out of an Anubis sarcophagus that’s being felt up by the dehumanised cat-slaves. Anubis is highly associated with both Isis and Horus, as Anubis was adopted as Isis’ child, making him a sort of brother figure to Horus. Anubis was the Egyptian god of the Dead, the one who called the shots on who got into the afterlife and who was destroyed. The inside of the sarcophagus is covered with snakes as well.

   J has glasses on with heiroglyphs, but I can’t read them so I’m not going to try. If any of you have a clue, you can feel free to comment and I’ll edit with your translation.

   The other man comes as himself with a chained veil over his face (bringing himself, as in a sex slave possibly?), but once he reveals his face, she sees that he is not a man- but a crocodile. So she destroys him and he turns into a golden croc-skin clutch with, yet again, an Eye of Horus on it (and the crocman’s silver tooth on a chain).
Oh yeah, and she dances on a stripper pole as well. Beta much? Plus there’s another Eye of Horus on the floor. I’m getting tired of
typing those words, that’s how much this symbol shows up in this video. It’s also on the boat she’s on in the beginning. I probably should have said that… but like I said, if I stated every time it showed up, it would take up half the internet.

   So in the end, there’s a final man (wearing a pendant with the Eye of Horus inside a triangle, accentuating the link between the
sybmbolism of the Eye of Horus and the “All-Seeing Eye”) who shows her a giant golden pyramid with an illuminated top. It doesn’t get
more blatant than this, guys.

   She takes her place at the top of the pyramid, showing her limitless power. She spreads her wings and manipulates the skies, looking like a total psycho in the process. This is surefire proof she’s representing the goddess Isis. The powers, not the psycho bit. I dunno, I never met Isis. She could have been a total psycho.

   Aaand, that’s the end of that. Katy is truly fucked-up and there’s no help in the world that could save her at this point because she’s so far gone. This video is the complete opposite of her portrayal in the song “Unconditionally”, marking a distinction between separate personalities. If you think she’s acting, I’d have to disagree. She doesn’t have that much talent. If she did, she’d be on Broadway, not taking orders from record company execs like the puppet she is.

   Even those of you who don’t believe in any of this can plainly see the meaning behind this video.
Bitch be evil.